Triclinia
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Triclinia
A ''triclinium'' (plural: ''triclinia'') is a formal dining room in a Roman building. The word is adopted from the Greek ()—from (), "three", and (), a sort of couch or rather chaise longue. Each couch was sized to accommodate a diner who reclined on their left side on cushions while some household slaves served multiple courses brought from the ''culina'', or kitchen, and others entertained guests with music, song, or dance. The ''triclinium'' was characterized by three '' lecti'' (singular ''lectus'': bed or couch), called ''triclinares'' ("of the ''triclinium''"), on three sides of a low square table, whose surfaces sloped away from the table at about 10 degrees. Diners would recline on these surfaces in a semi-recumbent position. The fourth side of the table was left free, presumably to allow service to the table. Usually the open side faced the entrance of the room. In Roman-era dwellings, particularly wealthy ones, ''triclinia'' were common and the hosts and guest w ...
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Triclinium - Archäologische Staatssammlung München
A ''triclinium'' (plural: ''triclinia'') is a formal dining room in a Ancient Rome, Roman building. The word is adopted from the Greek language, Greek ()—from (), "three", and (), a sort of couch or rather chaise longue. Each couch was sized to accommodate a diner who reclined on their left side on cushions while some Slavery in ancient Rome, household slaves served multiple courses brought from the ''culina'', or kitchen, and others entertained guests with music, song, or dance. The ''triclinium'' was characterized by three ''klinai, lecti'' (singular ''lectus'': bed or couch), called ''triclinares'' ("of the ''triclinium''"), on three sides of a low square table, whose surfaces sloped away from the table at about 10 degrees. Diners would recline on these surfaces in a semi-recumbent position. The fourth side of the table was left free, presumably to allow service to the table. Usually the open side faced the entrance of the room. In Roman-era dwellings, particularly weal ...
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Oikos
The ancient Greek word ''oikos'' (ancient Greek: , plural: ; English prefix: eco- for ecology and economics) refers to three related but distinct concepts: the family, the family's property, and the house. Its meaning shifts even within texts. The ''oikos'' was the basic unit of society in most Greek city-states. In normal Attic usage the ''oikos'', in the context of families, referred to a line of descent from father to son from generation to generation. Alternatively, as Aristotle used it in his ''Politics'', the term was sometimes used to refer to everybody living in a given house. Thus, the head of the ''oikos'', along with his immediate family and his slaves, would all be encompassed. Large ''oikoi'' also had farms that were usually tended by the slaves, which were also the basic agricultural unit of the ancient Greek economy. Layout Traditional interpretations of the layout of the ''oikos'' in Classical Athens have divided into men's and women's spaces, with an area know ...
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Accubita
''Accubitum'' (plural: ''accubita'') was one name for the ancient Roman furniture couches used in the time of the Roman emperors, in the ''triclinium'' or dining room, for reclining upon at meals. It was also apparently sometimes the name of the dining room itself, or a niche for a couch. Sometimes it denotes a multi-person curved couch, for which the term stibadium is also used. Klinai is the Greek equivalent, sometimes also used. The mattresses and feather-beds were softer and higher, and the supports (''fulcra'') of them lower in proportion, than in older triclinium couches. The cloths and pillows spread over them, and over beds, were called ''accubitalia''.Aelius Lampridius, ''Augustan History The ''Historia Augusta'' (English: ''Augustan History'') is a late Roman collection of biographies, written in Latin, of the Roman emperors, their junior colleagues, designated heirs and usurpers from 117 to 284. Supposedly modeled on the sim ...'', "Antoninus Heliogabalus" (P ...
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Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Eastern Ro ...
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Thyine Wood
classic drawing of the tree Thyine wood is a 15th-century English name for a wood from the tree known botanically as ''Tetraclinis articulata'' (syn. ''Callitris quadrivalvis'', ''Thuja articulata''). The name is derived from the Greek word ''thuon'', "fragrant wood," or possibly ''thuein'', “to sacrifice”, and it was so called because it was burnt in sacrifices, on account of its fragrance. In Rome, wood from this tree was called ''citrum'', "citrus wood". It was considered very valuable, and was used for making articles of furniture by the Greeks and Romans. Craftsmen who worked in citrus wood and ivory had their own guild ''(collegium)''.''Eborarii'' and ''citriarii'': Koenraad Verboven, "The Associative Order: Status and Ethos among Roman Businessmen in Late Republic and Early Empire," ''Athenaeum'' 95 (2007), preprint p. 21. Thyine wood is mentioned in the King James Version of the Bible at Revelation 18:12 as being among the articles which would cease to be purchased wh ...
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Roman Republic
The Roman Republic ( la, Res publica Romana ) was a form of government of Rome and the era of the classical Roman civilization when it was run through public representation of the Roman people. Beginning with the overthrow of the Roman Kingdom (traditionally dated to 509 BC) and ending in 27 BC with the establishment of the Roman Empire, Rome's control rapidly expanded during this period—from the city's immediate surroundings to hegemony over the entire Mediterranean world. Roman society under the Republic was primarily a cultural mix of Latin and Etruscan societies, as well as of Sabine, Oscan, and Greek cultural elements, which is especially visible in the Roman Pantheon. Its political organization developed, at around the same time as direct democracy in Ancient Greece, with collective and annual magistracies, overseen by a senate. The top magistrates were the two consuls, who had an extensive range of executive, legislative, judicial, military, and religious powers ...
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Cubiculum
A ''cubiculum'' (plural ''cubicula'') was a private room in a ''domus'', an ancient Roman house occupied by a high-status family. It usually led directly from the ''atrium'', but in later periods it was sometimes adjacent to the ''peristyle''. It was used for the functions of a modern bedroom, sleep and sex, as well as for business meetings, the reception of important guests and the display of the most highly prized works of art in the house. The ''cubiculum'' was used for quiet or secret meetings and could have been used as a library. It was also a preferred venue for murder and suicide. A room used only for sleeping was not classed as a ''cubiculum''. The private nature of the ''cubiculum'' made it a place for contemplation and religious observance, especially when illicit. According to the ''Actus Silvestri'', Constantine the Great first learned of Christianity in his ''cubiculum'' and fasted there for a week before his first confession and baptism Baptism (from grc-x- ...
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Epic Poetry
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. Etymology The English word ''epic'' comes from Latin ''epicus'', which itself comes from the Ancient Greek adjective (''epikos''), from (''epos''), "word, story, poem." In ancient Greek, 'epic' could refer to all poetry in dactylic hexameter (''epea''), which included not only Homer but also the wisdom poetry of Hesiod, the utterances of the Delphic oracle, and the strange theological verses attributed to Orpheus. Later tradition, however, has restricted the term 'epic' to ''heroic epic'', as described in this article. Overview Originating before the invention of writing, primary epics, such as those of Homer, were composed by bards who used complex rhetorical and metrical schemes by which they could memorize the epic as received i ...
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Highbrow
Used colloquially as a noun or adjective, "highbrow" is synonymous with intellectual; as an adjective, it also means elite, and generally carries a connotation of high culture. The term, first recorded in 1875, draws its metonymy from the pseudoscience of phrenology, which teaches that people with large foreheads are more intelligent. Applications "Highbrow" can be applied to music, implying most of the European classical music, classical music tradition; to literature—i.e., literary fiction and poetry; to films in the art film, arthouse line; and to comedy that requires significant understanding of analogies or references to appreciate. The term ''highbrow'' is considered by some (with corresponding labels as 'middlebrow' 'lowbrow') as discerning or selective; and ''highbrow'' is currently distanced from the writer by quotation marks: "We thus focus on the consumption of two generally recognised 'highbrow' genres—opera and classical". The first usage in print of ''highbrow'' ...
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Patronage In Ancient Rome
Patronage is the support, encouragement, privilege, or financial aid that an organization or individual bestows on another. In the history of art, arts patronage refers to the support that kings, popes, and the wealthy have provided to artists such as musicians, painters, and sculptors. It can also refer to the right of bestowing offices or church benefices, the business given to a store by a regular customer, and the guardianship of saints. The word "patron" derives from the la, patronus ("patron"), one who gives benefits to his clients (see Patronage in ancient Rome). In some countries the term is used to describe political patronage or patronal politics, which is the use of state resources to reward individuals for their electoral support. Some patronage systems are legal, as in the Canadian tradition of the Prime Minister to appoint senators and the heads of a number of commissions and agencies; in many cases, these appointments go to people who have supported the politica ...
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Still Life
A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish art, Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and al ...
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Venus (mythology)
Venus (), , is a Roman goddess, whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. She is usually depicted nude in paintings. Etymology The Latin theonym ''Venus'' and the common noun ''venus'' ('love, charm') stem from a Proto-Italic form reconstructed as ''*wenos-'' ('desire'), itself from Proto-Indo-European (PIE) ' ('desire'; cf. Messapic ''Venas'', Old Indic ''vánas'' 'de ...
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