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The Prodigy
The Prodigy are an English electronic dance music band formed in Braintree, Essex, in 1990 by producer, keyboard player and songwriter Liam Howlett. The original line-up also featured dancer and singer Keith Flint and dancer and occasional live keyboard player Leeroy Thornhill, dancer Sharky and MC and vocalist Maxim. They were pioneers of the breakbeat-influenced genre big beat, and achieved mainstream popularity in the 1990s. Howlett's rock-inspired drum rhythms infused with electronic rave music beats/breaks were combined with Maxim's omnipresent mystique, Thornhill's shuffle dancing style, and Flint's later modern punk appearance. The Prodigy describe their style as electronic punk. The band emerged during the underground rave scene and achieved early success in 1991 with their debut singles "Charly" and "Everybody in the Place", which reached the UK top five. After their debut album ''Experience'' (1992), the band moved from their rave roots and incorporated techno, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Beat
Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns – common to acid house/techno. The term has been used by the British music industry to describe music by artists such as the Prodigy, the Chemical Brothers, Fatboy Slim, the Crystal Method, Propellerheads, Basement Jaxx and Groove Armada. Big beat achieved mainstream success during the 1990s, and achieved its critical and commercial peak between 1995 and 1999, with releases such The Chemical Brothers’ Dig Your Own Hole, Prodigy’s Fat of the Land, and Fatboy Slim’s You've Come a Long Way, Baby, before quickly declining from 2000 onwards. Style Big beat features heavy and distorted drum beats at tempos between 100 and 140 beats per minute, Roland TB-303 synthesizer lines resembling those of acid house, and heavy loops from 1960s and 1970s funk, soul, jazz, and rock songs. They are often punctuated with punk-style vocals or rappers and driven by in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Beat
Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns – common to acid house/techno. The term has been used by the British music industry to describe music by artists such as the Prodigy, the Chemical Brothers, Fatboy Slim, the Crystal Method, Propellerheads, Basement Jaxx and Groove Armada. Big beat achieved mainstream success during the 1990s, and achieved its critical and commercial peak between 1995 and 1999, with releases such The Chemical Brothers’ Dig Your Own Hole, Prodigy’s Fat of the Land, and Fatboy Slim’s You've Come a Long Way, Baby, before quickly declining from 2000 onwards. Style Big beat features heavy and distorted drum beats at tempos between 100 and 140 beats per minute, Roland TB-303 synthesizer lines resembling those of acid house, and heavy loops from 1960s and 1970s funk, soul, jazz, and rock songs. They are often punctuated with punk-style vocals or rappers and driven by in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maxim (musician)
Keith Andrew Palmer (born 21 March 1967), better known by his stage name Maxim (previously Maxim Reality), is an English musician, known for being a vocalist of electronic music band the Prodigy. Pre-Prodigy history Palmer was born in Peterborough to Jamaican parents. He enjoyed writing poetry and verse and began MCing around the age of 14. He gained inspiration from his ten-years-older MC brother, Hitman, who introduced him into the Peterborough Reggae Soundsystem Scene. At the age of seventeen he had his first gig in Basingstoke. Ian Sherman, a fellow musician from Nottingham teamed up with Maxim and they formed 'Maxim and Sheik YanGroove'. After recording some tracks together without attracting much attention, Maxim left and went on a three-month travel throughout Europe and North Africa. Upon returning to England he moved to London to get involved in the music and reggae scene. His prior stage name, "Maxim Reality", was a reference to his interest in lyrics based on real ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shock Records
Shock Records (now part of Shock Entertainment) is an Australian independent record label. History The three founding members had all previously worked in music retail or distribution: Williams for a Melbourne distribution company called "Musicland", Falvo for Exposure Records and McGee for Greville Records. Other ventures Shock also started the company CDFA, an entertainment distribution and fulfilment company, which also engages in music publishing. Recent developments include the launch of Ragged Company Touring and Kimchi Creative Services. See also * List of record labels * :Shock Records albums References External links * {{Authority control Record labels established in 1988 1988 establishments in Australia Australian independent record labels Heavy metal record labels Record labels based in Melbourne Alternative rock record labels Hardcore record labels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Everybody In The Place
"Everybody in the Place" is the second official single released by the British electronic dance band the Prodigy from their debut album, ''Experience'' (1992). It was released on 23 December 1991 through XL Recordings in the UK. The single features the "Fairground Remix" version of the song. The version on the album is the ''"''155 & Rising Version''"'', which is significantly longer and faster in beats per minute than the original mix featured on the '' What Evil Lurks'' EP. The single peaked at number two on the UK Singles Chart, beaten to number one by the re-release of Queen's "Bohemian Rhapsody" following the death of Freddie Mercury. The original CD single was released with five tracks, which went against British chart regulations. The track "Rip Up the Sound System" was removed on the re-issue to comply with the chart regulations, but is still available on the 12" vinyl. The cover features a photograph of the now dismantled Corkscrew roller coaster at Alton Towers. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charly (song)
"Charly" is the debut single released by the British electronic act the Prodigy, later included on their debut album, ''Experience'' (1992), although the version featured on the album is the significantly different "Trip into Drum & Bass" remix. It was released in the UK on 12 August 1991 through XL Recordings on vinyl, CD and cassette tape format. Almost a year later, it was released as a double A-side single with "Everybody in the Place" in the United States on 18 June 1992 through Elektra Records on CD, digipak and maxi-single format. On 22 November 2004 the single was released on digital download format. On 1 October 1992, "Charly" had sold over 200,000 copies in the UK which in turn enabled it a Silver BPI certification. The Alley Cat Mix of "Charly" features as track number three on the expanded disc two of the band's debut album ''Experience''. "Charly" appears on the band's compilation album '' Their Law: The Singles 1990–2005'' as track number nine. Background ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rave
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electropunk
Electronic rock is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s, when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno, and synth-pop, which has helped spur subgenres such as indietronica, dance-punk, and electroclash. Overview Being a fusion of rock and electronic, electronic rock features instruments found in both genres, such as synthesizers, mellotrons, tape music techniques, electric guitars, and drums. Some electronic rock artists, however, often eschew guitar in favor of using technology to emulate a rock sound. Vocals are typically mellow or upbeat, but instrumentals are also common in the genre. A trend of rock bands that incorporated electronic sounds began during the late 1960s. According to crit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rave Music
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakbeat Hardcore
Breakbeat hardcore (also referred to as hardcore rave or oldskool hardcore) is a music genre of the very early 1990s that spawned from the UK rave scene. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals. History Early 1990s: origins The rave scene expanded rapidly in the very early 1990s, both at clubs up and down the country including Labrynth, Shelley's Laserdome, The Eclipse, and Sanctuary Music Arena, and large raves in Warehouses and in the open air attracting 20–50,000 whether put on legally from promoters such as Fantazia and Raindance, or unlicensed by free party sound systems such as Spiral Tribe. Breakbeat hardcore drew its melting pot of sound from a vast array of influences – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rapping
Rapping (also rhyming, spitting, emceeing or MCing) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The components of rap include "content" (what is being said), "flow" (rhythm, rhyme), and "delivery" (cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. Rap is a primary ingredient of hip hop music commonly associated with that genre; however, the origins of rap predate hip-hop culture by many years. Precursors to modern rap include the West African griot tradition, Cockney rhyming slang, certain vocal styles of blues, jazz, 1960s African-American poetry and ''Sprechgesang''. The use of rap in popular music originated in the Bronx, New York City in the 1970s, alongside the hip hop genre and cultural movement. Rapping developed from the role of master of ceremonies (MC) at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
