Underworld God
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Underworld God
The word chthonic (), or chthonian, is derived from the Ancient Greek word ''χθών, "khthon"'', meaning earth or soil. It translates more directly from χθόνιος or "in, under, or beneath the earth" which can be differentiated from Γῆ, or "ge", which speaks to the living surface of land on the earth. In Greek, chthonic is a descriptive word for things relating to the underworld and can be used in the context of chthonic gods, chthonic rituals, chthonic cults, and more. This is as compared to the more commonly referenced Olympic gods and their associated rites and cults. Olympic gods are understood to reference that which exists above the earth, particularly in the sky. Gods that are related to agriculture are also considered to have chthonic associations as planting and growing takes place in part under the earth. Chthonic deities Chthonic and ouranic, or olympic, are not completely opposite descriptors. They do not cleanly differentiate types of gods and worship ...
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Relief From The Grave Enclosure Of Lysimachides
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ...
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Epithet
An epithet (, ), also byname, is a descriptive term (word or phrase) known for accompanying or occurring in place of a name and having entered common usage. It has various shades of meaning when applied to seemingly real or fictitious people, divinities, objects, and binomial nomenclature. It can also be a descriptive title: for example, Pallas Athena, Phoebus Apollo, Alfred the Great, Suleiman the Magnificent, and Władysław I the Elbow-high. Many English monarchs have traditional epithets: some of the best known are Edward the Confessor, William the Conqueror, Richard the Lionheart, Æthelred the Unready, John Lackland and Bloody Mary. The word ''epithet'' can also refer to an abusive, defamatory, or derogatory phrase. This use as a euphemism is criticized by Martin Manser and other proponents of linguistic prescription. H. W. Fowler complained that "epithet is suffering a vulgarization that is giving it an abusive imputation." Linguistics Epithets are sometimes at ...
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Chthonic Beings
The word chthonic (), or chthonian, is derived from the Ancient Greek word ''χθών, "khthon"'', meaning earth or soil. It translates more directly from χθόνιος or "in, under, or beneath the earth" which can be differentiated from Γῆ, or "ge", which speaks to the living surface of land on the earth. In Greek, chthonic is a descriptive word for things relating to the underworld and can be used in the context of chthonic gods, chthonic rituals, chthonic cults, and more. This is as compared to the more commonly referenced Olympic gods and their associated rites and cults. Olympic gods are understood to reference that which exists above the earth, particularly in the sky. Gods that are related to agriculture are also considered to have chthonic associations as planting and growing takes place in part under the earth. Chthonic deities Chthonic and ouranic, or olympic, are not completely opposite descriptors. They do not cleanly differentiate types of gods and worship int ...
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Incense
Incense is aromatic biotic material that releases fragrant smoke when burnt. The term is used for either the material or the aroma. Incense is used for aesthetic reasons, religious worship, aromatherapy, meditation, and ceremony. It may also be used as a simple deodorant or insect repellent. Incense is composed of aromatic plant materials, often combined with essential oils. The forms taken by incense differ with the underlying culture, and have changed with advances in technology and increasing number of uses. Incense can generally be separated into two main types: "indirect-burning" and "direct-burning". Indirect-burning incense (or "non-combustible incense") is not capable of burning on its own, and requires a separate heat source. Direct-burning incense (or "combustible incense") is lit directly by a flame and then fanned or blown out, leaving a glowing ember that smoulders and releases a smoky fragrance. Direct-burning incense is either a paste formed around a bamboo stic ...
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Holocaust (sacrifice)
A holocaust is a religious animal sacrifice that is completely consumed by fire. The word derives from the Ancient Greek ''holokaustos'' which is used solely for one of the major forms of sacrifice, also known as a burnt offering. Etymology and usage The word holocaust derives from the Middle English holocaust, which derived from the Anglo-Norman ''holocauste'' and Late Latin ''holocaustum''. Its original root was the neuter form of the Ancient Greek ''holokaustos'' (ὁλόκαυστος), from ὅλος (hólos, “whole”) + καυστός (kaustós, "burnt") or καίω (kaíō, "I burn") with the use of rough breathing to pronounce the leading h. Greek sacrifice ''Holokautein'' (ὁλοκαυτεῖν) is one of the two chief verbs of Greek sacrifice, in which the victim is utterly destroyed and burnt up, as opposed to ''thúesthai'' (θύεσθαι), to share a meal with the god and one's fellow worshippers, ''commensal'' sacrifice. In the latter, the edible parts of the ...
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Temple
A temple (from the Latin ) is a building reserved for spiritual rituals and activities such as prayer and sacrifice. Religions which erect temples include Christianity (whose temples are typically called churches), Hinduism (whose temples are called Mandir), Buddhism, Sikhism (whose temples are called gurudwara), Jainism (whose temples are sometimes called derasar), Islam (whose temples are called mosques), Judaism (whose temples are called synagogues), Zoroastrianism (whose temples are sometimes called Agiary), the Baha'i Faith (which are often simply referred to as Baha'i House of Worship), Taoism (which are sometimes called Daoguan), Shinto (which are sometimes called Jinja), Confucianism (which are sometimes called the Temple of Confucius), and ancient religions such as the Ancient Egyptian religion and the Ancient Greek religion. The form and function of temples are thus very variable, though they are often considered by believers to be, in some sense, the "house" of ...
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Altar
An altar is a table or platform for the presentation of religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, churches, and other places of worship. They are used particularly in paganism, Christianity, Buddhism, Hinduism, Judaism, modern paganism, and in certain Islamic communities around Caucasia and Asia Minor. Many historical-medieval faiths also made use of them, including the Roman, Greek, and Norse religions. Etymology The modern English word '' altar'' was derived from Middle English '' altar'', from Old English '' alter'', taken from Latin '' altare'' ("altar"), probably related to '' adolere'' ("burn"); thus "burning place", influenced by '' altus'' ("high"). It displaced the native Old English word '' wēofod''. Altars in antiquity File:Tel Be'er Sheva Altar 2007041.JPG, Horned altar at Tel Be'er Sheva, Israel. File:3217 - Athens - Sto… of Attalus Museum - Kylix - Photo by Giovanni Dall'Orto, ...
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Painting On Limestone Sarcophagus Of Religious Rituals From Hagia Triada - Heraklion AM - 01
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Libation
A libation is a ritual pouring of a liquid, or grains such as rice, as an offering to a deity or spirit, or in memory of the dead. It was common in many religions of antiquity and continues to be offered in cultures today. Various substances have been used for libations, most commonly wine or other alcoholic drinks, olive oil, honey, and in India, ghee. The vessels used in the ritual, including the patera, often had a significant form which differentiated them from secular vessels. The libation could be poured onto something of religious significance, such as an altar, or into the earth. In East Asia, pouring an offering of rice into a running stream symbolizes the detachment from karma and bad energy. Religious practice Historical Ancient Sumer The Sumerian afterlife was a dark, dreary cavern located deep below the ground. This bleak domain was known as Kur, where the souls were believed to eat nothing but dry dust and family members of the deceased would ritually pou ...
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Animal Sacrifice
Animal sacrifice is the ritual killing and offering of one or more animals, usually as part of a religious ritual or to appease or maintain favour with a deity. Animal sacrifices were common throughout Europe and the Ancient Near East until the spread of Christianity in Late Antiquity, and continue in some cultures or religions today. Human sacrifice, where it existed, was always much rarer. All or only part of a sacrificial animal may be offered; some cultures, like the ancient and modern Greeks, eat most of the edible parts of the sacrifice in a feast, and burnt the rest as an offering. Others burnt the whole animal offering, called a holocaust. Usually, the best animal or best share of the animal is the one presented for offering. Animal sacrifice should generally be distinguished from the religiously prescribed methods of ritual slaughter of animals for normal consumption as food. During the Neolithic Revolution, early humans began to move from hunter-gatherer cultures toward ...
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Ceremonies Of Ancient Greece
Ceremonies of Ancient Greece encompasses those practices of a formal religious nature celebrating particular moments in the life of the community or individual in Greece from the period of the Greek dark ages (c. 1000 B.C) to the middle ages (c. 500 A.D). Ancient Greek religion was not standardised and had no formalised canon of religious texts, nor single priestly hierarchy, and practices varied greatly. However, ceremonial life in pre-Christian Greece generally involved offerings of a variety of forms towards gods and heroes, as well as a plethora of public celebrations such as weddings, burial rites, and festivals. Offerings Libation A libation is an offering involving the ritual pouring out of a liquid. In ancient Greece, such libations most commonly consisted of watered down wine, but also sometimes of pure wine, honey, olive oil, water or milk. It was a basic aspect of religion in ancient Greece, and possibly the most common religious practice. It was common to perform l ...
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Charon
In Greek mythology, Charon or Kharon (; grc, Χάρων) is a psychopomp, the ferryman of Hades, the Greek underworld. He carries the souls of those who have been given funeral rites across the rivers Acheron and Styx, which separate the worlds of the living and the dead. Archaeology confirms that, in some burials, low-value coins were placed in, on, or near the mouth of the deceased, or next to the cremation urn containing their ashes. This has been taken to confirm that at least some aspects of Charon's mytheme are reflected in some Greek and Roman funeral practices, or else the coins function as a viaticum for the soul's journey. In Virgil's epic poem, ''Aeneid'', the dead who could not pay the fee, and those who had received no funeral rites, had to wander the near shores of the Styx for one hundred years before they were allowed to cross the river. Some mortals, heroes, and demigods were said to have descended to the underworld and returned from it as living beings. T ...
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