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Trap (printing)
In printing, trap expresses the degree to which ink already printed on a substrate accepts another layer printed on top of it compared to how well the substrate (e.g., paper) accepts that ink. However, in the era of prepress software, the term came to refer to compensation for misregistration (when two layers of ink are not perfectly aligned) that was traditionally known as "chokes and spreads". Misregistration causes gaps or white-space on the final printed work. Correcting this involves creating overlaps (spreads) or underlaps (chokes) of objects during the print process. Registration Misregistration in the graphical workflow may be caused by human error, inaccuracies in the image setter, the film-to-plate or film-to-film copying steps or instability of the image carrier (e.g., stretch in film or plate), the press or the final media. These issues can be minimized, but not eliminated, given that any mechanical process produces some degree of error. However, the resulting gaps ...
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Knockout Trapping Overprinting
A knockout (abbreviated to KO or K.O.) is a fight-ending, winning criterion in several full-contact combat sports, such as boxing, kickboxing, muay thai, mixed martial arts, karate, some forms of taekwondo and other sports involving striking, as well as fighting-based video games. A full knockout is considered any legal strike or combination thereof that renders an opponent unable to continue fighting. The term is often associated with a sudden traumatic loss of consciousness caused by a physical blow. Single powerful blows to the head (particularly the jawline and temple) can produce a cerebral concussion or a carotid sinus reflex with syncope and cause a sudden, dramatic KO. Body blows, particularly the liver punch, can cause progressive, debilitating pain that can also result in a KO. In boxing and kickboxing, a knockout is usually awarded when one participant falls to the canvas and is unable to rise to their feet within a specified period of time, typically because of exh ...
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Prepress
Prepress is the term used in the Printing and Publishing industries for the processes and procedures that occur between the creation of a print layout and the final printing. The prepress process includes the preparation of artwork for press, media selection, proofing, quality control checks and the production of printing plates if required. The artwork is usually delivery from the customer as a print-ready PDF file after being created in programs such as Adobe Indesign, Quark Express, Affinity Publisher or Scribus. Processes # Paper Selection is a very important step in prepress. Coated, Uncoated, Gloss, Matte, Silk, Satin, Recycled, Card, Bond or Specialist Papers are normal options available in different thicknesses such as 80gsm, 100gsm or 130gsm. # Binding Selection gives the customer multiple options for the spine of the publication such as Saddle-stitched,Perfect binding vs saddle stitching, paperspecs.com (last checked 2022-12-18) Perfect Bound or Case Bound, als ...
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Raster Image Processor
A raster image processor (RIP) is a component used in a printing system which produces a raster image also known as a bitmap. Such a bitmap is used by a later stage of the printing system to produce the printed output. The input may be a page description in a high-level page description language such as PostScript, PDF, or XPS. The input can also be or include bitmaps of higher or lower resolution than the output device, which the RIP resizes using an image scaling algorithm. Originally a RIP was a rack of electronic hardware which received the page description via some interface (e.g. RS-232) and generated a "hardware bitmap output" which was used to enable or disable each pixel on a real-time output device such as an optical film recorder, computer to film, or computer to plate. A RIP can be implemented as a software module on a general-purpose computer, or as a firmware program executed on a microprocessor inside a printer. For high-end typesetting, standalone hardware R ...
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Spot Color
In offset printing, a spot color or solid color is any color generated by an ink (pure or mixed) that is printed using a ''single run'', whereas a process color is produced by printing a series of dots of different colors. The widespread offset-printing process is composed of the four spot colors cyan, magenta, yellow, and key (black) commonly referred to as CMYK. More advanced processes involve the use of six spot colors ( hexachromatic process), which add orange and green to the process (termed CMYKOG). The two additional spot colors are added to compensate for the ineffective reproduction of faint tints using CMYK colors only. However, offset technicians around the world use the term ''spot color'' to mean any color generated by a non-standard offset ink; such as metallic, fluorescent, or custom hand-mixed inks. When making a multi-color print with a spot color process, every spot color needs its own lithographic film. All the areas of the same spot color are printed using ...
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THILAK Color Model
Tilak Shekar (born March 1982), mononymously known as Tilak, is an Indian actor who appears mainly in Kannada-language films. He is a model-turned-actor and is known for his negative roles in Kannada movies. He was one of the 13 housemates in the first season of Bigg Boss Kannada aired in April 2013. Thilak is Appreciated for his act in the movie Ugramm. He played the lead role in the horror thriller ''Karvva ''Karvva'' (also spelled as ''Karva'') is a 2016 Indian Kannada horror film written and directed by Navaneeth. The film was produced by Krishna Chaithanya under the banner of Sri Swarnalatha Productions and its theater distribution was handled by ...'' (2016). Filmography Films Television References External links * Tilak makes a mark 1982 births Indian male film actors Living people Indian male models Kannada male actors Male actors in Kannada cinema 21st-century Indian male actors Participants in Indian reality television series Male actors from Banga ...
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Cyan
Cyan () is the color between green and blue on the visible spectrum of light. It is evoked by light with a predominant wavelength between 490 and 520 nm, between the wavelengths of green and blue. In the subtractive color system, or CMYK color model, which can be overlaid to produce all colors in paint and color printing, cyan is one of the primary colors, along with magenta and yellow. In the additive color system, or RGB color model, used to create all the colors on a computer or television display, cyan is made by mixing equal amounts of green and blue light. Cyan is the complement of red; it can be made by the removal of red from white. Mixing red light and cyan light at the right intensity will make white light. Colors in the cyan color range are teal, turquoise, electric blue, aquamarine, and others described as blue-green. Etymology and terminology Its name is derived from the Ancient Greek word ''kyanos'' (κύανος), meaning "dark blue enamel, Lapis lazuli". It ...
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Magenta
Magenta () is a color that is variously defined as pinkish- purplish-red, reddish-purplish-pink or mauvish-crimson. On color wheels of the RGB (additive) and CMY (subtractive) color models, it is located exactly midway between red and blue. It is one of the four colors of ink used in color printing by an inkjet printer, along with yellow, black, and cyan, to make all other colors. The tone of magenta used in printing is called "printer's magenta". It is also a shade of purple. Magenta took its name from an aniline dye made and patented in 1859 by the French chemist François-Emmanuel Verguin, who originally called it ''fuchsine''. It was renamed to celebrate the Italian-French victory at the Battle of Magenta fought between the French and Austrians on 4 June 1859 near the Italian town of Magenta in Lombardy. A virtually identical color, called roseine, was created in 1860 by two British chemists, Chambers Nicolson and George Maule. The web color magenta is also called fuchsi ...
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Yellow
Yellow is the color between green and orange on the spectrum of light. It is evoked by light with a dominant wavelength of roughly 575585 nm. It is a primary color in subtractive color systems, used in painting or color printing. In the RGB color model, used to create colors on television and computer screens, yellow is a secondary color made by combining red and green at equal intensity. Carotenoids give the characteristic yellow color to autumn leaves, corn, canaries, daffodils, and lemons, as well as egg yolks, buttercups, and bananas. They absorb light energy and protect plants from photo damage in some cases. Sunlight has a slight yellowish hue when the Sun is near the horizon, due to atmospheric scattering of shorter wavelengths (green, blue, and violet). Because it was widely available, yellow ochre pigment was one of the first colors used in art; the Lascaux cave in France has a painting of a yellow horse 17,000 years old. Ochre and orpiment pigments were us ...
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Black
Black is a color which results from the absence or complete absorption of visible light. It is an achromatic color, without hue, like white and grey. It is often used symbolically or figuratively to represent darkness. Black and white have often been used to describe opposites such as good and evil, the Dark Ages versus Age of Enlightenment, and night versus day. Since the Middle Ages, black has been the symbolic color of solemnity and authority, and for this reason it is still commonly worn by judges and magistrates. Black was one of the first colors used by artists in Neolithic cave paintings. It was used in ancient Egypt and Greece as the color of the underworld. In the Roman Empire, it became the color of mourning, and over the centuries it was frequently associated with death, evil, witches, and magic. In the 14th century, it was worn by royalty, clergy, judges, and government officials in much of Europe. It became the color worn by English romantic poets, businessmen ...
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Luminance
Luminance is a photometric measure of the luminous intensity per unit area of light travelling in a given direction. It describes the amount of light that passes through, is emitted from, or is reflected from a particular area, and falls within a given solid angle. Brightness is the term for the ''subjective'' impression of the ''objective'' luminance measurement standard (see for the importance of this contrast). The SI unit for luminance is candela per square metre (cd/m2). A non-SI term for the same unit is the nit. The unit in the Centimetre–gram–second system of units (CGS) (which predated the SI system) is the stilb, which is equal to one candela per square centimetre or 10 kcd/m2. Description Luminance is often used to characterize emission or reflection from flat, diffuse surfaces. Luminance levels indicate how much luminous power could be detected by the human eye looking at a particular surface from a particular angle of view. Luminance is thus an i ...
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Neutral Density
The neutral density ( \gamma^n\, ) or empirical neutral density is a density variable used in oceanography, introduced in 1997 by David R. Jackett and Trevor McDougall.Jackett, David R., Trevor J. McDougall, 1997: A Neutral Density Variable for the World's Oceans. J. Phys. Oceanogr., 27, 237–263 It is a function of the three state variables (salinity, temperature, and pressure) and the geographical location (longitude and latitude). It has the typical units of density (M/V). Isosurfaces of \gamma^n\, form “neutral density surfaces”, which are closely aligned with the "neutral tangent plane". It is widely believed, although this has yet to be rigorously proven, that the flow in the deep ocean is almost entirely aligned with the neutral tangent plane, and strong lateral mixing occurs along this plane ("epineutral mixing") vs weak mixing across this plane ("dianeutral mixing"). These surfaces are widely used in water mass analyses. Neutral density is a density variable that d ...
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Trapping Overprint Stroke
Animal trapping, or simply trapping or gin, is the use of a device to remotely catch an animal. Animals may be trapped for a variety of purposes, including food, the fur trade, hunting, pest control, and wildlife management. History Neolithic hunters, including the members of the Cucuteni-Trypillian culture of Romania and Ukraine (c. 5500–2750 BCE), used traps to capture their prey. An early mention in written form is a passage from the self-titled book by Taoist philosopher Zhuangzi describes Chinese methods used for trapping animals during the 4th century BCE. The Zhuangzi reads, "The sleek-furred fox and the elegantly spotted leopard ... can't seem to escape the disaster of nets and traps." "Modern" steel jaw-traps were first described in western sources as early as the late 16th century. The first mention comes from Leonard Mascall's book on animal trapping. It reads, "a griping trappe made all of yrne, the lowest barre, and the ring or hoope with two clickets." ...
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