The Great Wave Off Kanagawa
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The Great Wave Off Kanagawa
is a woodblock print by Japanese ''ukiyo-e'' artist Hokusai, created in late 1831 during the Edo period of Japanese history. The print depicts three boats moving through a storm-tossed sea, with a large wave forming a spiral in the centre and Mount Fuji visible in the background. The print is Hokusai's best-known work and the first in his series ''Thirty-six Views of Mount Fuji'', in which the use of Prussian blue revolutionized Japanese prints. The composition of ''The Great Wave'' is a synthesis of traditional Japanese prints and use of Perspective (graphical), graphical perspective developed in Europe, and earned him immediate success in Japan and later in Europe, where Hokusai's art inspired works by the Impressionism, Impressionists. Several museums throughout the world hold copies of ''The Great Wave'', many of which came from 19th-century private collections of Japanese prints. ''The Great Wave Kanagawa'' has been described as "possibly the most reproduced image in ...
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Hokusai
, known simply as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. He is best known for the woodblock printing in Japan, woodblock print series ''Thirty-Six Views of Mount Fuji'', which includes the iconic print ''The Great Wave off Kanagawa''. Hokusai was instrumental in developing ''ukiyo-e'' from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. Hokusai created the monumental ''Thirty-Six Views of Mount Fuji'' as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, ''The Great Wave off Kanagawa'' and ''Fine Wind, Clear Morning'', that secured his fame both in Japan and overseas. Hokusai was best known for his woodblock ukiyo-e prints, but he worked in a variety of mediums including painting and book illustration. Starting as a young child, he continued workin ...
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Printmaking
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ( a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means a different print copying the first, common in early printmaking). However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" by ...
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Kabuki Theatre
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ''Kabuki'' is therefore sometimes translate ...
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Chōnin
was a social class that emerged in Japan during the early years of the Tokugawa period. In the social hierarchy, it was considered subordinate to the samurai warrior class. Social Class The ''chōnin'' emerged in ''joka-machi'' or castle towns during the sixteenth century. The majority of ''chōnin'' were merchants, but some were craftsmen. were not considered ''chōnin''. Later, peasants, servants, and workers were also considered members of the social class. While ''chōnin'' are not as well known to non-Japanese as other social classes in Japan, they played a key role in the development of Japanese cultural products such as ''ukiyo-e'', ''rakugo'', and handicrafts. Aesthetic ideals such as ''iki'', ''tsū'', and ''wabi-sabi'' were also developed among the ''chōnin''. This association with cultural development emerged as a way for members of the class to break the strict social barriers that prevented individuals from ascending in the social hierarchy. Members of th ...
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