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The Counts
The Counts were a doo-wop group from Indianapolis, Indiana, formed in the 1950s. The group included Chester Brown, James Lee, Robert Penick, Robert Wesley, and Robert Young. The Counts were also known as the Original Counts, as they performed with their original lineup until the death of Robert Young, in 2001. They were thought to be the longest-running doo wop group made up entirely of their original membership. Young wrote most of the Counts' songs, including "Hot Tamale" and "Darling Dear". "Darling Dear" (Dot 44-1188, b/w "I Need You Always") made it to No. 6 on the R&B singles chart. All of the members attended Crispus Attucks High School, in Indianapolis, where they originally formed as the Five Diamonds. They changed their name in 1954 when they signed with Dot Records. The Counts recorded at Wilkins Studio, possibly with Jimmy Coe (or, perhaps, with a Jimmy Cole), and were at times backed live by Wes Montgomery John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doo-wop
Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.Hoffmann, FRoots of Rock: Doo-Wop In ''Survey of American Popular Music'', modified for the web by Robert Birklin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indianapolis, Indiana
Indianapolis (), colloquially known as Indy, is the state capital and most populous city of the U.S. state of Indiana and the seat of Marion County. According to the U.S. Census Bureau, the consolidated population of Indianapolis and Marion County was 977,203 in 2020. The "balance" population, which excludes semi-autonomous municipalities in Marion County, was 887,642. It is the 15th most populous city in the U.S., the third-most populous city in the Midwest, after Chicago and Columbus, Ohio, and the fourth-most populous state capital after Phoenix, Arizona, Austin, Texas, and Columbus. The Indianapolis metropolitan area is the 33rd most populous metropolitan statistical area in the U.S., with 2,111,040 residents. Its combined statistical area ranks 28th, with a population of 2,431,361. Indianapolis covers , making it the 18th largest city by land area in the U.S. Indigenous peoples inhabited the area dating to as early as 10,000 BC. In 1818, the Lenape relinquishe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crispus Attucks High School
Crispus Attucks High School (also known as Crispus Attucks Medical Magnet High School) is a high school of the Indianapolis Public Schools in Indianapolis, in the U.S. state of Indiana. It is named for Crispus Attucks (c.1723 – March 5, 1770), an African American patriot killed during what became known as the Boston Massacre. The school was built near Indiana Avenue (the business and cultural hub of the city's African American community) northwest of downtown Indianapolis and opened on September 12, 1927, when it was the only public high school in the city designated specifically for African Americans. Despite the passage of federal and state school desegregation laws, Attucks was the city's only high school with a single-race student body in 1953, largely due to residential segregation, and remained a segregated school until 1971 (although some historians suggest that its desegregation occurred in 1968). Attucks was converted to a junior high school in 1986, due to declining en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dot Records
Dot Records was an American record label founded by Randy Wood (record producer), Randy Wood and Gene Nobles that was active between 1950 and 1978. The original headquarters of Dot Records were in Gallatin, Tennessee. In 1956, the company moved to Hollywood, California. In its early years, Dot specialized in artists from Tennessee. Then it branched out to include musicians from across the U.S. It recorded country music, rhythm and blues, polkas, waltzes, Gospel music, gospel, rockabilly, pop music, pop, and early rock and roll. After moving to Hollywood, Dot Records bought many recordings by small local independent labels and issued them nationally. In 1957, Wood sold the label to Paramount Pictures, but remained in charge until 1967, when he departed to join Lawrence Welk in the formation of Ranwood Records. In 1968, the label was acquired as part of the acquisition of Paramount by Gulf and Western Industries, Gulf+Western, which transitioned it to exclusively recording country ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Coe
James "Jimmy" R. Coe (March 20, 1921 – February 26, 2004) was an American jazz saxophonist. Early life Coe was born in Tompkinsville, Kentucky, and moved to Indianapolis with his family as a child. He first played in a band with Erroll "Groundhog" Grandy, who mentored J. J. Johnson and Wes Montgomery. Career From 1938 to 1940, Coe performed with Buddy Bryant's band and by the age of 20, was already touring with the Jay McShann band, which included Charlie Parker, Al Hibbler, Walter Brown, Bernard Anderson, Gene Ramey and Doc West. In the 1950s, Coe recorded for King as a member of Tiny Bradshaw's band, then made a session with his own combo (though the company oddly insisted on billing him as Jimmy "Cole.") In 1953, States recorded his Gay Cats of Rhythm. In the late 1950s, Coe led the house band for the small Indianapolis-based label Note Records; some of the material was licensed to Checker, which had better distribution. Coe backed performers including Aretha Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wes Montgomery
John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. Montgomery was known for an unusual technique of plucking the strings with the side of his thumb and his extensive use of octaves, which gave him a distinctive sound. Montgomery often worked with his brothers Buddy (Charles F.) and Monk (William H.) and with organist Melvin Rhyne. His recordings up to 1965 were oriented towards hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz. Biography Montgomery was born in Indianapolis, Indiana. According to NPR, the nickname "Wes" was a child's abbreviation of his middle name, Leslie. The family was large, and the parents split up early in the lives of the children. Montgomery and his brothers moved to Columbus, Ohio, with their father and attended Champion High School. His older brother Monk dropped ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doo-wop Groups
Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.Hoffmann, FRoots of Rock: Doo-Wop In ''Survey of American Popular Music'', modified for the web by Robert Birklin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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