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The Cardinals
The Cardinals were an American R&B group of the 1950s. Sharing a legacy with the Orioles, The Cardinals are remembered as one of the best R&B ballad acts to come out of Baltimore. Origins The Cardinals’ career began in 1946 (one year before The Orioles) when Leon Hardy and Meredith Brothers convinced Donald Johnson to join them in harmony on the corner of Gay Street and Forest. Johnson drafted his friend Ernie Warren to round out a quartet and the new group on the block became The Mellotones. They did the usual round of Baltimore bars and nightclubs for experience, singing the songs of black and white pop groups such as The Fortunes, The Ink Spots, and The Ames Brothers. They picked up a fifth member, Jack Aydelotte, when he and they were separately scheduled to perform on The Major Baumgartner Show, a local TV talent show. They never got on the air as the show ran overtime, but thanks to the booking they now had five members including an accompanist (Jack also played guitar). ...
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Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music co ...
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Chuck Willis
Harold "Chuck" Willis (January 31, 1926 – April 10, 1958) was an American blues, rhythm and blues, and rock and roll singer and songwriter. His biggest hits, " C. C. Rider" (1957) and "What Am I Living For" (1958), both reached No.1 on the ''Billboard'' R&B chart. He was known as The King of the Stroll for his performance of the 1950s dance the stroll.Windham, Ben (February 15, 2003). "New release digs deep into Chuck Willis' background". ''The Tuscaloosa News''. p. 16. Life and career Willis was born in Atlanta, Georgia, in 1926. He was spotted at a talent contest by Atlanta radio disc jockey Zenas Sears, who became his manager and helped him to sign with Columbia Records in 1951. After one single, Willis began recording on a Columbia subsidiary, Okeh. During his stay at Okeh, he established himself as a popular R&B singer and songwriter, performing material that he wrote himself. In 1956, he moved to Atlantic Records where he had immediate success with " It's Too Late", "Jua ...
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The Ravens
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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Round And Round (Shapiro/Stallman Song)
"Round and Round" is a popular song by Joe Shapiro and Lou Stallman published in 1956. A version of the song was recorded by Perry Como for RCA Victor on January 15, 1957 and was a big hit that year. Background Como's version was noted for its instrumental buildup, with Mitchell Ayres and His Orchestra, including the counterpoint melodies sung by the Ray Charles Singers, who gradually join in on the refrains, and gradually drop out before the song's fade. Chart performance The song would prove to be Perry Como's last over-all number one on the Billboard charts. The song spent two weeks at number two on Billboard's Honor Roll of Hits. Cover versions *This song was recorded by Anne Murray in 1993 for her ''Croonin''' album but it was only released as a bonus track for a special version of her "Croonin'" LP that was released by Heartland Records (1994). Anne Murray said she was always a huge fan of Perry Como and she had appeared with him in ''Perry Como's Lake Tahoe Holiday'' ...
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Perry Como
Pierino Ronald "Perry" Como (; May 18, 1912 – May 12, 2001) was an Italian-American singer, actor and television personality. During a career spanning more than half a century, he recorded exclusively for RCA Victor for 44 years, after signing with the label in 1943. He recorded primarily vocal pop and was renowned for recordings in the intimate, easy-listening genre pioneered by multi-media star Bing Crosby. "Mr. C.", as he was nicknamed, sold millions of records and pioneered a weekly musical variety television show. His weekly television shows and seasonal specials were broadcast throughout the world. In the official RCA Records ''Billboard'' magazine memorial, his life was summed up in these few words: "50 years of music and a life well lived. An example to all." Como received five Emmys from 1955 to 1959, and a Christopher Award in 1956. He also shared a Peabody Award with good friend Jackie Gleason in 1956. He received a Kennedy Center Honor in 1987 and was induct ...
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Joe Shapiro
''Too Much and Never Enough: How My Family Created the World's Most Dangerous Man'' is a tell-all book written by American psychologist Mary L. Trump about her uncle, former U.S. President Donald Trump, and his family. It was published by Simon & Schuster on July 14, 2020. The book provides an insider view of Trump family dynamics and reveals details about financial dealings, including the author's work as the anonymous source who revealed her uncle's suspected tax fraud. The Trump family launched a lawsuit in an attempt to stop its publication but was unsuccessful in delaying the release of the book. Background The book's author, Mary L. Trump, a clinical psychologist, is the daughter of Fred Trump Jr., and a granddaughter of Fred Trump Sr. She has taught graduate students in the subjects of trauma, psychopathology, and developmental psychology. Mary has written a dissertation on stalking victims, conducted research on schizophrenia, and written parts of the prominent med ...
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Lou Stallman
Lou may refer to: __NOTOC__ Personal name * Lou (given name), a list of people and fictional characters * Lou (German singer) * Lou (French singer) * Lou (surname 娄), the 229th most common surname in China * Lou (surname 楼), the 269th most common surname in China Arts and entertainment * ''Lou'' (2010 film) * ''Lou'' (2017 film), a Pixar short * ''Lou'' (2022 film), a Netflix action thriller * Lou!, a French series of comic books created by Julien Neel * Lord of Ultima, a browser-based MMORTS game developed by EA Other uses * Lyon Olympique Universitaire, a rugby union team playing in the Top14 competition of France * Bowman Field (airport) (IATA airport code LOU), an airport in Louisville, Kentucky, USA * Lou Island of Papua New Guinea * Lou language (Austronesian) of Lou Island * Lou language (Torricelli) * Letter of understanding A Letter of Understanding (LOU) is a formal text that sums up the terms of an undertakings of a contract which may have been negoti ...
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Doo Wop
Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.Hoffmann, FRoots of Rock: Doo-Wop In ''Survey of American Popular Music'', modified for the web by Robert Birk ...
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The Wrens (R&B Band)
The Wrens were an American doo-wop vocal group from The Bronx, New York City. They are best known for their song "Come Back My Love". The Wrens began in the Morrisania section of the Bronx in 1950. Neighborhood friends Waldo Champen (tenor, usually referred to as "Champ Rollow"), Francis "Frenchie" Concepcion (tenor/ baritone lead), Archangel "Archie" Oropeza (baritone), and Raoul McLeod ( bass) sang together under this name for around two years. They slowly drifted apart. Concepcion was determined to make the group last, and in 1952, he recruited two new members; tenor George Magnezid and bass James "Archie" Archer. They sang as a trio in the community center of P.S. 99 for a couple of months before deciding to expand to a quartet by adding tenor Bobby Mansfield. At the time, Mansfield was about fifteen years old and attending Morris High School in the Bronx. Oropeza was around the same age and Concepcion and Magnezid were already out of school. In 1954, they heard about a ...
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Rama Records
Rama Records was a record label founded by George Goldner in 1953 in New York City. It recorded doo-wop groups such as The Crows and The Harptones. Its third release was the one-hit wonder, the song " Gee," by the doo-wop group, The Crows Goldner was able to improve production techniques without destroying the innocent sounds of the early groups. "Gee" has been called the first rock and roll record because it was an original recording, unlike "Crying in the Chapel" by the Orioles. The label was eventually sold to Roulette Records. See also * List of record labels * Rama * Record-Rama Record-Rama was a record and CD store in Ross Township, Pennsylvania, United States. It was founded by Paul C. Mawhinney, who claimed he built the world's biggest record collection. Beginnings Record-Rama was founded by Paul C. Mawhinney, a ... Notes American record labels Record labels established in 1953 Record labels disestablished in 1957 {{US-record-label-stub ...
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Come Back My Love
"Come Back My Love" is a song by American doo-wop group The Wrens, released in 1955 by Rama Records. The song is best known for the version by the British doo-wop revival band Darts in 1978, which peaked at number 2 on the UK Singles Chart. The song was originally released in January 1955, titled "(Will You) Come Back My Love". However, the title was soon shortened and released as "Come Back My Love". In February, the single was then re-released with a different flip side, "Eleven Roses". The song achieved some local popularity in New York and is seen as the group's signature song. Darts version Darts released their cover of the song in January 1978 as the second and final single from their 1977 debut album ''Darts''. Charts Weekly charts Year-end charts Other recordings and samples * In June 1955, R&B group The Cardinals released a cover of the song as their eighth single. * In 1989, Jive Bunny and the Mastermixers sampled the song in "Hopping Mad" from their al ...
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The Door Is Still Open To My Heart
__NOTOC__ "The Door Is Still Open to My Heart" is a 1955 song written by Chuck Willis and originally performed by the Baltimore-based R&B vocal group, The Cardinals. In the US, the original version peaked at number four on the R&B playlist and number ten in R&B sales charts. Later in 1955, Don Cornell recorded the song and released it as the B-side to his hit, "Most of All". The Hilltoppers had a moderate hit with this song the same year. Dean Martin version In 1964, Dean Martin recorded the most successful version of the song. Martin's version spent 11 weeks on the ''Billboard'' Hot 100 chart, peaking at No. 6, while spending one week at No. 1 on '' Billboard''s " Middle-Road Singles" chart that November. In Canada, the song reached No. 22 on ''RPM Revolutions per minute (abbreviated rpm, RPM, rev/min, r/min, or with the notation min−1) is a unit of rotational speed or rotational frequency for rotating machines. Standards ISO 80000-3:2019 defines a unit of rotation ...
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