Tele-converter
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Tele-converter
A teleconverter (sometimes called tele extender) is a secondary lens mounted between a camera and a photographic lens which enlarges the central part of an image obtained by the lens. For example, a 2× teleconverter for a 35 mm camera enlarges the central 12×18 mm part of an image to the size of 24×36 mm in the standard 35 mm film format. Teleconverters are typically made in 1.4×, 1.7×, 2× and 3× variants, with 1.4× and 2× being the most common. A 2× teleconverter doubles the apparent focal length of a given lens. Teleconverters also decrease the intensity of the light that reaches the film plane (or sensor) by the square of its magnification. A 2× teleconverter reduces the light to 1/4, doubles the focal ratio and halves the resolution of the master lens it is connected to. This, however, does not necessarily halve the resolution of the digital image. A closely related device reduces the focal length. It is generally marketed under the name sp ...
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Teleconverter With Camera And Lens
A teleconverter (sometimes called tele extender) is a secondary lens mounted between a camera and a photographic lens which enlarges the central part of an image obtained by the lens. For example, a 2× teleconverter for a 35 mm camera enlarges the central 12×18 mm part of an image to the size of 24×36 mm in the standard 35 mm film format. Teleconverters are typically made in 1.4×, 1.7×, 2× and 3× variants, with 1.4× and 2× being the most common. A 2× teleconverter doubles the apparent focal length of a given lens. Teleconverters also decrease the intensity of the light that reaches the film plane (or sensor) by the square of its magnification. A 2× teleconverter reduces the light to 1/4, doubles the focal ratio and halves the resolution of the master lens it is connected to. This, however, does not necessarily halve the resolution of the digital image. A closely related device reduces the focal length. It is generally marketed under the name speed ...
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Image Circle
The image circle is the cross section of the cone of light transmitted by a lens or series of lenses onto the image plane. When this light strikes a perpendicular target such as photographic film or a digital camera sensor, it forms a circle of light – the image circle. Various sensor aspect ratios may be used which all fit inside the same image circle, 3:2, 4:3, 16:9, etc. A lens to be used on a camera that provides movements must have an image circle larger than the size of the image format (Adams 1980, 54). To avoid vignetting, a photographer using a view camera must ensure that the area remains within the image circle (Adams 1980, 56–57; 151–52; 157–61); a tilt/shift lens or perspective-control lens used on a small- or medium-format camera usually has mechanical limitations that keep the frame area within the image circle. See also *Film format *Image sensor format In digital photography, the image sensor format is the shape and size of the image sensor. Th ...
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Convertible Lens
A camera lens (also known as photographic lens or photographic objective) is an optical lens or assembly of lenses used in conjunction with a camera body and mechanism to make images of objects either on photographic film or on other media capable of storing an image chemically or electronically. There is no major difference in principle between a lens used for a still camera, a video camera, a telescope, a microscope, or other apparatus, but the details of design and construction are different. A lens might be permanently fixed to a camera, or it might be interchangeable with lenses of different focal lengths, apertures, and other properties. While in principle a simple convex lens will suffice, in practice a compound lens made up of a number of optical lens elements is required to correct (as much as possible) the many optical aberrations that arise. Some aberrations will be present in any lens system. It is the job of the lens designer to balance these and produce a design ...
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Canon Extender EF
The Canon Extender EF lenses are a group of teleconverter lenses made by Canon. These lenses are used between any compatible EF type lens and any of the Canon EOS line of cameras. When used with a compatible lens, they will multiply the focal length of the lens by a factor of either 1.4x or 2x, at the cost of decreasing the lens' aperture by 1 or 2 stops respectively. For example, using a 1.4x or 2x extender with the Canon EF 500mm f/4L IS USM would result in a 700mm f/5.6 or 1000mm f/8 lens. Overview Canon has released six models: * 1.4x (1988) * 1.4x II (2001) * 1.4x III (2010) * 2x (1987) * 2x II (2001) * 2x III (2010) Technical information The extenders are constructed with metal bayonets, and engineered plastic ends. There are no moving parts, other than the lens latch lock. Three generations of the extenders exist: the older 1.4× and 2×, the 1.4× II and 2× II, and the 1.4× III and 2.0× III. The II versions have weather-sealing and anti-reflective surfaces insi ...
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Barlow Lens
The Barlow lens, named after Peter Barlow, is a diverging lens which, used in series with other optics in an optical system, increases the effective focal length of an optical system as perceived by all components that are after it in the system. The practical result is that inserting a Barlow lens magnifies the image. A real barlow lens is not a single glass element, because that would generate chromatic aberration, and spherical aberration if the lens is not aspheric. More common configurations use three or more elements for achromatic correction or apochromatic correction and higher image quality. Telescope use In its astronomical use, a Barlow lens may be placed immediately before an eyepiece to effectively decrease the eyepiece's focal length by the amount of the Barlow's divergence. Since the magnification provided by a telescope and eyepiece is equal to the telescope's focal length divided by the eyepiece's focal length, this has the effect of increasing the magnificatio ...
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Afocal System
In optics an afocal system (a system without focus) is an optical system that produces no net convergence or divergence of the beam, i.e. has an infinite effective focal length. This type of system can be created with a pair of optical elements where the distance between the elements is equal to the sum of each element's focal length (''d'' = ''f''1+''f''2). A simple example of an afocal optical system is an optical telescope imaging a star, the light entering the system is at infinity and the image it forms is at infinity (the light is collimated). Although the system does not alter the divergence of a collimated beam, it does alter the width of the beam, increasing magnification. The magnification of such a telescope is given by :M = \frac, Afocal systems are used in laser optics, for instance as beam expanders, Infrared and forward looking infrared systems, camera zoom lenses and telescopic lens attachments such as teleside converters, and photography setups combining cameras ...
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Bridge Camera
Bridge cameras are cameras that fill the niche between relatively simple point-and-shoot cameras and interchangeable-lens cameras such as mirrorless cameras and single-lens reflex cameras (SLRs). They are often comparable in size and weight to the smallest digital SLRs (DSLR), but lack interchangeable lenses, and almost all digital bridge cameras lack an optical viewfinder system. The phrase "bridge camera" has been in use at least since the 1980s, and continues to be used with digital cameras. The term was originally used to refer to film cameras which "bridged the gap" between point-and-shoot cameras and SLRs. Like other cameras, most current bridge cameras are digital. These cameras typically feature full manual controls over shutter speed, aperture, ISO sensitivity, color balance and metering. Generally, their feature sets are similar to consumer DSLRs, except for a smaller range of ISO sensitivity because of their typically smaller image sensor. Many bridge cameras ...
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Video Camera
A video camera is an optical instrument that captures videos (as opposed to a movie camera, which records images on film). Video cameras were initially developed for the television industry but have since become widely used for a variety of other purposes. Video cameras are used primarily in two modes. The first, characteristic of much early broadcasting, is live television, where the camera feeds real time images directly to a screen for immediate observation. A few cameras still serve live television production, but most live connections are for security, military/tactical, and industrial operations where surreptitious or remote viewing is required. In the second mode the images are recorded to a storage device for archiving or further processing; for many years, videotape was the primary format used for this purpose, but was gradually supplanted by optical disc, hard disk, and then flash memory. Recorded video is used in television production, and more often surveillance and ...
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Teleside Converter
A teleside converter (also known as a telephoto conversion lens or a front mount teleconverter) is a secondary lens which is mounted on the front of a photographic lens to increase the effective focal length of the lens they are attached to. They are used on cameras and video cameras with non–interchangeable lenses to increase the magnification of the image. Their design is usually that of an afocal Galilean telescope that alters the width of the entering beam of light without affecting the divergence of the beam, so they can change the effective focal length 1 to 3 times without increasing focal ratio. The down side to teleside converters is they will vignette the image on the wide angle setting if used on a zoom lens. Minimum Focal Length without vignetting will increase inline with higher power of the teleside converter. Before vignetting appears (four black corners), light fall-off will appear first and in general shooting this light fall-off may not be noticeable. The other ...
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Extension Tube
An extension tube, sometimes also called a closeup tube or an extension ring, is used with interchangeable lenses to increase magnification. This is most often used in macro photography. Construction The tube contains no optical elements; its sole purpose is to move the lens farther from the image plane. The farther away the lens is, the closer the focus, the greater the magnification, and also the greater the loss of light (requiring a longer exposure time). Lenses classically focus closer than infinity by moving all optical elements farther from the film or sensor; an extension tube simply enables this movement. Because extension tubes do not have optics, they do not affect the optical quality of a lens. Because of their function, there are other effects: decrease of light; shallower depth of field; and loss of ability to focus at infinity. The longer the extension tube, the closer the lens can focus. Correspondingly, the amount of light and depth of field will be reduc ...
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Z-mount
Nikon Z-mount (stylised as \mathbb) is an interchangeable lens mount developed by Nikon for its mirrorless digital cameras. In late 2018, Nikon released two cameras that use this mount, the full-frame Nikon Z 7 and Nikon Z 6. In late 2019 Nikon announced their first Z-mount camera with an APS-C sensor, the Nikon Z 50. In July 2020 the entry level full-frame Z 5 was introduced. In October 2020, Nikon announced the Nikon Z 6II and Nikon Z 7II, which succeed the Z 6 and Z 7, respectively. The APS-C lineup was expanded in July 2021, with the introduction of the retro styled Nikon Z fc, and in October 2021, Nikon unveiled the Nikon Z 9, which effectively succeeds the brand's flagship D6 DSLR. The APS-C lineup was further expanded with the Nikon Z 30, announced at the end of June 2022. Nikon SLR cameras, both film and digital, have used the Nikon F-mount with its 44 mm diameter since 1959. The Z-mount has a 55 mm diameter. The FTZ lens adapter allows many F-m ...
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