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Uki-e
refers to a genre of ukiyo-e pictures that employs western conventions of linear perspective. Although they never constituted more than a minor genre, pictures in perspective were drawn and printed by Japanese artists from their introduction in the late 1730s through to the mid-nineteenth century.Hockley, p. 79 Around 1739, Okumura Masanobu studied European engravings to learn the rules of perspective. His engravings found their way to Japan either through Dejima or China. Masanobu was the first to apply the term Uki-e to perspective images, and Utagawa Toyoharu fully developed the form in the late 1750s when he produced colored woodblock copies of engravings after Canaletto and Guardi. Toyoharu was also the first to adapt these techniques to Japanese subjects. The interior of Kabuki theaters was a common subject in Uki-e prints. Interior scenes tend to be favored as it is easier to accurately apply one point perspective to architecture than to landscape. See also *Ranga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Toyoharu
Utagawa Toyoharu (歌川 豊春, – 1814) was a Japanese artist in the ukiyo-e genre, known as the founder of the Utagawa school and for his '' uki-e'' pictures that incorporated Western-style geometrical perspective to create a sense of depth. Born in Toyooka in Tajima Province, Toyoharu first studied art in Kyoto, then in Edo (modern Tokyo), where from 1768 he began to produce designs for ukiyo-e woodblock prints. He soon became known for his ' "floating pictures" of landscapes and famous sites, as well as copies of Western and Chinese perspective prints. Though his were not the first perspective prints in ukiyo-e, they were the first to appear as full-colour ''nishiki-e'', and they demonstrate a much greater mastery of perspective techniques than the works of his predecessors. Toyoharu was the first to make the landscape a subject of ukiyo-e art, rather than just a background to figures and events. By the 1780s he had turned primarily to painting. The Utagawa s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Okumura Masanobu
Okumura Masanobu ( ja, 奥村 政信; 1686 – 13 March 1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction. At first his work adhered to the Torii school, but later drifted beyond that. He is a figure in the formative era of ukiyo-e doing early works on actors and bijin-ga ("pictures of beautiful women"). Life and career While Masanobu's early life is largely undocumented, he is believed to have been born about 1686, possibly in Edo (modern Tokyo). Edo was a small fishing village when it was Tokugawa Ieyasu chose it as his administrative capital of the Tokugawa shogunate, and by the early 17th century the city had prospered and its population had grown to half a million. Masanobu appears to have been self-taught painter (though he did study poetry under Tachiba Fukaku); he is not known to have belonged to any artistic school. His early work shows the influence of the Torii schoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspective (graphical)
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of 3D projection, graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rangaku
''Rangaku'' (Kyūjitai: /Shinjitai: , literally "Dutch learning", and by extension "Western learning") is a body of knowledge developed by Japan through its contacts with the Dutch enclave of Dejima, which allowed Japan to keep abreast of Western technology and medicine in the period when the country was closed to foreigners from 1641 to 1853 because of the Tokugawa shogunate's policy of national isolation (sakoku). Through Rangaku, some people in Japan learned many aspects of the scientific and technological revolution occurring in Europe at that time, helping the country build up the beginnings of a theoretical and technological scientific base, which helps to explain Japan's success in its radical and speedy modernization following the forced American opening of the country to foreign trade in 1854. History The Dutch traders at Dejima in Nagasaki were the only Europeans tolerated in Japan from 1639 until 1853 (the Dutch had a trading post in Hirado from 1609 till 1641 bef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yōga (art)
is a style of artistic painting in Japan, typically of Japanese subjects, themes, or landscapes, but using Western (European) artistic conventions, techniques, and materials. The term was coined in the Meiji period (1868–1912) to distinguish Western-influenced artwork from indigenous, or more traditional Japanese paintings, or . History Early works European painting was introduced to Japan during the late Muromachi period along with Christian missionaries from Portugal in 1543. Early religious works by Japanese artists in imitation of works brought by the missionaries can be considered some of the earliest forms of ''Yōga''. However, the policy of national seclusion introduced by the Tokugawa bakufu in the Edo period effectively ended the influence of western art on Japanese painting, with the exception of the use of perspective, which was discovered by Japanese artists in sketches found in European medical and scientific texts imported from the Dutch via Nagasaki. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Okumura Masanobu - Taking The Evening Cool By Ryōgoku Bridge
Okumura (written: 奥村) is a Japanese surname. Notable people with the surname include: *Chiyo Okumura (born 1947), popular Japanese Pop singer and former fashion model *Haruhiko Okumura, Japanese engineer * Okumura Hatsune (born 1990), Japanese singer-songwriter *Okumura Masanobu (1686–1764), Japanese print designer, book publisher, and painter *, Japanese graphic designer *Shigeo Okumura (born 1972), Japanese professional wrestler currently working in Mexico * Shohaku Okumura (born 1948), Japanese Soto Zen priest, founder of the Sanshin Zen Community in Bloomington, Indiana *Takeshi Okumura (born 1952), Japanese professional pool player * Tenzo Okumura (born 1944), Japanese politician of the Democratic Party of Japan, a member of the House of Representatives in the Diet * Togyu Okumura (1889–1990), famous Japanese modern painter of the nihonga style of watercolour painting *, Japanese ukiyo-e artist *Tsunao Okumura (1903–1972), the president of Nomura Securities between 194 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dejima
, in the 17th century also called Tsukishima ( 築島, "built island"), was an artificial island off Nagasaki, Japan that served as a trading post for the Portuguese (1570–1639) and subsequently the Dutch (1641–1854). For 220 years, it was the central conduit for foreign trade and cultural exchange with Japan during the isolationist Edo period (1600–1869), and the only Japanese territory open to Westerners. Spanning or , Dejima was created in 1636 by digging a canal through a small peninsula and linking it to the mainland with a small bridge. The island was constructed by the Tokugawa shogunate, whose isolationist policies sought to preserve the existing sociopolitical order by forbidding outsiders from entering Japan while prohibiting most Japanese from leaving. Dejima would house Portuguese merchants and separate them from Japanese society while still facilitating lucrative trade with the West. Following a rebellion by mostly Catholic converts, all Portuguese w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canaletto
Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto (), was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school. Painter of city views or ''vedute'', of Venice, Rome, and London, he also painted imaginary views (referred to as capricci), although the demarcation in his works between the real and the imaginary is never quite clearcut.Alice Binion and Lin Barton. "Canaletto." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 6 Jan. 2017 He was further an important printmaker using the etching technique. In the period from 1746 to 1756 he worked in England where he painted many views of London and other sites including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762. Early career He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guardi
Francesco Lazzaro Guardi (; 5 October 1712 – 1 January 1793) was an Italian painter, nobleman, and a member of the Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting. In the early part of his career he collaborated with his older brother Gian Antonio in the production of religious paintings. After Gian Antonio's death in 1760, Francesco concentrated on ''vedute''. The earliest of these show the influence of Canaletto, but he gradually adopted a looser style characterized by spirited brush-strokes and freely imagined architecture. Biography Francesco Guardi was born in Venice into a family of nobility from Trentino. His father Domenico (born in 1678) and his brothers Niccolò and Gian Antonio were also painters, later inheriting the family workshop after the father's death in 1716. They probably all contributed as a team to some of the larger commissions later attributed to Francesco. His sist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
