The Tony Williams Lifetime
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The Tony Williams Lifetime
The Tony Williams Lifetime was a jazz fusion group led by jazz drummer Tony Williams. Original line-up The Tony Williams Lifetime was founded in 1969 as a power trio with John McLaughlin on electric guitar, and Larry Young on organ. The band was possibly named for Williams' debut album as a bandleader, '' Life Time'', released on Blue Note in 1965. Its debut album was ''Emergency!'', a double album released on Polydor/PolyGram Records in 1969. It was largely rejected by jazz listeners at the time of its release because of its heavy rock influences, but it is now looked upon as a fusion classic. Jack Bruce joined the group to provide bass and vocals on its second album, '' Turn It Over'', released in 1970. McLaughlin left the group and was replaced by Ted Dunbar on its 1971 album, '' Ego''. This album also featured Ron Carter on bass and cello, Warren Smith and Don Alias on percussion, and Larry Young on organ. Lifetime gigs around this time featured Juini Booth on bass. This ...
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Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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Ron Carter
Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy awards, and is also a cellist who has recorded numerous times on that instrument. Some of his studio albums as a leader include: ''Blues Farm'' (1973), '' All Blues'' (1973), '' Spanish Blue'' (1974), ''Anything Goes'' (1975), '' Yellow & Green'' (1976), ''Pastels'' (1976), ''Piccolo'' (1977), '' Third Plane'' (1977), ''Peg Leg'' (1978), '' A Song for You'' (1978), ''Etudes'' (1982), ''The Golden Striker'' (2003), ''Dear Miles'' (2006), and ''Ron Carter's Great Big Band'' (2011). Early life Carter was born in Ferndale, Michigan. He started to play cello at the age of 10, and switched to bass while in high school. He earned a B.A. in music from the Eastman School of Music (1959) and a master's degree in music from the Manhattan School of Music (1961). Carter's first jobs as a jazz music ...
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Blue Note Records
Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, the label began to switch its attention to modern jazz around 1947. From there, Blue Note grew to become one of the most prolific, influential and respected jazz labels of the mid-20th century, noted for its role in facilitating the development of hard bop, post-bop and avant-garde jazz, as well as for its iconic modernism, modernist art direction. History Historically, Blue Note has principally been associated with the "hard bop" style of jazz (mixing bebop with other forms of music including soul music, soul, blues, rhythm and blues and gospel music, gospel), but also recorded essential albums in the avant-garde and Free Jazz, free styles of jazz. Horace Silver, Jimm ...
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Life Time (Tony Williams Album)
''Life Time'' is the debut album by American drummer Tony Williams recorded in 1964 and released on the Blue Note label.Blue Note Records discography
accessed November 23, 2010
Featured musicians include tenor saxophonist Sam Rivers, vibraphonist Bobby Hutcherson, pianist Herbie Hancock and bassists Gary Peacock and
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Larry Young (jazz)
Larry Young (also known as Khalid Yasin ''Abdul Aziz October 7, 1940 – March 30, 1978) was an American jazz organist and occasional pianist. Young's early work was strongly influenced by the soul jazz of Jimmy Smith, but he later pioneered a more experimental, modal approach to the Hammond B-3. Biography Born and raised in Newark, New Jersey, United States, Young attended Newark Arts High School, where he began performing with a vocal group and a jazz band. Young played with various R&B bands in the 1950s, before gaining jazz experience with Jimmy Forrest, Lou Donaldson, Kenny Dorham, Hank Mobley and Tommy Turrentine. Recording as a leader for Prestige from 1960, Young made a number of soul jazz discs, '' Testifying'', ''Young Blues'' and '' Groove Street''. When Young signed with Blue Note around 1964, his music began to show the marked influence of John Coltrane. In this period, he produced his most enduring work. He recorded several times as part of a trio with guitari ...
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Power Trio
A power trio is a rock and roll band format having a lineup of electric guitar, bass guitar and drum kit (drums and cymbals), leaving out a second rhythm guitar or keyboard instrument that are often used in other rock music bands that are quartets and quintets. Larger rock bands often use one or more additional rhythm sections to fill out the sound with chords and harmony parts. Most power trios in hard rock and heavy metal music use the electric guitar player in two roles; during much of the song, they play rhythm guitar, playing the chord progression for the song and performing the song's important riffs, and then switching to a lead guitar role during the guitar solo. While one or more band members typically sing while playing their instruments, power trios in hard rock and heavy metal music generally emphasize instrumental performance and overall sonic impact over vocals and lyrics. An example of a power trio is Motörhead, whose lead vocalist, Lemmy, played bass and sang lea ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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Lyle Workman
Lyle Dean Workman is an American guitarist, composer, session and touring musician, and music producer. His music has been widely distributed since his debut on the eponymous '' Bourgeois Tagg'' album in 1986, and is known for his work as composer and bandleader for the '' Superbad'' soundtrack. As composer Workman is credited as composer for the films '' Superbad'', ''The 40-Year-Old Virgin'', ''Forgetting Sarah Marshall'', ''Good Boys'', ''The Incredible Burt Wonderstone'', ''Stand Up Guys'', ''Win Win'', ''Get Him to the Greek'', '' Yes Man'', ''Knocked Up'' (additional music), '' Overboard'' (2018), ''Bad Santa 2'', ''American Reunion'', '' 21 & Over'', '' The Goods'', ''The Interview'' (additional music), and the Jon Favreau films ''Made'' and ''Chef'' (additional music). His work on the ''Superbad'' soundtrack has earned critical acclaim. He has contributed on guitar and other instruments on several other soundtracks. For TV, he has written the music for the Judd Apatow- ...
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Herb Bushler
Herb Bushler (born March 7, 1939, New York City) is an American jazz bassist. He plays both double bass and electric bass. Bushler played piano and tuba in his youth before picking up double bass; he is classically trained in bass and has performed with symphony orchestras in this capacity. In 1966 he began a longtime association with ballet and film composer Coleridge-Taylor Perkinson. He worked extensively in jazz idioms in the 1960s and 1970s, including with David Amram, Ted Curson, Blossom Dearie, Tony Williams, and Paul Winter. He first played with Gil Evans in 1967, an association that would continue on and off until 1981. Other work in the 1970s included sessions with Enrico Rava, Joe Farrell, Ryo Kawasaki, David Sanborn, and Harold Vick. He played with The Fifth Dimension in the 1960s and has also worked with Dee Dee Bridgewater, Billy Harper, Les McCann, Enrico Rava, Joe Chambers, and Howard Johnson. References *"Herb Bushler". '' The New Grove Dictionary of Jazz''. 2nd ...
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Webster Lewis
Webster Samuel Lewis (September 1, 1943 – November 20, 2002) was an American jazz and disco composer, arranger and keyboardist. Career Lewis was born in 1943 in Baltimore, Maryland. At a young age, his family encouraged him to take up music. Later, he earned a bachelor's degree in sociology from Morgan State University and then completed a master's degree at the New England Conservatory of Music with Gunther Schuller as his mentor. He started out in jazz working with drummer Tony Williams, George Russell, Bill Evans, Stanton Davis, and the Piano Choir. His first release was ''Live at Club 7'', issued in 1972. He signed with Epic Records in 1976 and began releasing disco music, where he found commercial success. He had several charting singles including 1977's "On the Town/Saturday Night Steppin' Out/Do It with Style" (U.S. Club Play #36) and 1980's " Give Me Some Emotion" (U.S. #107, R&B Singles #41). Lewis worked extensively as a session musician and studio arranger, for H ...
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Michael Formanek
Michael Formanek (born May 7, 1958) is an American jazz bassist born in San Francisco, California, United States, and associated with the jazz scene in New York City, New York. Career In the 1980s, Formanek worked as a sideman with Freddie Hubbard, Joe Henderson, Dave Liebman, Fred Hersch, and Attila Zoller. His debut album as a leader was 1990's ''Wide Open Spaces'', featuring saxophonist Greg Osby, violinist Mark Feldman, guitarist Wayne Krantz, and drummer Jeff Hirshfield. In 1992 he released ''Extended Animation'' with the same ensemble, except with Tim Berne replacing Osby on saxophone. In 1993, Formanek, Berne and Hirshfield recorded as a trio on the album ''Loose Cannon''. Following this, Formanek led the septet of himself, Berne, trumpeter Dave Douglas (trumpeter), Dave Douglas, reed player Marty Ehrlich, trombonist Kuumba Frank Lacy, drummer Marvin Smith and pianist Salvatore Bonafede. That same year, Formanek began playing with Berne's ensemble, Bloodcount, through the ...
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