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Traditional Irish Music
Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a genre of folk music that developed in Ireland. In ''A History of Irish Music'' (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the ''cruit'' (a small harp) and '' clairseach'' (a bigger harp with typically 30 strings), the ''timpan'' (a small string instrument played with a bow or plectrum), the ''feadan'' (a fife), the ''buinne'' (an oboe or flute), the ''guthbuinne'' (a bassoon-type horn), the ''bennbuabhal'' and ''corn'' ( hornpipes), the ''cuislenna'' (bagpipes – see Great Irish warpipes), the ''stoc'' and ''sturgan'' ( clarions or trumpets), and the ''cnamha'' ( bones).''A History of Irish Music: Chap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Irish Warpipes
Irish warpipes ( ga, píob mhór; literally "great pipes") are an Irish analogue of the Scottish Great Highland Bagpipe. "Warpipes" is originally an English term. The first use of the Gaelic term in Ireland was recorded in a poem by Seán Ó Neachtain (c. 1650-1728), in which the bagpipes are referred to as ''píb mhór''.Donnelly, Seán, "The Warpipes in Ireland I", Ceol, April 1984 History The earliest Irish mention of the bagpipe is in 1206, approximately thirty years after the Anglo-Norman invasion A likely first reference to bagpipes being played in war is found in a manuscript written between 1484 and 1487 containing an Irish Gaelic version of “Fierabras”: the quote ''sinnter adharca & píba agaibh do tionól bur sluaigh'' translates as "let horns and pipes be played by you to gather your host".Donnelly, Seán, ''The Early History of Piping in Ireland'' (2001), p. 9 The first clear references to the Irish ''píob mhór'' relate to Henry VIII's siege of Boulogne. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fleadh Cheoil
The Fleadh Cheoil (; meaning "festival of music") is an Irish music festival run by Comhaltas Ceoltóirí Éireann (CCÉ), a non-profit organisation. The festival includes live music events as well as competition. Each year a single town or city hosts the Fleadh: it has been held in Mullingar, Sligo, and Tullamore, among others. There are various stages to the competition. In Ireland there are county and provincial competitions leading to the All-Ireland Fleadh. In Britain there are regional, then national stages of qualification for the All-Ireland. North America has two regional qualifying Fleadh Cheoil. The Mid-Atlantic Fleadh covers the Eastern Seaboard, eastern Canada and the Maritimes. The Midwest Fleadh covers the rest of North America from Cleveland, Chicago, St. Louis, Atlanta and Detroit to San Francisco. Competitions are divided into the following age categories: under 12, 12–15, 15–18, and over 18 (senior). History The first national festival of Irish tradi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comhaltas Ceoltóirí Éireann
Comhaltas Ceoltóirí Éireann (; meaning "Society of the musicians of Ireland") is the primary Irish organisation dedicated to the promotion of the music, song, dance and the language of Ireland. The organisation was founded in 1951 and has promoted Irish music and culture among the Irish people and the Irish diaspora. Its current Director General is Senator Labhrás Ó Murchú. Today it has more than 400 branches worldwide, in Ireland, the United Kingdom, the United States of America, Canada, Mexico, France, Spain, Germany, Hungary, Luxembourg, Russia, Australia and New Zealand. History Comhaltas was founded in 1951 in Mullingar, County Westmeath by a group of traditional pipers who felt that the Irish musical tradition was in decline; it was initially named Cumann Ceoltóirí na hÉireann, changing to its present name in 1952. Centres *Áras an Mhuilinn, Mullingar. *Brú Ború, Cashel. *Brú na Sí, Youghal. *Clasaċ, Clontarf. *Cnoc na Gaoithe, Tulla. *Cois na hAbhna, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Goodman (musicologist)
Canon James Goodman (22 September 1828 – 18 January 1896) was a Church of Ireland clergyman, a piper and a collector of Irish music and songs. Life As a cleric Goodman was born in Ballyameen, Dingle, County Kerry and was raised in Ventry, County Kerry, a Gaeltacht area, and studied at Trinity College, Dublin, having gained a scholarship in 1847. He was ordained in the Church of Ireland in 1851 (his father the Reverend Thomas Chute Goodman had been rector of Dingle). He married Charlotte King in 1852. They had three sons, one of whom later drowned while a student, the other two set up a medical practice in Brigg, Lincolnshire. Goodman's first clerical appointment was to Creagh parish in West Cork in 1852. In 1859, he moved to Killaconagh, on the Beara peninsula, where he preached in Irish. He was posted to the parish of Abbeystrewry in Skibbereen in 1866 as a Canon of Ross, remaining there until his death in 1896. In 1867 he self-financed the rebuilding of the local church wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis O'Neill
Francis O'Neill (August 28, 1848 – January 26, 1936) was an Irish-born American police officer and collector of Irish traditional music. His biographer Nicholas Carolan referred to him as "the greatest individual influence on the evolution of Irish traditional dance music in the twentieth century". Life O'Neill was born in Tralibane (also Trawlebane), near Bantry, County Cork. At an early age he heard the music of local musicians, among them Peter Hagarty, Cormac Murphy and Timothy Dowling. At the age of 16, he became a cabin boy on an English merchant vessel and remained a seaman until 1869. On a voyage to New York, he met Anna Rogers, a young emigrant whom he later married in Bloomington, Illinois. The O'Neills moved to Chicago, and in 1873 O'Neill became a Chicago policeman. He rose through the ranks quickly, eventually succeeding Joseph Kipley as the Chief of Police from 1901 to 1905.To Serve and Collect, Richard Lindberg accessed 2 November 2018 He had the rare disti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Bunting
Edward Bunting (1773–1843) was an Irish musician and folk music collector. Life Bunting was born in County Armagh, Ireland. At the age of seven he was sent to study music at Drogheda and at eleven he was apprenticed to William Ware, organist at St. Anne's church in Belfast and lived with the family of Henry Joy McCracken. At nineteen he was engaged to transcribe music from oral-tradition harpists at the Belfast Harp Festival in 1792. As Bunting was a classically trained musician, he did not understand the unique characteristics of Irish music, such as modes, and when transcribing tunes he 'corrected' them according to Classical music rules. One proof of this is that some tunes published by him were in keys that could not have been played by the harpists. His notes on the harpists, how they played and the terminology they used is however invaluable, and also many tunes would have been lost if he had not collected them. Bunting's arrangement of the festival melodies for the pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Petrie (artist)
George Petrie (1 January 1790 – 17 January 1866) was an Irish painter, musician, antiquarian and archaeologist of the Victorian era who was instrumental in building the collections of the Royal Irish Academy and National Museum of Ireland. Personal life George Petrie was born in Dublin, Ireland, and grew up there, living at 21 Great Charles Street, just off Mountjoy Square. He was the son of the portrait and miniature painter James Petrie, a native of Aberdeen, Scotland, who had settled in Dublin. He was interested in art from an early age. He was sent to the Dublin Society's Schools, being educated as an artist, where he won the silver medal in 1805, aged fourteen. Career After an abortive trip to England in the company of Francis Danby and James Arthur O'Connor, both of whom were close friends of his, he returned to Ireland where he worked mostly producing sketches for engravings for travel books – including among others, George Newenham Wright's guides to Killarney, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colm Ó Lochlainn
Colm Ó Lochlainn (1892 – 26 June 1972) was a printer, typographer, collector of Irish ballads and traditional Irish Uilleann piper. He was notably the author of ''Irish Street Ballads'' published in 1939 and ''More Irish Street Ballads'' in 1965. Life A native of Kilkenny, Ó Lochlainn was a member of the Irish volunteers in 1916. He was part of a team which was sent to Kerry on Good Friday in a bid to seize radio equipment for communication with The Aud, a German ship transporting arms from Germany for the Easter Rising. He and a colleague, Denis Daly made it to their destination but a second car transporting three others crashed into the river at Ballykissane, Killorglin, killing three members of the team, Con Keating, Donal Sheehan and Charlie Monaghan. Ó Lochlainn established the Candle Press in 1916. It was the winner of a bronze medal for bookbinding in 1924. He founded his own press, At the Sign of the Three Candles Press, in 1926. He gave the aspiring piper Seamus E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Irish Music Collectors
This is a list of notable collectors of Irish traditional music: Collectors * Breandan Breathnach (1912–1985) – collected over 7,000 tunes, published from 1963 * Edward Bunting (1773–1843) – collected tunes from the harpers at the Belfast Harp Festival; made extensive collections of tunes which he published in three collections of ''The Ancient Music of Ireland'' * Séamus Clandillon – ''see'' Maighréad Ní Annagáin * Eileen Costello – ''Amhrain Mhuighe Seola'', 1923, 80 songs from Co. Galway and Co. Mayo * Seamus Ennis (1919–1982) – uilleann piper; collected for the BBC/Irish Folklore Commission, 1952–57 * William Forde (c.1759–1850) * A. Martin Freeman (1878–1959) – important collector of songs from West Cork * Canon James Goodman (1828–1896) – collected over 2000 tunes and songs, mainly from the south-west of the country. * Carmel Gunning – a singer, flute and tin whistle player and collector of songs and ballads; author of ''The Mountain T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Music Collecting
Irish music collecting is an area concerned with preserving the large body of traditional Irish music. Collections have been gathered by individual collectors of Irish music as well as organisations (such as the Irish Traditional Music Archive formed in the 1980s). Early period Very little Irish music composed before 1700 survives. Some airs from this period are preserved in manuscript, the Fitzwilliam Virginal Book being one of the more notable examples. A reference to ''Callen O Costure Me/Cailin O Chois tSuire Me'' in William Ballet's book of lute music in the late 16th century is the first known record of an Irish traditional song written in musical notation. Irish traditional tunes were recorded in John Playford's ''The Dancing Master'' (mid 17th century), and Durfey's ''Pills to Purge Melancholy'' (late 17th century). In 1724, the first recorded collection of Irish traditional music, ''A Collection of the Most Celebrated Irish Tunes'' was published by John and William Neale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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