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Topography Of Ancient Rome
The topography of ancient Rome is the description of the built environment of the city of ancient Rome. It is a multidisciplinary field of study that draws on archaeology, epigraphy, cartography and philology. The word 'topography' here has its older sense of a description of a place, now often considered to be local history, rather than its usual modern meaning, the study of landforms. The classic English-language work of scholarship is '' A Topographical Dictionary of Ancient Rome'' (1929), written by Samuel Ball Platner, completed and published after his death by Thomas Ashby. New finds and interpretations have rendered many of Platner and Ashby's conclusions unreliable, but when used with other sources the work still offers insights and complementary information. In 1992, Lawrence Richardson published ''A New Topographical Dictionary of Ancient Rome'', which builds on Platner and Ashby. The six-volume, multilingual '' Lexicon Topographicum Urbis Romae'' (1993‑2000) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Topography And Monuments Of Ancient Rome
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dark Ages (historiography)
The ''Dark Ages'' is a term for the Early Middle Ages, or occasionally the entire Middle Ages, in Western Europe after the fall of the Western Roman Empire that characterises it as marked by economic, intellectual and cultural decline. The concept of a "Dark Age" originated in the 1330s with the Italian scholar Petrarch, who regarded the post-Roman centuries as "dark" compared to the "light" of classical antiquity.. Reprinted from: The term employs traditional light-versus-darkness imagery to contrast the era's "darkness" (ignorance and error) with earlier and later periods of "light" (knowledge and understanding). The phrase ''Dark Age'' itself derives from the Latin '' saeculum obscurum'', originally applied by Caesar Baronius in 1602 when he referred to a tumultuous period in the 10th and 11th centuries. The concept thus came to characterize the entire Middle Ages as a time of intellectual darkness in Europe between the fall of Rome and the Renaissance that became espec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Aquaeductu
( en, On aqueducts) is a two-book official report given to the emperor Nerva or Trajan on the state of the aqueducts of Rome, and was written by Sextus Julius Frontinus at the end of the 1st century AD. It is also known as or . It is the earliest official report of an investigation made by a distinguished citizen on Roman engineering works to have survived. Frontinus had been appointed Water Commissioner by the emperor Nerva in AD 96. With the recovery of Frontinus' manuscript from the library at Monte Cassino in 1425, effected by the tireless humanist Poggio Bracciolini, details of the construction and maintenance of the Roman aqueduct system became available once more, just as Renaissance Rome began to revive and require a dependable source of pure water. Water supply of Rome The work presents a history and description of the water-supply of the city of Rome, including the laws relating to its use and maintenance. He provides the history, sizes and discharge rates of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frontinus
Sextus Julius Frontinus (c. 40 – 103 AD) was a prominent Roman civil engineer, author, soldier and senator of the late 1st century AD. He was a successful general under Domitian, commanding forces in Roman Britain, and on the Rhine and Danube frontiers. A '' novus homo'', he was consul three times. Frontinus ably discharged several important administrative duties for Nerva and Trajan. However, he is best known to the post-Classical world as an author of technical treatises, especially '' De aquaeductu'', dealing with the aqueducts of Rome. Family Due to a lack of either a ''titulus honorarius'' or ''sepulcralis'', there is no outline of Frontinus' life, the names of his parents, or of his wife. Some details can be inferred from chance mentions: He is thought to be of Narbonese origins, and originally of the equestrian class. From the nomenclature of the name of Publius Calvisius Ruso Julius Frontinus (consul c. 84), it is likely Frontinus had a sister, who was the other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirabilia Urbis Romae
''Mirabilia Urbis Romae'' ("Marvels of the City of Rome") is a much-copied medieval Latin text that served generations of pilgrims and tourists as a guide to the city of Rome. The original, which was written by a canon of St Peter's, dates from the 1140s. The text survives in numerous manuscripts. "Unhampered by any very accurate knowledge of the historical continuity of the city, the unknown author has described the monuments of Rome, displaying a considerable amount of inventive faculty," the ''Catholic Encyclopedia'' reports. The legend-filled ''Mirabilia'' remained the standard guide to the city until the fifteenth century. At the time it was written, the inhabited part of Rome, the ''abitato'', was a small city located in the bend of the Tiber River surrounded by the ruins of the great ancient city, where within the standing walls and gates of the ancient city were fields where cattle sheep and goats grazed among the temples and baths, giving to the Roman Forum its name '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Mirabilibus Urbis Romae
''De mirabilibus urbis Romae'', preserved in a single manuscript in Cambridge, England, is a medieval guide in Latin to the splendours of Rome, which was written in the mid-twelfth century by a certain Magister Gregorius ("Master Gregory") of Oxford. The outlook here is even more secular than the '' Mirabilia Urbis Romae'', Roberto Weiss noted. Gregorius spent much of his time describing and even measuring the Roman ruins, and, according to Erwin Panofsky "had yielded so thoroughly to the 'magic spell' (''magica quaedam persuasio'') of a beautiful Venus statue that he felt compelled to visit it time and again in spite of its considerable distance from his lodgings". Magister Gregorius is the first to take notice of the Roman bronze called the "''Spinario''", then among ancient bronzes at the Lateran. Panofsky included Magister Gregorius's little book among examples of the reawakening of interest in classical antiquities evinced by a handful of connoisseurs in twelfth-century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amphitheater
An amphitheatre (British English) or amphitheater (American English; both ) is an open-air venue used for entertainment, performances, and sports. The term derives from the ancient Greek ('), from ('), meaning "on both sides" or "around" and ('), meaning "place for viewing". Ancient Roman amphitheatres were oval or circular in plan, with seating tiers that surrounded the central performance area, like a modern open-air stadium. In contrast, both ancient Greek and ancient Roman theatres were built in a semicircle, with tiered seating rising on one side of the performance area. Modern parlance uses "amphitheatre" for any structure with sloping seating, including theatre-style stages with spectator seating on only one side, theatres in the round, and stadia. They can be indoor or outdoor. Natural formations of similar shape are sometimes known as natural amphitheatres. Roman amphitheatres About 230 Roman amphitheatres have been found across the area of the Roman Empir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triumphal Arch
A triumphal arch is a free-standing monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road. In its simplest form a triumphal arch consists of two massive piers connected by an arch, crowned with a flat entablature or attic on which a statue might be mounted or which bears commemorative inscriptions. The main structure is often decorated with carvings, sculpted reliefs, and dedications. More elaborate triumphal arches may have multiple archways. Triumphal arches are one of the most influential and distinctive types of architecture associated with ancient Rome. Thought to have been invented by the Romans, the Roman triumphal arch was used to commemorate victorious generals or significant public events such as the founding of new colonies, the construction of a road or bridge, the death of a member of the imperial family or the ascension of a new emperor. The survival of great Roman triumphal arches such as the Arch of Ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thermae
In ancient Rome, (from Greek , "hot") and (from Greek ) were facilities for bathing. usually refers to the large Roman Empire, imperial public bath, bath complexes, while were smaller-scale facilities, public or private, that existed in great numbers throughout Rome. Most Roman cities had at least one – if not many – such buildings, which were centers not only for bathing, but socializing and reading as well. Bathhouses were also provided for wealthy private Roman villa, villas, domus, town houses, and castra, forts. They were supplied with water from an adjacent river or stream, or within cities by aqueduct (watercourse), aqueduct. The water would be heated by fire then channelled into the caldarium (hot bathing room). The design of baths is discussed by Vitruvius in ''De architectura'(V.10) Terminology '','' '','' '','' and may all be translated as 'bath' or 'baths', though Latin sources distinguish among these terms. or , derived from the Greek language, G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Temple
Ancient Roman temples were among the most important buildings in Roman culture, and some of the richest buildings in Roman architecture, though only a few survive in any sort of complete state. Today they remain "the most obvious symbol of Roman architecture".Summerson (1980), 25 Their construction and maintenance was a major part of ancient Roman religion, and all towns of any importance had at least one main temple, as well as smaller shrines. The main room ''(cella)'' housed the cult image of the deity to whom the temple was dedicated, and often a table for supplementary offerings or libations and a small altar for incense. Behind the cella was a room or rooms used by temple attendants for storage of equipment and offerings. The ordinary worshiper rarely entered the cella, and most public ceremonies were performed outside where the sacrificial altar was located, on the portico, with a crowd gathered in the temple precinct. The most common architectural plan had a recta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Triumph
The Roman triumph (') was a civil ceremony and religious rite of ancient Rome, held to publicly celebrate and sanctify the success of a military commander who had led Roman forces to victory in the service of the state or in some historical traditions, one who had successfully completed a foreign war. On the day of his triumph, the general wore a crown of laurel and an all-purple, gold-embroidered triumphal '' toga picta'' ("painted" toga), regalia that identified him as near-divine or near-kingly. In some accounts, his face was painted red, perhaps in imitation of Rome's highest and most powerful god, Jupiter. The general rode in a four-horse chariot through the streets of Rome in unarmed procession with his army, captives, and the spoils of his war. At Jupiter's temple on the Capitoline Hill, he offered sacrifice and the tokens of his victory to the god Jupiter. In Republican tradition, only the Senate could grant a triumph. The origins and development of this honour wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flavio Biondo
Flavio Biondo ( Latin Flavius Blondus) (1392 – June 4, 1463) was an Italian Renaissance humanist historian. He was one of the first historians to use a three-period division of history (Ancient, Medieval, Modern) and is known as one of the first archaeologists. Born in the capital city of Forlì, in the Romagna region, Flavio was well schooled from an early age, studying under Ballistario of Cremona. During a brief stay in Milan, he discovered and transcribed the unique manuscript of Cicero's dialogue ''Brutus''. He moved to Rome in 1433 where he began work on his writing career; he was appointed secretary to the Cancelleria under Eugene IV in 1444 and accompanied Eugene in his exile in Ferrara and Florence. After his patron's death, Flavio was employed by his papal successors, Nicholas V, Callixtus III and the humanist Pius II. Archaeological works Flavio published three encyclopedic works that were systematic and documented guides to the ruins and topography of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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