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Three Unities
The classical unities, Aristotelian unities, or three unities represent a prescriptive theory of dramatic tragedy that was introduced in Italy in the 16th century and was influential for three centuries. The three unities are: #''unity of action'': a tragedy should have one principal action. #''unity of time'': the action in a tragedy should occur over a period of no more than 24 hours. #''unity of place'': a tragedy should exist in a single physical location. History Italy In 1514, author and critic Gian Giorgio Trissino (1478 – 1550) introduced the concept of the unities in his blank-verse tragedy, ''Sofonisba''. Trissino claimed he was following Aristotle. However, Trissino had no access to Aristotle's most significant work on the tragic form, ''Poetics''. Trissino expanded with his own ideas on what he was able to glean from Aristotle's book, ''Rhetoric''. In ''Rhetoric'' Aristotle considers the dramatic elements of action and time, while focusing on audience reception. Po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Jonson
Benjamin "Ben" Jonson (c. 11 June 1572 – c. 16 August 1637) was an English playwright and poet. Jonson's artistry exerted a lasting influence upon English poetry and stage comedy. He popularised the comedy of humours; he is best known for the satirical plays '' Every Man in His Humour'' (1598), '' Volpone, or The Fox'' (c. 1606), '' The Alchemist'' (1610) and '' Bartholomew Fair'' (1614) and for his lyric and epigrammatic poetry. "He is generally regarded as the second most important English dramatist, after William Shakespeare, during the reign of James I." Jonson was a classically educated, well-read and cultured man of the English Renaissance with an appetite for controversy (personal and political, artistic and intellectual) whose cultural influence was of unparalleled breadth upon the playwrights and the poets of the Jacobean era (1603–1625) and of the Caroline era (1625–1642)."Ben Jonson", ''Grolier Encyclopedia of Knowledge'', volume 10, p. 388. His ancest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Theatre
The history of theatre charts the development of theatre over the past 2,500 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment and ''theatrical'' or ''performative'' elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity. Since classical Athens in the 5th century BC, vibrant traditions of theatre have flourished in cultures across the world. Origins Despite theatre's resemblance to the performance of ritual activities, and the important relationship that theatre shares with ritual, there is no conclusive evidence to show that theatre originated from ritual.Cohen and Sherman (2020, ch. 7). This similarity of early theatre to ritual is negatively attested by Aristotle, who in his ''Poetics'' defined theatre in contrast to the performances of sacred mysteries: theatre did ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Poetry
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. Etymology The English word ''epic'' comes from Latin ''epicus'', which itself comes from the Ancient Greek adjective (''epikos''), from (''epos''), "word, story, poem." In ancient Greek, 'epic' could refer to all poetry in dactylic hexameter (''epea''), which included not only Homer but also the wisdom poetry of Hesiod, the utterances of the Delphic oracle, and the strange theological verses attributed to Orpheus. Later tradition, however, has restricted the term 'epic' to ''heroic epic'', as described in this article. Overview Originating before the invention of writing, primary epics, such as those of Homer, were composed by bards who used complex rhetorical and metrical schemes by which they could memorize the epic as receive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arden Shakespeare
The Arden Shakespeare is a long-running series of scholarly editions of the works of William Shakespeare. It presents fully edited modern-spelling editions of the plays and poems, with lengthy introductions and full commentaries. There have been three distinct series of The Arden Shakespeare over the past century, with the third series commencing in 1995 and concluding in January 2020. Arden was the maiden name of Shakespeare's mother, Mary, but the primary reference of the enterprise's title is to the Forest of Arden, in which Shakespeare's ''As You Like It'' is set. First Series The first series was published by Methuen. Its first publication was Edward Dowden's edition of ''Hamlet'', published in 1899. Over the next 25 years, the entire canon of Shakespeare was edited and published. The original editor of The Arden Shakespeare was William James Craig (1899–1906), succeeded by R. H. Case (1909–1944). The text of The Arden Shakespeare, First series, was based on the 1864 " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakespearean Histories
In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies. The histories—along with those of contemporary Renaissance playwrights—help define the genre of history plays. The Shakespearean histories are biographies of English kings of the previous four centuries and include the standalones ''King John'', ''Edward III'' and ''Henry VIII'' as well as a continuous sequence of eight plays. These last are considered to have been composed in two cycles. The so-called first tetralogy, apparently written in the early 1590s, covers the Wars of the Roses saga and includes '' Henry VI, Parts I'', '' II'' & ''III'' and ''Richard III''. The second tetralogy, finished in 1599 and including ''Richard II'', '' Henry IV, Parts I'' & '' II'' and '' Henry V'', is frequently called the ''Henriad'' after its protagonist Prince Hal, the future Henry V. The folio's classifications are not unproblematic. Besides proposing other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Winter's Tale
''The Winter's Tale'' is a play by William Shakespeare originally published in the First Folio of 1623. Although it was grouped among the comedies, many modern editors have relabelled the play as one of Shakespeare's late romances. Some critics consider it to be one of Shakespeare's " problem plays" because the first three acts are filled with intense psychological drama, while the last two acts are comic and supply a happy ending. The play has been intermittently popular, revived in productions in various forms and adaptations by some of the leading theatre practitioners in Shakespearean performance history, beginning after a long interval with David Garrick in his adaptation ''Florizel and Perdita'' (first performed in 1753 and published in 1756). ''The Winter's Tale'' was revived again in the 19th century, when the fourth " pastoral" act was widely popular. In the second half of the 20th century, ''The Winter's Tale'' in its entirety, and drawn largely from the First ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Sidney
Philip, also Phillip, is a male given name, derived from the Greek (''Philippos'', lit. "horse-loving" or "fond of horses"), from a compound of (''philos'', "dear", "loved", "loving") and (''hippos'', "horse"). Prominent Philips who popularized the name include kings of Macedonia and one of the apostles of early Christianity. ''Philip'' has many alternative spellings. One derivation often used as a surname is Phillips. It was also found during ancient Greek times with two Ps as Philippides and Philippos. It has many diminutive (or even hypocoristic) forms including Phil, Philly, Lip, Pip, Pep or Peps. There are also feminine forms such as Philippine and Philippa. Antiquity Kings of Macedon * Philip I of Macedon * Philip II of Macedon, father of Alexander the Great * Philip III of Macedon, half-brother of Alexander the Great * Philip IV of Macedon * Philip V of Macedon New Testament * Philip the Apostle * Philip the Evangelist Others * Philippus of Croton (c. 6t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
An Apology For Poetry
''An Apology for Poetry'' (or ''The Defence of Poesy'') is a work of literary criticism by Elizabethan poet Philip Sidney. It was written in approximately 1580 and first published in 1595, after his death. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, ''The School of Abuse'', to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defense is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage. Sidney states that there "have been three general kinds" of poetry: (i) "the ''chief''" being religious which "imitate th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irene (play)
''Irene'' is a Neoclassical tragedy written between 1726 and 1749 by Samuel Johnson. It has the distinction of being the work Johnson considered his greatest failure. Since his death, the critical consensus has been that he was right to think so. ''Irene'' was Johnson's only play, and was first performed on 6 February 1749 in a production by his friend and former pupil David Garrick. The play was a commercial success and earned Johnson more money than anything else he had written up to that point. It was never revived during his lifetime, and there is no subsequent evidence of any other full-scale productions of ''Irene'' anywhere until 1999, making it one of the most unsuccessful plays ever written by a major author. Background Johnson began writing ''Irene'' around 1726 when he first began to work in his father's bookshop. While in the bookshop he befriended Gilbert Walmesley, the Registrar of the Ecclesiastical Court of Lichfield. Johnson would discuss ''Irene'' with Walm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Johnson
Samuel Johnson (18 September 1709 – 13 December 1784), often called Dr Johnson, was an English writer who made lasting contributions as a poet, playwright, essayist, moralist, critic, biographer, editor and lexicographer. The ''Oxford Dictionary of National Biography'' calls him "arguably the most distinguished man of letters in English history". Born in Lichfield, Staffordshire, he attended Pembroke College, Oxford until lack of funds forced him to leave. After working as a teacher, he moved to London and began writing for ''The Gentleman's Magazine''. Early works include '' Life of Mr Richard Savage'', the poems ''London'' and '' The Vanity of Human Wishes'' and the play ''Irene''. After nine years' effort, Johnson's '' A Dictionary of the English Language'' appeared in 1755, and was acclaimed as "one of the greatest single achievements of scholarship". Later work included essays, an annotated ''The Plays of William Shakespeare'', and the apologue '' The History of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
