Trío Romántico
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Trío Romántico
A trío romántico is a group of vocalists-guitarists, with origins in Hispanic America, that performs romantic songs, based on rhythms like bolero, vals and pasillo, mostly. The ensemble may be composed of three musicians: first guitar, second guitar and requinto guitar. Sometimes it is accompanied by maracas, or one of the guitars may be replaced by a double bass, guitarron or Mexican vihuela. Among the renowned artists are Los Tres Caballeros, Los Panchos, Los Tres Ases, Los Tres Reyes, and the singers Eydie Gormé and Lucho Gatica Luis Enrique Gatica Silva (11 August 1928 – 13 November 2018),
''The New York Times''. Retriev ...
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Los Panchos Auditorio Nacional 2012
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Vocal
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.) Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and to ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Hispanic America
The region known as Hispanic America (in Spanish called ''Hispanoamérica'' or ''América Hispana'') and historically as Spanish America (''América Española'') is the portion of the Americas comprising the Spanish-speaking countries of North, Central, and South America. In all of these countries, Spanish is the main language, sometimes sharing official status with one or more indigenous languages (such as Guaraní, Quechua, Aymara, or Mayan) or English (in Puerto Rico), and Roman Catholicism is the predominant religion. Hispanic America is sometimes grouped together with Brazil under the term "Ibero-America", meaning those countries in the Americas with cultural roots in the Iberian Peninsula. Hispanic America also contrasts with Latin America, which includes not only Hispanic America, but also Brazil (the former Portuguese America) and the former French colonies in the Western Hemisphere (areas that are now in either the United States or Canada are usually excluded). History ...
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Bolero
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse ''canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', etc ...
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Vals Criollo
The vals criollo ( en, Creole waltz), or Peruvian waltz ( es, vals peruano), is an adaptation of the European waltz brought to the Americas during colonial times by Spain. In the Viceroyalty of Peru, the waltz was gradually adapted to the likings of the Criollo people. In the 20th century, the genre became symbolic of the nation's culture as it gained widespread popularity in the country. It also became popular outside of Peru, particularly in Argentina, where local artists composed many notable Peruvian waltz compositions such as Amarraditos and Que nadie sepa mi sufrir. History "La Guardia Vieja," translated as "the old guard," was a time period in Peru approximately from 1900-1920 in which as a result of the combination of European, Afro-Peruvian, and indigenous musical elements the ''vals criollo'' emerged among the public. The music is characterized by the use of triple metre, sometimes compound duple time, and the lyrics consist of verses in strophic form with intercalated ...
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Pasillo
Pasillo ( en, little step, hallway or aisle) is a Colombian, genre of music extremely popular in the territories that composed the 19th century Viceroyalty of New Granada: Born in the Colombian Andes during the independence wars, it spread to other areas; especially Ecuador (where it is considered the national musical style) and, to a lesser extent, the mountainous regions of Venezuela and Panama. Venezuelans refer to this style of music as "''vals''" (Spanish for "Waltz"). Today, it has incorporated more European features of classical dance, such as Viennese waltz in Colombia and features of sanjuanito and yaraví in Ecuador. As it spread during the Gran Colombia period, pasillo also absorbed the individual characteristics of isolated villages. This gives it an eclectic feel; however, the style, tone, and tempo of the music differ in each village and indeed between each country. In its waltz, pasillo alters the classically European dance form to accompany guitar, mandolin, a ...
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Requinto Guitar
A requinto guitar is a smaller version of a classical guitar, with a scale length between 52-54cm. It is tuned a fourth higher than a standard classical guitar, to A2-D3-G3-C4-E4-A4. They often, but not always, have a cutout to reach the higher frets. Classical use The requinto guitar is traditionally used in guitar orchestras, along with other sized guitars. The Requinto is also used in Ecuadorian culture, and their national songs like pasillos and boleros, where the requinto plays a very big role in improvisation. The playing style of the requinto is very similar, in all the songs, and it is rarely played differently. . Modern use The requinto guitar is now especially popular in Mexico and elsewhere in Latin America. In Mexico it is used in Trío romántico groups. ''Requintos'' made in Mexico have a deeper body than a standard classical guitar ( as opposed to ). ''Requintos'' made in Spain tend to be of the same depth as the standard classical. See also * * Guitalele ...
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Maracas
A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní ), also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round ''Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the (scarlet ibis). Every man had his maraca. It was used at their dances and to heal the sick. Andean curandero A ''curandero'' (, healer; f. , also spelled , , f. ) is a traditional ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Mexican Vihuela
The Mexican vihuela is a guitar-like string instrument from 19th-century Mexico with five strings and typically played in mariachi groups. Description Although the Mexican vihuela has the same name as the historical Spanish plucked string instrument, the two are distinct. The Mexican vihuela has more in common with the Timple Canario (see: timple) due to both having five strings and both having vaulted (convex) backs. The Mexican vihuela is tuned similarly to the guitar. The difference is that the open G, the D and the A strings are tuned an octave higher than a guitar thus giving it a tenor sound or a higher pitch. The gauge of the strings and the order in which they are applied is important in producing a soft sound or a punchy bold sound when the instrument is strummed (the strum is called a mánico, and also references rhythmic patterns). The implementation of the vihuela to a mariachi is to give a duet of sorts with the Spanish guitar, one having a low tuning while the v ...
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