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Tunes For Archbishop Parker's Psalter
In 1567 English composer Thomas Tallis contributed nine tunes for Archbishop Parker's Psalter, a collection of vernacular psalm settings intended for publication in a metrical psalter then being compiled for the Archbishop of Canterbury, Matthew Parker. They are: # Man blest no doubt ( Psalm 1) # Let God arise in majesty (Psalm 68) # Why fum'th in sight ( Psalm 2) # O come in one to praise the Lord (Psalm 95) # E'en like the hunted hind ( Psalm 42) # Expend, O Lord, my plaint ( Psalm 5) # Why brag'st in malice high (Psalm 52) # God grant with grace (Psalm 67, tune known as Tallis' Canon) # Come Holy Ghost, eternal God (''Veni Creator'', tune known as Tallis' Ordinal) The eight psalm tunes as printed in Parker's ''Psalter'' included symbols showing how they could be applied throughout the book. They were not separately named and appear to have become obscure for some centuries following the death of Tallis, but the set includes some of his most famous melodies: the thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 67
Psalm 67 is the 67th psalm of the Book of Psalms, beginning in English in the King James Version: "God be merciful unto us, and bless us; and cause his face to shine upon us". In Latin, it is known as "Deus misereatur". In the slightly different numbering system of the Greek Septuagint The Greek Old Testament, or Septuagint (, ; from the la, septuaginta, lit=seventy; often abbreviated ''70''; in Roman numerals, LXX), is the earliest extant Greek translation of books from the Hebrew Bible. It includes several books beyond th ... version of the Bible, and in the Latin Vulgate, this psalm is Psalm 66. Its theme is a prayer for God's mercy, blessing and light. The psalm forms a regular part of Jewish history, Jewish, Catholic Church, Catholic, Lutheranism, Lutheran, Anglicanism, Anglican and other Protestant liturgies. It has been paraphrased in hymns and #Musical settings, set to music. Biblical commentator Cyril Rodd divides it into three sections: two "broadly parallel" sec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 42
Psalm 42 is the 42nd psalm of the Book of Psalms, often known in English by its incipit, "As the hart panteth after the water brooks" (in the King James Version). The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the Hebrew Bible, Psalm 42 opens the second of the five books (divisions) of Psalms, also known as the "Elohistic Psalter" because the word YHWH is rarely used and God is generally referred to as "Elohim". In the slightly different numbering system used in the Greek Septuagint version of the bible, and generally in its Latin translations, this psalm is Psalm 41, although the Nova Vulgata translation follows the Hebrew numbering. The psalm is a hymn psalm. It is one of twelve psalms attributed to the sons of Korah. In Latin, its incipit in the Psalterium Gallicanum (the version in the Roman Breviary until the optional introduction of the '' Versio Piana'' in 1945) is ''Quemadmodum desiderat cervus''; b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantasia On A Theme Of Thomas Tallis
''Fantasia on a Theme by Thomas Tallis'', also known as the ''Tallis Fantasia'', is a one-movement work for string orchestra by Ralph Vaughan Williams. The theme is by the 16th-century English composer Thomas Tallis. The Fantasia was first performed at Gloucester Cathedral as part of the 1910 Three Choirs Festival, and has entered the orchestral repertoire, with frequent concert performances and recordings by conductors and orchestras of various countries. Background and first performance Vaughan Williams did not achieve wide recognition early in his career as a composer, but by 1910, in his late thirties, he was gaining a reputation. In that year the Three Choirs Festival commissioned a work from him, to be premiered in Gloucester Cathedral; this represented a considerable boost to his standing. He composed what his biographer James Day calls "unquestionably the first work by Vaughan Williams that is recognizably and unmistakably his and no one else's". It is based on a tun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Vaughan Williams
Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social life. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Music of Germany, Teutonic influences. Vaughan Williams i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrygian Mode
The Phrygian mode (pronounced ) can refer to three different musical modes: the ancient Greek ''tonos'' or ''harmonia,'' sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter. Ancient Greek Phrygian The octave species (scale) underlying the ancient-Greek Phrygian ''tonos'' (in its diatonic genus) corresponds to the medieval and modern Dorian mode. The terminology is based on the '' Elements'' by Aristoxenos (fl. c. 335 BC), a disciple of Aristotle. The Phrygian ''tonos'' or ''harmonia'' is named after the ancient kingdom of Phrygia in Anatolia. In Greek music theory, the ''harmonia'' given this name was based on a ''tonos'', in turn based on a scale or octave species built from a tetrachord which, in its diatonic genus, consisted of a series of rising intervals of a whole tone, followed by a semitone, followed by a whole tone. : In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veni Creator Spiritus
"Veni Creator Spiritus" (Come, Creator Spirit) is a traditional Christian hymn believed to have been written by Rabanus Maurus, a ninth-century German monk, teacher, and archbishop. When the original Latin text is used, it is normally sung in Gregorian Chant. It has been translated and paraphrased into several languages, and adapted into many musical forms, often as a hymn for Pentecost or for other occasions that focus on the Holy Spirit. Liturgical use As an invocation of the Holy Spirit, Veni Creator Spiritus is sung in the Catholic Church during liturgical celebrations on the feast of Pentecost (at both Terce and Vespers). It is also sung at occasions such as the entrance of Cardinals to the Sistine Chapel when they elect a new pope, as well as at the consecration of bishops, the ordination of priests, the sacrament of Confirmation, the dedication of churches, the celebration of synods or councils, the coronation of monarchs, the Red Mass marking the start of the judicial ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 52
Psalm 52 is the 52nd psalm of the Book of Psalms, beginning in English in the King James Version: "Why boastest thou thyself in mischief, O mighty man?". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 51. In Latin, it is known as "Quid gloriatur in malitia", It is described as a ''maskil'', attributed to David, and is said to have been written "when Doeg the Edomite went and told Saul, and said to him, "David has gone to the house of Ahimelech". In this psalm, David criticises those who use their talents for evil. The psalm forms a regular part of Jewish, Catholic, Eastern Orthodox and Protestant liturgies. Text Hebrew Bible version The following is the Hebrew text of Psalm 52: King James Version # Why boastest thou thyself in mischief, O mighty man? the goodness of God endureth continually. # Thy tongue deviseth mischiefs; like a sharp razor, working deceitfully. # Thou lovest evi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 5
--> Psalm 5 is the fifth psalm of the Book of Psalms, beginning in English in the King James Version: "Give ear to my words, O LORD, consider my meditation". In Latin, it is known as "Verba mea auribus percipe Domine". The psalm is traditionally attributed to David. It is a reflection of how the righteous man prays for deliverance not only for freedom from suffering, but to allow himself to be able to serve God without distraction. The New King James Version entitles it "A Prayer for Guidance". The psalm is a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has been set to music by composers such as Heinrich Schütz, Felix Mendelssohn and Edward Elgar. Text Hebrew The following is the Hebrew text of Psalm 5: King James Version # Give ear to my words, O LORD, consider my meditation. # Hearken unto the voice of my cry, my King, and my God: for unto thee will I pray. # My voice shalt thou hear in the morning, O LORD; in the morning w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 95
Psalm 95 is the 95th psalm of the Book of Psalms, beginning in English in the King James Version: "O come, let us sing unto the LORD: let us make a joyful noise to the rock of our salvation". The Book of Psalms starts the third section of the Hebrew Bible, and, as such, is a book of the Christian Old Testament. In the slightly different numbering system in the Greek Septuagint version of the Bible, and in the Latin Vulgate, this psalm is Psalm 94. In Latin, it is known as "Venite exultemus". The psalm is a hymn psalm, one of the Royal psalms, praising God as the King of His people. Psalm 95 identifies no author, but Hebrews 4:7 attributes it to David. The Vulgate also names David as the author. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies, in particular as a responsorial psalm. Text King James Version # O come, let us sing unto the LORD: let us make a joyful noise to the rock of our salvation. # Let us come before hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Tallis
Thomas Tallis (23 November 1585; also Tallys or Talles) was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music. Tallis is considered one of England's greatest composers, and is honoured for his original voice in English musicianship. Life Youth As no records about the birth, family origins or childhood of Thomas Tallis exist, almost nothing is known about his early life or origins. Historians have calculated that he was born in the early part of the 16th century, towards the end of the reign of Henry VII of England, and estimates for the year of his birth range from 1500 to 1520. His only known relative was a cousin called John Sayer. As the surnames ''Sayer'' and ''Tallis'' both have strong connections with Kent, Thomas Tallis is usually thought to have been born somewhere in the county. There are suggestions that Tallis sang as a child of the chapel in the Chapel Royal, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
