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Toprock
In breakdancing, toprock is foot movement performed while standing, serving as the opening display of style, and as a warm-up for transitions into the more acrobatic maneuvers of downrock. It allows the dancer to demonstrate coordination, flexibility, rhythm and style. Breakers may devote considerable time to developing their toprock, and the style they display is a point of pride. Toprocking is a style of dance in and of itself. However, toprocking is very open to modification for individual style. For this reason, it has come to incorporate elements of salsa, Lindy Hop, Liquid dancing and the Robot. In particular, uprock, often confused with "toprock," is a competitively-oriented type of dance consisting of foot shuffles, spins, turns, and creative movements that may mimic combat. Common toprock steps include the Indian step, Bronx step, Charlie rock, hip twist, kick step and side step. References See also *Freeze (b-boy move) A freeze is a b-boying technique tha ...
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Breakdancing
Breakdancing, also called breaking or b-boying/b-girling, is an athletic style of street dance originating from the African American and Puerto Rican communities in the United States. While diverse in the amount of variation available in the dance, breakdancing mainly consists of four kinds of movement: toprock, downrock, power moves and freezes. Breakdancing is typically set to songs containing drum breaks, especially in hip-hop, funk, soul music and breakbeat music, although modern trends allow for much wider varieties of music along certain ranges of tempo and beat patterns. The modern dance elements of breakdancing originated among the poor youth of New York during the early 1970s, where it was introduced as breaking. It is closely attributed to the birth of hip-hop, as DJs developed rhythmic breaks for dancers. The dance form has since expanded globally, with an array of organizations and independent competitions supporting its growth. Breaking will now be featured ...
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Breakdance Moves
Breakdancing, also called breaking or b-boying/b-girling, is an athletic style of street dance originating from the African American and Puerto Rican communities in the United States. While diverse in the amount of variation available in the dance, breakdancing mainly consists of four kinds of movement: toprock, downrock, power moves and freezes. Breakdancing is typically set to songs containing drum breaks, especially in hip-hop, funk, soul music and breakbeat music, although modern trends allow for much wider varieties of music along certain ranges of tempo and beat patterns. The modern dance elements of breakdancing originated among the poor youth of New York during the early 1970s, where it was introduced as breaking. It is closely attributed to the birth of hip-hop, as DJs developed rhythmic breaks for dancers. The dance form has since expanded globally, with an array of organizations and independent competitions supporting its growth. Breaking will now be featured as ...
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Downrock
In dance, floorwork refers to movements performed on the floor. Floorwork is used extensively in modern dance, particularly Graham technique and Hawkins technique, as well as in vernacular breakdancing. Some dance training practices, notably Floor-Barre, consist entirely of floorwork. Floorwork changes the body's relationship with gravity, and requires dancers to navigate between higher and lower levels ("going in and out of the floor"). These features are central to the use of floorwork in choreography, and also affect its role in technique classes. Executing floorwork smoothly requires flexible joints, a relaxed body, and attention to the kinesthetic feedback provided by the floor. The "low" or floorwork level is one of three principal spatial levels dancers may occupy, along with the middle or bipedestrian (upright) and the high or aerial (jumping) levels. Concert dance The use of floorwork is one of the major differences between modern dance and previous Western concert da ...
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Coordination (physiology)
Motor coordination is the orchestrated movement of multiple body parts as required to accomplish intended actions, like walking. This coordination is achieved by adjusting kinematic and kinetic parameters associated with each body part involved in the intended movement. The modifications of these parameters typically relies on sensory feedback from one or more sensory modalities ( see: multisensory integration), such as proprioception and vision. Properties Large Degrees of Freedom Goal-directed and coordinated movement of body parts is inherently variable because there are many ways of coordinating body parts to achieve the intended movement goal. This is because the degrees of freedom (DOF) is large for most movements due to the many associated neuro-musculoskeletal elements.Bernstein N. (1967). The Coordination and Regulation of Movements. Pergamon Press. New York. Some examples of non-repeatable movements are when pointing or standing up from sitting. Complexity The complexi ...
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Liquid Dancing
Liquid and digits is a type of gestural, interpretive, rave and urban street dance that sometimes involve aspects of pantomime. The term invokes the word ''liquid'' to describe the fluid-like motion of the dancer's body and appendages and ''digits'' to refer to illusions constructed with the dancer's fingers. Liquid dancing has many moves in common with popping and waving. ("Waving" is a style of dance where the dancer tries to make it appear that waves are rolling through their body.) The exact origins of the dances are uncertain, although they came out of either popping, raves, or both sometime from the 1970s to 1990s. The dance is typically done to a variety of electronic dance music genres from trance to drum and bass to glitch hop Glitch is a genre of electronic music that emerged in the 1990s. It is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts. The glitching sounds featured in glitch tracks usually come from audio recording de ...
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Robot (dance)
The robot, also called mannequin or dancing machine, is a street dance style—often confused with popping—that suggests the stilted movements of a dancing robot or mannequin. Roboting gained fame after Michael Jackson used the dance when he performed "Dancing Machine" with his brothers,Mansour, DavidFrom Abba to Zoom: A Pop Culture Encyclopedia of the Late 20th Century p. 403 (2005) ("The Robot was a mimelike dance, popularized by The Jackson 5 and their Top Ten hit "Dancing Machine" (1974)") and later performed the dance during his solo career in songs such as "Smooth Criminal". Description The robot became popular in the 1960s, but goes back to the 1920s, when it was used theatrically in miming. It is a dance in which the dancer moves their limbs in a way that imitates the movements of a robot. Movements of the robot are ''normally'' started and finished with a dimestop (a very abrupt stop), to give the impression of motors starting and stopping, but poppers have also been ...
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Uprock
Uprock, or Rocking, as it was referred to, also known as Rock, Rock Dance, Brooklyn Rock, Burning or Freestyle is a competitive urban street dance, performed to the beats and rhythms of soul, rock and funk music, but was mostly danced to a specific and exclusive collection of songs that contained a hard driving beat. An example of such a song is the Rock classic "It's Just Begun" by noted jazz musician Jimmy Castor. The dance consists of foot shuffles, spins, turns, drops, freestyle movements and more characteristically a four-point sudden body movement called "jerk". Use of gestures Although women participated in this style of dance, it was usually danced by two men facing each other. The underlying philosophy of Rocking was to undermine the "opponent" with hand gestures called "burns". One would "burn" one's opponent with a variety of these hand gestures that would mimic an action that would be considered detrimental to the dancer's adversary. Two examples of typical and f ...
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Freeze (b-boy Move)
A freeze is a b-boying technique that involves halting all body motion, often in an interesting or balance-intensive position. It is implied that the position is hit and held from motion as if freezing in motion, or into ice. Freezes often incorporate various twists and distortions of the body into stylish and often difficult positions. Spins are often combined with freezes, and the spins are usually done in the form of highkicks. Various handstands ("inverts", "Nikes", and "pikes") can be frozen, and skilled breakers sometimes incorporate the technique of ''threading'' into handstands by forming a loop with one arm and leg, then "threading" the other leg in and out of the loop. Variants There are many different variations of freezes. A common naming convention categorizes freezes based on what part of the body is in contact with the ground. First Freezes were chin freaks, Tracks, Splits, deadman freeze, chairs. Thus a "headstand freeze" is done with only the breaker's head ...
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