Tamagushi
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Tamagushi
is a form of Shinto offering made from a ''sakaki''-tree branch decorated with shide strips of washi paper, silk, or cotton. At Japanese weddings, funerals, miyamairi and other ceremonies at Shinto shrines, ''tamagushi'' are ritually presented to the ''kami'' (spirits or gods) by parishioners, shrine maidens or kannushi priests. Linguistic history The Japanese word ''tamagushi'' is usually written with the ''kanji'' ''tama'' 玉 "jade; gem; jewel; precious; ball; bead" and ''kushi'' 串 "string together; skewer; spit; stick", or sometimes written 玉ぐし with ''hiragana'' since the official Tōyō kanji do not include 串. The earliest recorded transcription of ''tamagushi'' is 玉籤, using ''kuji'' 籤 "bamboo slip; (divination) lot; written oracle; raffle; lottery" instead of ''kushi''. The (c. 720 CE) '' Nihon Shoki'' "Chronicles of Japan", which repeatedly mentions a 500-branched ''masakaki'' 真榊 "true ''sakaki''" tree (tr. Aston 1896:43, 47, 121), is the ''locus ...
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Tamagushi On An An
is a form of Shinto offering made from a ''sakaki''-tree branch decorated with shide strips of washi paper, silk, or cotton. At Japanese weddings, funerals, miyamairi and other ceremonies at Shinto shrines, ''tamagushi'' are ritually presented to the ''kami'' (spirits or gods) by parishioners, shrine maidens or kannushi priests. Linguistic history The Japanese word ''tamagushi'' is usually written with the ''kanji'' ''tama'' 玉 "jade; gem; jewel; precious; ball; bead" and ''kushi'' 串 "string together; skewer; spit; stick", or sometimes written 玉ぐし with ''hiragana'' since the official Tōyō kanji do not include 串. The earliest recorded transcription of ''tamagushi'' is 玉籤, using ''kuji'' 籤 "bamboo slip; (divination) lot; written oracle; raffle; lottery" instead of ''kushi''. The (c. 720 CE) '' Nihon Shoki'' "Chronicles of Japan", which repeatedly mentions a 500-branched ''masakaki'' 真榊 "true ''sakaki''" tree (tr. Aston 1896:43, 47, 121), is the ''locus ...
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Tamagushi
is a form of Shinto offering made from a ''sakaki''-tree branch decorated with shide strips of washi paper, silk, or cotton. At Japanese weddings, funerals, miyamairi and other ceremonies at Shinto shrines, ''tamagushi'' are ritually presented to the ''kami'' (spirits or gods) by parishioners, shrine maidens or kannushi priests. Linguistic history The Japanese word ''tamagushi'' is usually written with the ''kanji'' ''tama'' 玉 "jade; gem; jewel; precious; ball; bead" and ''kushi'' 串 "string together; skewer; spit; stick", or sometimes written 玉ぐし with ''hiragana'' since the official Tōyō kanji do not include 串. The earliest recorded transcription of ''tamagushi'' is 玉籤, using ''kuji'' 籤 "bamboo slip; (divination) lot; written oracle; raffle; lottery" instead of ''kushi''. The (c. 720 CE) '' Nihon Shoki'' "Chronicles of Japan", which repeatedly mentions a 500-branched ''masakaki'' 真榊 "true ''sakaki''" tree (tr. Aston 1896:43, 47, 121), is the ''locus ...
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Miyamairi
Miyamairi (宮参り, literally "shrine visit") is a traditional Shinto rite of passage in Japan for newborns. Approximately one month after birth (31 days for boys and 33 days for girlsAlice Mabel Bacon, "Japanese Girls and women" revised and enlarged edition, Boston and New York, Houghton Mifflin Company, The Riverside Press Cambridge, 1902), parents and grandparents bring the child to a Shinto shrine, to express gratitude to the deities for the birth of a baby and have a shrine priest pray for their health and happiness. The practice is similar to a Christian infant baptism. Today, most Miyamairi are practiced between one month and 100 days after birth. In famous and busy shrines, the ceremony is held every hour, often during weekends. A group of a dozen babies and their families are usually brought into the hall, one group after another. A Shinto priest wearing a costume and headgear appears between the group and the altar, reciting a prayer and swinging a tamagushi is a fo ...
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Miko
A , or shrine maiden,Groemer, 28. is a young priestess who works at a Shinto shrine. were once likely seen as shamans,Picken, 140. but are understood in modern Japanese culture to be an institutionalized role in daily life, trained to perform tasks, ranging from sacred cleansing to performing the sacred dance. Appearance The traditional attire of a is a pair of red (divided, pleated trousers), a white (a predecessor of the kimono), and some white or red hair ribbons. In Shinto, the color white symbolizes purity. The garment put over the during dances is called a . Traditional tools include the , the (offertory -tree branches), and the . also use bells, drums, candles, , and bowls of rice in ceremonies. Definition The Japanese words and ("female shaman" and "shrine maiden" respectively)Kokugo Dai Jiten Dictionary, Revised edition, Shogakukan, 1988. are usually written as a compound of the kanji ("shaman"), and ("woman"). was archaically written (, or "g ...
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Sakaki
''Cleyera japonica'' (sakaki) is a flowering evergreen tree native to warm areas of Japan, Taiwan, China, Myanmar, Nepal, and northern India (Min and Bartholomew 2015). It can reach a height of 10 m. The leaves are 6–10 cm long, smooth, oval, leathery, shiny and dark green above, yellowish-green below, with deep furrows for the leaf stem. The bark is dark reddish brown and smooth. The small, scented, cream-white flowers open in early summer, and are followed later by berries which start red and turn black when ripe. Sakaki is one of the common trees in the second layer of the evergreen oak forests. It is considered sacred to Japanese Shintō faith, and is one of the classical offerings at Shintō shrines. Uses Sakaki wood is used for making utensils (especially combs), building materials, and fuel. It is commonly planted in gardens, parks, and shrines. Sakaki is considered a sacred tree in the Shinto religion, along with other evergreens such as and . Shinto shrines ar ...
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Shide (Shinto)
are zigzag-shaped paper streamers, often seen attached to or , and used in Shinto rituals in Japan. A popular ritual is using a , or "lightning wand", named for the zig-zag paper that adorns the wand. A similar wand, used by for purification and blessing, is the with two . A Shinto priest waves the over a person, item, or newly bought property, such as a building or a car. The wand is waved at a slow and rhythmic pace, but with a little force so that the strips make a rustling noise on each pass of the wand. For new properties, a similar ritual known as is performed with a , an enclosed part of the land (enclosed by ), and sake Sake, also spelled saké ( ; also referred to as Japanese rice wine), is an alcoholic beverage of Japanese origin made by fermenting rice that has been polished to remove the bran. Despite the name ''Japanese rice wine'', sake, and indee ..., or ritually purified sake known as . The has been used for centuries in Shinto ceremonies and ...
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Shinboku
The term refers to trees and forests as ''himorogi'' in Old Shinto, as well as ''shintai''. A tree is a tree, a forest, a ''shintai'', a ''yorishiro'', a Shinto shrine, a warding. It is also called ''goshingi''. The term ''goshingi'' refers to trees that are considered sacred or divine in the precincts of Shinto shrines and jingūs of Shinto, as well as the forests that surround them and trees that are not grown for logging. It also refers to trees that are owned by shrines or by private individuals and have a special origin in folklore. It may also refer to trees that have been specially cut down for planting or growing wild to be used as timber for the construction of shrines. Overview The nature worship called Himikura Shinto is also a part of the ancient Shinto religion. Out of gratitude, fear, and respect for God, life, and nature, symbolic objects in places where the environment changes were used as Shinto bodies, not limited to trees. symbolic objects in places whe ...
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Paper Mulberry
The paper mulberry (''Broussonetia papyrifera'', syn. ''Morus papyrifera'' L.) is a species of flowering plant in the family Moraceae. It is native to Asia,''Broussonetia papyrifera''.
Flora of North America.
where its range includes , China, Japan, Korea, Southeast Asia, , and India. It is widely cultivated elsewhere and it grows as an in parts of Europe, the United States, and Africa.
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Collocation
In corpus linguistics, a collocation is a series of words or terms that co-occur more often than would be expected by chance. In phraseology, a collocation is a type of compositional phraseme, meaning that it can be understood from the words that make it up. This contrasts with an idiom, where the meaning of the whole cannot be inferred from its parts, and may be completely unrelated. An example of a phraseological collocation is the expression ''strong tea''. While the same meaning could be conveyed by the roughly equivalent ''powerful tea'', this adjective does not modify ''tea'' frequently enough for English speakers to become accustomed to its co-occurrence and regard it as idiomatic or unmarked. (By way of counterexample, ''powerful'' is idiomatically preferred to ''strong'' when modifying a ''computer'' or a ''car''.) There are about six main types of collocations: adjective + noun, noun + noun (such as collective nouns), verb + noun, adverb ...
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Shin Kokin Wakashū
The , also known in abbreviated form as the or even conversationally as the Shin Kokin, is the eighth imperial anthology of waka poetry compiled by the Japanese court, beginning with the ''Kokin Wakashū'' circa 905 and ending with the ''Shinshokukokin Wakashū'' circa 1439. The name can be literally translated as "New Collection of Ancient and Modern Poems" and bears an intentional resemblance to that of the first anthology. Together with the ''Man'yōshū'' and the '' Kokinshū'', the ''Shin Kokinshū'' is widely considered to be one of the three most influential poetic anthologies in Japanese literary history. It was commissioned in 1201 by the retired emperor Go-Toba (r. 1183–1198), who established a new Bureau of Poetry at his Nijō palace with eleven Fellows,Brower 8 headed by Fujiwara no Yoshitsune, for the purpose of conducting poetry contests and compiling the anthology. Despite its emphasis on contemporary poets, the ''Shin Kokinshū'' covered a broader range of poetic ...
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Japanese Mythology
Japanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto and Buddhist traditions are the cornerstones of Japanese mythology. The history of thousands of years of contact with Korea, Ainu, and Okinawan myths are also key influences in Japanese mythology. Japanese myths are tied to the topography of the archipelago as well as agriculturally-based folk religion, and the Shinto pantheon holds countless ''kami'' (Japanese for " god(s)" or "spirits"). This article will discuss cosmogony, important deities, modern interpretations, cultural significance, and the influence of these myths. Two important sources for Japanese myths as they are recognized today are the ''Kojiki'' and the '' Nihon Shoki''. The ''Kojiki'', or "Record of Ancient Matters," is the oldest surviving account of Japan's myths, legends, and history. Additionally, the ''Shintōshū'' describes the origins of Japanese deities from ...
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Ideograph
An ideogram or ideograph (from Greek "idea" and "to write") is a graphic symbol that represents an idea or concept, independent of any particular language, and specific words or phrases. Some ideograms are comprehensible only by familiarity with prior convention; others convey their meaning through pictorial resemblance to a physical object, and thus may also be referred to as ''pictograms''. The numerals and mathematical symbols are ideograms – 1 'one', 2 'two', + 'plus', = 'equals', and so on (compare the section "Mathematics" below). In English, the ampersand & is used for 'and' and (as in many languages) for Latin ' (as in &c for '), % for 'percent' ('per cent'), # for 'number' (or 'pound', among other meanings), § for 'section', $ for 'dollar', € for 'euro', £ for 'pound', ° for 'degree', @ for 'at', and so on. The reason they are ideograms rather than logograms is that they do not denote fixed morphemes: they can be read in many different languages, not just E ...
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