Theatre Studies
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Theatre Studies
Theatre studies (sometimes referred to as theatrology or dramatics) is the study of theatrical performance in relation to its literary, physical, psychobiological, sociological, and historical contexts. It is an interdisciplinary field which also encompasses the study of theatrical aesthetics and semiotics. A late-20th-century development in the area has been the ethnographic theory of theatre, pioneered by the Russian scholar Larisa Ivleva who studied the influence of folk culture on the development of Russian theatre. List of theatrologists Because of the interdisciplinary nature of the field, those who have been described as theatrologists can vary widely in terms of the primary focus of their activities. *Emil František Burianwriter, singer, actor, musician, composer, playwright and director *Jovan Ćirilovphilosopher, dramaturge, and writer *François Delsarteteacher of acting and singing *Joseph Gregortheatre historian and opera librettist *John Heilperntheatre critic and e ...
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Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exact ...
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Antoine Vitez
Antoine Vitez (; 20 December 1930 – 30 April 1990) was a French actor, director, and poet. He became a central character and influence on the French theater in the post-war period, especially in the technique of teaching drama. He was also translator of Chekhov, Vladimir Mayakovsky and Mikhail Sholokhov. Early life Antoine Vitez was born in Paris and trained to be an actor, finding his first acting job at the age of 19 in ''Ils attendent Lefty'' at the Théâtre Maubel. He failed to enter the National Conservatory of Dramatic Art in Paris and became a Communist activist, which he continued until 1979, when he left the Communist Party following the invasion of Afghanistan by the USSR. He met Louis Aragon in 1958 and became his private secretary from 1960 to 1962. He worked in the theater Balachova Tania, and wrote reviews published by Jean Vilar in the magazine ''Théâtre populaire''. Vitez also found work reading on the radio and voice-dubbing in films. He had his first op ...
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New York University Libraries
New York University Division of Libraries (NYU Libraries) is the library system of New York University (NYU), located on the university's global campus, but primarily in the United States. It is one of the largest university libraries in the United States. The NYU Libraries hold nearly 10 million volumes and comprises five main libraries in Manhattan and one each in Brooklyn, Abu Dhabi and Shanghai. Its flagship, the Elmer Holmes Bobst Library on Washington Square, receives 2.6 million visits annually. Around the world the Libraries offers access to about 10 million electronic journals, books, and databases. NYU's Game Center Open Library in Brooklyn is the largest collection of games held by any university in the world. NYU Libraries New York University (NYU) library system is composed of the following libraries: *Elmer Holmes Bobst Library *Sid and Ruth Lapidus Health Sciences Library *Waldmann Memorial Dental Library *Grey Fine Arts Library and Study Center *Business Library * ...
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Emerson College
Emerson College is a private college with its main campus in Boston, Massachusetts. It also maintains campuses in Hollywood, Los Angeles, California and Well, Limburg, Netherlands ( Kasteel Well). Founded in 1880 by Charles Wesley Emerson as a "school of oratory," the college offers more than three dozen degree and professional training programs specializing in the fields of arts and communication with a foundation in liberal arts studies. The college is one of the founding members of the ProArts Consortium, an association of six neighboring institutions in Boston dedicated to arts education at the collegiate level. Emerson is also notable for the college's namesake public opinion poll, Emerson College Polling, which is operated by the Department of Communication Studies. Originally based in Boston's Pemberton Square, the college moved neighborhoods several times, and is now located in the Theater District along the south side of the Boston Common. Emerson owns and operates th ...
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Theatre Semiotics
Semiotics (also called semiotic studies) is the systematic study of sign processes ( semiosis) and meaning making. Semiosis is any activity, conduct, or process that involves signs, where a sign is defined as anything that communicates something, usually called a meaning, to the sign's interpreter. The meaning can be intentional such as a word uttered with a specific meaning, or unintentional, such as a symptom being a sign of a particular medical condition. Signs can also communicate feelings (which are usually not considered meanings) and may communicate internally (through thought itself) or through any of the senses: visual, auditory, tactile, olfactory, or gustatory (taste). Contemporary semiotics is a branch of science that studies meaning-making and various types of knowledge. The semiotic tradition explores the study of signs and symbols as a significant part of communications. Unlike linguistics, semiotics also studies non-linguistic sign systems. Semiotics includes t ...
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Theatre Practitioner
A theatre practitioner is someone who creates theatrical performances and/or produces a theoretical discourse that informs his or her practical work. A theatre practitioner may be a director, dramatist, actor, designer or a combination of these traditionally separate roles. ''Theatre practice'' describes the collective work that various theatre practitioners do. The term was not ordinarily applied to theatre-makers prior to the rise of modernism in the theatre. Instead, theatre praxis from Konstantin Stanislavski's development of his system is described through Vsevolod Meyerhold's biomechanics, Antonin Artaud's Theatre of cruelty, Bertolt Brecht's epic, and Jerzy Grotowski's poor theatre. Contemporary theatre practitioners include Augusto Boal with his Theatre of the Oppressed, Dario Fo's popular theatre, Eugenio Barba's theatre anthropology, and Anne Bogart's viewpoints Viewpoints is a technique of dance composition that acts as a medium for thinking about and acting upon m ...
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Theatre Criticism
Theatre criticism is a genre of arts criticism, and the act of writing or speaking about the performing arts such as a play or opera. Theatre criticism is distinct from drama criticism, as the latter is a division of literary criticism whereas the former is a critique of the theatrical performance. Dramas or plays as long as they stay in the print form remain a part of literature. They become a part of the performing arts as soon as the written words of the drama are transformed into performance on the stage or any arena suitable for viewers to see. So the literary craft gives birth to a stage production. Likewise a criticism of a written play has a different character from that of a theatre performance. Criticism vs review There is a distinctive dissimilarity between theatre criticism and a theatre review. Both of them deal with the dramatic arts as they are performed. But they are done in different ways and for different purposes. Both have strong rationalities to support the o ...
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Literary Theory
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. Culler 1997, p.1 Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social prophecy, and interdisciplinary themes relevant to how people interpret meaning. In the humanities in modern academia, the latter style of literary scholarship is an offshoot of post-structuralism. Searle, John. (1990)"The Storm Over the University" ''The New York Review of Books'', December 6, 1990. Consequently, the word ''theory'' became an umbrella term for scholarly approaches to reading texts, some of which are informed by strands of semiotics, cultural studies, philosophy of language, and continental philosophy. History The practice of literary theory became a profession in the 20th century, but it has historical roots that run as far back as ancient Greece (Aristotle's ''Poetics'' is an often cited early e ...
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Dramatic Theory
Dramatic theory is a term used for works that attempt to form theories about theatre and drama. Examples of ancient dramatic theory include Aristotle's '' Poetics'' from Ancient Greece and Bharata Muni's ''Natyasastra'' from ancient India. Dramatic theory is studied as part of theatre studies. Term In antiquity, and again from the Renaissance to around 1900, drama was the most respected genre of poetry, even if it increasingly surpassed the novel in its public significance. Therefore, there has been constant discussion about what constitutes and distinguishes the respectable form from the less prestigious other genres. In the theories of drama, for example, attempts were made to reconcile the literary quality and the social rank of a drama or to play them off against one another. This is particularly true of the traditional distinction between tragedy and comedy. Since the late 18th century, commercial success has also been a reason for positive or negative reviews. In this con ...
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John Heilpern
John David Heilpern (8 April 1942 – 7 January 2021) was a British theatre critic, journalist, and author who worked both in the United Kingdom and the United States. He was a contributing editor to '' Vanity Fair'' (where he wrote the "Out To Lunch" feature) and longtime drama critic for the ''New York Observer.''''New York Observer''
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Biography

Heilpern, the son of a bookmaker, was born in , England, and educated at . He began his career at ''

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Semiotics
Semiotics (also called semiotic studies) is the systematic study of sign processes ( semiosis) and meaning making. Semiosis is any activity, conduct, or process that involves signs, where a sign is defined as anything that communicates something, usually called a meaning, to the sign's interpreter. The meaning can be intentional such as a word uttered with a specific meaning, or unintentional, such as a symptom being a sign of a particular medical condition. Signs can also communicate feelings (which are usually not considered meanings) and may communicate internally (through thought itself) or through any of the senses: visual, auditory, tactile, olfactory, or gustatory (taste). Contemporary semiotics is a branch of science that studies meaning-making and various types of knowledge. The semiotic tradition explores the study of signs and symbols as a significant part of communications. Unlike linguistics, semiotics also studies non-linguistic sign systems. Semiotics includes th ...
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Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ...
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