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The Vision Of Saint Eustace
''The Vision of Saint Eustace'' is a painting by the early Italian Renaissance master Pisanello, now in the National Gallery in London. The date of the work is unknown and has been assigned by various scholars to different points in Pisanello's career, but the National Gallery's website currently dates it to "about 1438-1442". The work depicts Saint Eustace before a stag, between the antlers of which is a crucifix, as described in the ''Golden Legend''. Although a similar story is told of Saint Hubert, the identification of the figure as Saint Eustace is based on the fact that Pisanello painted Saint Eustace in Sant'Anastasia. Saint Hubert's depiction in Italian art during this period is also unlikely. Saint Eustace is portrayed as a huntsman dressed in the height of court fashion, wearing a golden tunic and blue headdress. The patron was therefore given the opportunity to appreciate the work as a devotional piece in addition to identifying with the aristocratic pastime of huntin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pisanello
Pisanello (c. 1380/1395c. 1450/1455), born Antonio di Puccio Pisano or Antonio di Puccio da Cereto, also erroneously called Vittore Pisano by Giorgio Vasari, was one of the most distinguished painters of the early Italian Renaissance and Quattrocento. He was acclaimed by poets such as Guarino da Verona and praised by humanists of his time, who compared him to such illustrious names as Cimabue, Phidias and Praxiteles. Pisanello is known for his resplendent frescoes in large murals, elegant portraits, small easel pictures, and many brilliant drawings such as those in the Codex Vallardi (Louvre). He is the most important commemorative portrait medallist in the first half of the 15th century, and he can claim to have originated this important genre. He was employed by the Doge of Venice, the Pope in the Vatican and the courts of Verona, Ferrara, Mantua, Milan, Rimini, and by the King of Naples. He stood in high esteem in the Gonzaga and Este families. Pisanello had many of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastiglia
''Pastiglia'' , an Italian term meaning "pastework", is low relief decoration, normally modelled in gesso or white lead, applied to build up a surface that may then be gilded or painted, or left plain. The technique was used in a variety of ways in Italy during the Renaissance. The term is mostly found in English applied to gilded work on picture frames or small pieces of furniture such as wooden caskets and cassoni, and also on areas of panel paintings, but there is some divergence as to the meaning of the term between these specialisms. On frames and furniture the technique is in origin a cheaper imitation of woodcarving, metalwork or ivory carving techniques. Within paintings, the technique gives areas with a three-dimensional effect, usually those representing inanimate objects, such as foliage decoration on architectural surrounds, halos and details of dress, rather than parts of figures. In white lead pastiglia on caskets, the subject matter is usually classical, with a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rabbits And Hares In Art
Rabbits and hares (Leporidae) are common motifs in the visual arts, with variable mythological and artistic meanings in different cultures. The rabbit as well as the hare have been associated with moon deities and may signify rebirth or resurrection. They may also be symbols of fertility or sensuality, and they appear in depictions of hunting and spring scenes in the Labours of the Months. Judaism In Judaism, the rabbit is considered an unclean animal, because "though it chews the cud, does not have a divided hoof." This led to derogatory statements in the Christian art of the Middle Ages, and to an ambiguous interpretation of the rabbit's symbolism. The " shafan" in Hebrew has symbolic meaning. Although rabbits were a non-kosher animal in the Bible, positive symbolic connotations were sometimes noted, as for lions and eagles. 16th century German scholar Rabbi Yosef Hayim Yerushalmi, saw the rabbits as a symbol of the Diaspora. In any case, a three hares motif was a pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deer In Art
Deer or true deer are hoofed ruminant mammals forming the family Cervidae. The two main groups of deer are the Cervinae, including the muntjac, the elk (wapiti), the red deer, and the fallow deer; and the Capreolinae, including the reindeer (caribou), white-tailed deer, the roe deer, and the moose. Male deer of all species (except the water deer), as well as female reindeer, grow and shed new antlers each year. In this they differ from permanently horned antelope, which are part of a different family (Bovidae) within the same order of even-toed ungulates (Artiodactyla). The musk deer (Moschidae) of Asia and chevrotains (Tragulidae) of tropical African and Asian forests are separate families that are also in the ruminant clade Ruminantia; they are not especially closely related to Cervidae. Deer appear in art from Paleolithic cave paintings onwards, and they have played a role in mythology, religion, and literature throughout history, as well as in heraldry, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of Crucifixes
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dogs In Art
Cultural depictions of dogs in art has become more elaborate as individual breeds evolved and the relationships between human and canine developed. Hunting scenes were popular in the Middle Ages and the Renaissance. Dogs were depicted to symbolize guidance, protection, loyalty, fidelity, faithfulness, alertness, and love. As dogs became more domesticated, they were shown as companion animals, often painted sitting on a lady's lap. Throughout art history, mainly in Western art, there is an overwhelming presence of dogs as status symbols and pets in painting. The dogs were brought to houses and were allowed to live in the house. They were cherished as part of the family, and were regarded highly by the upper classes, who used them for hunting and could afford to feed them. Hunting dogs were generally connected to the aristocracy. Only the nobility were allowed to keep hunting dogs, and this would signal status. Dog portraits became increasingly popular in the 18th century, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horses In Art
Horses have appeared in works of art throughout history, frequently as depictions of the horse in battle. The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the American West. In the United Kingdom, depictions of fox hunting and nostalgic rural scenes involving horses continue to be made. Horses often appear in artworks singly, as a mount for an important person, or in teams, hitched to a variety of horse-drawn vehicles. History Prehistory The horse appeared in prehistoric cave paintings such as those in Lascaux, estimated to be about 17,000 years old. Prehistoric hill figures have been carved in the shape of the horse, specifically the Uffington White Horse, an example of the traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mammals In Art
Human uses of mammals include both practical uses, such as for food, sport, and transport, and symbolic uses, such as in art and mythology. Mammals have played a crucial role in creating and sustaining human culture. Domestication of mammals was instrumental in the Neolithic development of agriculture and of civilisation, causing farming to replace hunting and gathering around the world, and cities to replace scattered communities. Mammals provide dairy products and much of the meat eaten by the human population, whether farmed or hunted. They also yielded leather and wool for clothing and equipment. Until the arrival of mechanised transport, domesticated mammals provided a large part of the power used for work and transport. They serve as models in biological research, such as in genetics, and in drug testing. Mammals are the most popular of pets, with tens of millions of dogs, cats and other animals including rabbits and mice kept by families around the world. Mammals such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collections Of The National Gallery, London
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Pisanello
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1440s Paintings
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1430s Paintings
143 may refer to: *143 (number), a natural number *AD 143, a year of the 2nd century AD *143 BC, a year of the 2nd century BC * ''143'' (EP), a 2013 EP by Tiffany Evans * ''143'' (album), a 2015 album by Bars and Melody * ''143'' (2004 film), a 2004 Indian Telugu film * ''143'' (2022 film), a 2022 Indian Marathi film *''143'', a song by Set It Off from their 2009 EP, ''Calm Before the Storm'' *"1-4-3 (I Love You)", a 2013 song by Henry Lau *143 (West Midlands) Brigade *143 Records, record label of producer David Foster * KiYa 143 The is a four-axle B-B wheel arrangement diesel-hydraulic locomotive type operated in Japan since 2014 by West Japan Railway Company (JR West). Operations The KiYa 143 locomotives are used as self-propelled snowplough units during the winter ..., a locomotive type See also * List of highways numbered 143 * {{numberdis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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