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Tambourin De Provence
The tambourin is a low-pitched tenor drum of Provence, which has also lent its name to a Provençal dance accompanied by lively duple meter music. The dance is so named because the music imitates the drum (''tambour'' being a generic French term for "drum"), usually as a repetitive not-very-melodic figure in the bass. The Drum A deep, two-headed drum of Arabic origin, called the ''tambourin e Provence', is mentioned as early as the 1080s and noted as the "tabor" in the Chanson de Roland). This type of instrument, commonly found in the Provence region of France, is played by a musician who wears the drum on a strap hanging from the player's left arm and elbow. The player strikes the drum head with a beater held in the right hand, and plays a little pipe with their left hand. The combination of the tambourin, played together with a small flute, known as the galoubet or flaviol, forms a Provençal pipe and tabor. The Dance Jean-Philippe Rameau included tambourins in many of his o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambourin MET MUS591A
The tambourin is a low-pitched tenor drum of Provence, which has also lent its name to a Provençal dance accompanied by lively duple meter music. The dance is so named because the music imitates the drum (''tambour'' being a generic French term for "drum"), usually as a repetitive not-very-melodic figure in the bass. The Drum A deep, two-headed drum of Arabic origin, called the ''tambourin e Provence', is mentioned as early as the 1080s and noted as the "tabor" in the Chanson de Roland). This type of instrument, commonly found in the Provence region of France, is played by a musician who wears the drum on a strap hanging from the player's left arm and elbow. The player strikes the drum head with a beater held in the right hand, and plays a little pipe with their left hand. The combination of the tambourin, played together with a small flute, known as the galoubet or flaviol, forms a Provençal pipe and tabor. The Dance Jean-Philippe Rameau included tambourins in many of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pièces De Clavecin
The French Baroque composer Jean-Philippe Rameau wrote three books of ' for the harpsichord. The first, ', was published in 1706; the second, ', in 1724; and the third, ', in 1726 or 1727. They were followed in 1741 by ', in which the harpsichord can either be accompanied by violin (or flute) and viola da gamba or played alone. An isolated piece, "", survives from 1747. Premier Livre de Pièces de Clavecin (1706) Suite in A minor, RCT 1 # Prélude # Allemande I # Allemande II # Courante # Gigue # Sarabandes I – Sarabande II # Vénitienne # Gavotte # Menuet c. 22 mins Pièces de (1724) Suite in E minor, RCT 2 #Allemande #Courante #Gigue en Rondeau I #Gigue en Rondeau II #Le Rappel des Oiseaux #Rigaudon I – Rigaudon II et Double #Musette en rondeau. Tendrement #Tambourin #La Villageoise. Rondeau c. 22 mins Suite in D major, RCT 3 #Les Tendres Plaintes. Rondeau #Les Niais de Sologne – Premier Double des Niais – Deuxième Double des Niais #Les Soupirs. Tendrement #La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Folk Dances
European, or Europeans, or Europeneans, may refer to: In general * ''European'', an adjective referring to something of, from, or related to Europe ** Ethnic groups in Europe ** Demographics of Europe ** European cuisine, the cuisines of Europe and other Western countries * ''European'', an adjective referring to something of, from, or related to the European Union ** Citizenship of the European Union ** Demographics of the European Union In publishing * ''The European'' (1953 magazine), a far-right cultural and political magazine published 1953–1959 * ''The European'' (newspaper), a British weekly newspaper published 1990–1998 * ''The European'' (2009 magazine), a German magazine first published in September 2009 *''The European Magazine'', a magazine published in London 1782–1826 *''The New European'', a British weekly pop-up newspaper first published in July 2016 Other uses * * Europeans (band), a British post-punk group, from Bristol See also * * * Europe (disambi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Dance
Baroque dance is dance of the Baroque era (roughly 1600–1750), closely linked with Baroque music, theatre, and opera. English country dance The majority of surviving choreographies from the period are English country dances, such as those in the many editions of Playford's ''The Dancing Master''. Playford only gives the floor patterns of the dances, with no indication of the steps. However, other sources of the period, such as the writings of the French dancing-masters Feuillet and Lorin, indicate that steps more complicated than simple walking were used at least some of the time. English country dance survived well beyond the Baroque era and eventually spread in various forms across Europe and its colonies, and to all levels of society. The French Noble style The great innovations in dance in the 17th century originated at the French court under Louis XIV, and it is here that we see the first clear stylistic ancestor of classical ballet. The same basic technique ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iphigénie En Aulide
''Iphigénie en Aulide'' (''Iphigeneia in Aulis'') is an opera in three acts by Christoph Willibald Gluck, the first work he wrote for the Paris stage. The libretto was written by François-Louis Gand Le Bland Du Roullet and was based on Jean Racine's tragedy ''Iphigénie'', itself based on the play ''Iphigenia in Aulis'' by Euripides. It was premiered on 19 April 1774 by the Paris Opéra in the second Salle du Palais-Royal and revived in a slightly revised version the following year. A German version was made in 1847 by Richard Wagner, with significant alterations. Performance history At first, ''Iphigénie'' was not popular, except for its overture which was applauded generously.Pitou, p. 288 After the premiere, it was billed for three days in April 1774, but its first run was interrupted by the theatre's six-week closure due to the dying of Louis XV. ''Iphigénie en Aulide'' returned to the theatre on 10 January 1775, and was revived annually from 1776 to 1824 with a few e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period (music), classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the House of Habsburg, Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them ''Orfeo ed Euridice'' and ''Alceste (Gluck), Alceste'', he broke the stranglehold that Metastasio, Metastasian ''opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alcina
''Alcina'' ( HWV 34) is a 1735 opera seria by George Frideric Handel. Handel used the libretto of ''L'isola di Alcina'', an opera that was set in 1728 in Rome by Riccardo Broschi, which he acquired the year after during his travels in Italy. Partly altered for better conformity, the story was originally taken from Ludovico Ariosto's ''Orlando furioso'' (like those of the Handel operas ''Orlando'' and ''Ariodante''), an epic poem. The opera contains several musical sequences with opportunity for dance: these were composed for dancer Marie Sallé. Performance history ''Alcina'' was composed for Handel's first season at the Theatre Royal, Covent Garden in London. It premiered on 16 April 1735. Like the composer's other works in the opera seria genre, ''Alcina'' fell into obscurity; after a revival in Brunswick in 1738 it was not performed again until a production in Leipzig in 1928. The Australian soprano Joan Sutherland sang the role in a production by Franco Zeffirelli in wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical break ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Fêtes D'Hébé
''Les fêtes d'Hébé, ou Les talens lyriques '' (''The Festivities of Hebe, or The Lyric Talents'') is an ''opéra-ballet'' in a prologue and three ''entrées'' (acts) by the French composer Jean-Philippe Rameau. The libretto was written by Antoine Gautier de Montdorge (1707–1768). The work was first performed on 21 May 1739 by the Académie royale de musique at its theatre in the Palais-Royal in Paris. Performance history ''Les fêtes d'Hébé'' was Rameau's second ''opera-ballet''; his first, ''Les Indes galantes'', had appeared in 1735. It was first performed at the Paris Opéra on 21 May 1739. The famous dancer Marie Sallé appeared as Terpsichore in the third entrée. Montdorge was a friend of Rameau's patron Alexandre Le Riche de La Poupelinière. His libretto came in for heavy criticism and the second ''entrée'' had to be revised with the aid of Simon-Joseph Pellegrin, who had written the words for Rameau's first opera, ''Hippolyte et Aricie''. In spite of the weak libr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Drum
A tenor drum is a membranophone without a snare. There are several types of tenor drums. Early music Early music tenor drums, or long drums, are cylindrical membranophone without snare used in Medieval, Renaissance and Baroque music. They consist in of a cylinder of wood, covered with skin heads on both ends, that are tensioned by ropes. Played with two sticks, this type of drum varies in pitch, according to its size. Orchestral music In a symphony orchestra's percussion section, a tenor drum is a low-pitched drum, similar in size to a field snare, but without snares and played with soft mallets or hard sticks. It is larger in diameter than depth, and tonally is midway between the bass drum and unsnared side drum. Berlioz scored for 2 tenor drums in the "Grande messe des morts". His "Te Deum" requires 6 tenor drums. Wagner wrote for this drum in "Rienzi", "Lohengrin", "Die Walküre", “Götterdämmerung”, and "Parsifal". Strauss used it in "Ein Heldenleben", and Elgar in his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Indes Galantes
(French: "The Amorous Indies") is an opera by Jean-Philippe Rameau with a libretto by Louis Fuzelier. It takes the form of an ''opéra-ballet'' with a prologue and (in its final form) four ''entrées'' (acts). Following an allegorical prologue, the four ''entrées'' have distinct and separate plots, but are unified by the theme of love in exotic places (The Ottoman Empire, Peru, Persia, and North America). The most famous pieces from the work, ''Danse des Sauvages'' and the final ''Chaconne'', come from the final ''entrée'' (''Les sauvages''). The premiere, including only the prologue and the first two of its four ''entrées'' (acts), was staged by the Académie Royale de Musique at its theatre in the Palais-Royal in Paris on 23 August 1735,Sadler starring the leading singers of the Opéra: Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Platée
''Platée'' is an opera in a prologue and three acts by Jean-Philippe Rameau with a libretto by Adrien-Joseph Le Valois d'Orville. Rameau bought the rights to the libretto ''Platée ou Junon jalouse'' (''Plataea, or Juno Jealous'') by Jacques Autreau (1657–1745) and had d'Orville modify it. The ultimate source of the story is a myth related by the Greek writer Pausanias in his ''Guide to Greece''. Rameau's first attempt at comic opera, the plot concerns an ugly water nymph who believes that Jupiter, the king of the gods, is in love with her. The work was initially called a ''ballet bouffon'', though it was later styled a ''comédie lyrique'', putting it in the same category as Rameau's ''Les Paladins''. It was written for the celebrations of the wedding of Louis, Dauphin of France, son of King Louis XV, to the Infanta María Teresa Rafaela of Spain, who, according to contemporary sources, like the title character was no beauty. Instead of getting the composer into trouble, the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_001.jpg "Click for more on -> Pièces De Clavecin")
