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Troubadour Style
Taking its name from medieval troubadours, the Troubadour Style (french: Style troubadour) is a rather derisive term, in English usually applied to French historical painting of the early 19th century with idealised depictions of the Middle Ages and the Renaissance. In French it also refers to the equivalent architectural styles. It can be seen as an aspect of Romanticism and a reaction against Neoclassicism, which was coming to an end at the end of the Consulate, and became particularly associated with Josephine Bonaparte and Caroline Ferdinande Louise, duchesse de Berry. In architecture the style was an exuberant French equivalent to the Gothic Revival of the Germanic and Anglophone countries. The style related to contemporary developments in French literature, and music, but the term is usually restricted to painting and architecture. History The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much inpu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Convention
The National Convention (french: link=no, Convention nationale) was the parliament of the Kingdom of France for one day and the French First Republic for the rest of its existence during the French Revolution, following the two-year National Constituent Assembly and the one-year Legislative Assembly. Created after the great insurrection of 10 August 1792, it was the first French government organized as a republic, abandoning the monarchy altogether. The Convention sat as a single-chamber assembly from 20 September 1792 to 26 October 1795 (4 Brumaire IV under the Convention's adopted calendar). The Convention came about when the Legislative Assembly decreed the provisional suspension of King Louis XVI and the convocation of a National Convention to draw up a new constitution with no monarchy. The other major innovation was to decree that deputies to that Convention should be elected by all Frenchmen twenty-one years old or more, domiciled for a year and living by the produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Fiction
Gothic fiction, sometimes called Gothic horror in the 20th century, is a loose literary aesthetic of fear and haunting. The name is a reference to Gothic architecture of the European Middle Ages, which was characteristic of the settings of early Gothic novels. The first work to call itself Gothic was Horace Walpole's 1764 novel ''The Castle of Otranto'', later subtitled "A Gothic Story". Subsequent 18th century contributors included Clara Reeve, Ann Radcliffe, William Beckford (novelist), William Thomas Beckford, and Matthew Gregory Lewis, Matthew Lewis. The Gothic influence continued into the early 19th century, works by the Romantic poetry, Romantic poets, and novelists such as Mary Shelley, Charles Maturin, Walter Scott and E. T. A. Hoffmann frequently drew upon gothic motifs in their works. The early Victorian literature, Victorian period continued the use of gothic, in novels by Charles Dickens and the Brontë family, Brontë sisters, as well as works by the American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
