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Tondo (art)
A tondo (plural "tondi" or "tondos") is a Renaissance term for a circular work of art, either a painting or a sculpture. The word derives from the Italian ''rotondo,'' "round." The term is usually not used in English for small round paintings, but only those over about 60 cm (two feet) in diameter, thus excluding many round portrait miniatures – for sculpture the threshold is rather lower. A circular or oval relief sculpture is also called a roundel. History Artists have created tondi since Greek antiquity. The circular paintings in the centre of painted vases of that period are known as tondi, and the inside of the broad low winecup called a '' kylix'' also lent itself to circular enframed compositions. The style was revived in the fifteenth and sixteenth centuries, particularly in Italy, where it may have developed from the smaller desco da parto or birthing tray. Since then it has been less common. In Ford Madox Brown's painting '' The Last of England'', the sh ...
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National Gallery In Washington D
National may refer to: Common uses * Nation or country ** Nationality – a ''national'' is a person who is subject to a nation, regardless of whether the person has full rights as a citizen Places in the United States * National, Maryland, census-designated place * National, Nevada, ghost town * National, Utah, ghost town * National, West Virginia, unincorporated community Commerce * National (brand), a brand name of electronic goods from Panasonic * National Benzole (or simply known as National), former petrol station chain in the UK, merged with BP * National Car Rental, an American rental car company * National Energy Systems, a former name of Eco Marine Power * National Entertainment Commission, a former name of the Media Rating Council * National Motor Vehicle Company, Indianapolis, Indiana, USA 1900-1924 * National Supermarkets, a defunct American grocery store chain * National String Instrument Corporation, a guitar company formed to manufacture the first resonator g ...
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The Last Of England (painting)
''The Last of England'' is an 1855 oil-on-panel painting by Ford Madox Brown depicting two emigrants leaving England to start a new life in Australia with their baby. The painting has an oval format and is in the Birmingham Museum and Art Gallery. Background Brown began the painting in 1852 inspired by the departure of his close friend, the Pre-Raphaelite sculptor, Thomas Woolner, who had left for Australia in July of that year. Emigration from England was at a peak, with over 350,000 people leaving that year. Brown, who at the time considered himself "very hard up and a little mad", was himself thinking of moving to India with his new family. Painting The painting depicts a man and his wife seeing England for the last time. The two main figures, based on Brown and his wife, Emma, stare ahead, stony-faced, ignoring the white cliffs of Dover which can be seen disappearing behind them in the top right of the picture. They are huddled under an umbrella that glistens with sea-spray. ...
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Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ...
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Jean Malouel
Jean Malouel, or Jan Maelwael in his native Dutch, ( 1365 – 1415) was a Dutch artist who was the court painter of Philip the Bold, Duke of Burgundy and his successor John the Fearless, working in the International Gothic style. Documented life He was presumably born in the old Ottonian city of Nijmegen, then in the Duchy of Guelders, which was incorporated in the modern Netherlands in 1543 after the definitive victory of the Dukes of Burgundy in a serie of conflicts knows as the Guelders Wars. He probably trained there in the workshop of his father, the artist Willem Maelwael (his uncle was also an artist), and is recorded as an artist in 1382. He was the uncle of the famous manuscript illuminators, the three Limbourg brothers, whom he introduced to Philip's service around 1400. Malouel also worked as an illuminator, but seems mostly to have produced larger works. Malouel is recorded as working in Paris painting armorial decorations on cloth (probably for banners) for Isabell ...
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Champmol
The Chartreuse de Champmol, formally the ''Chartreuse de la Sainte-Trinité de Champmol'', was a Carthusian monastery on the outskirts of Dijon, which is now in France, but in the 15th century was the capital of the Duchy of Burgundy. The monastery was founded in 1383 by Duke Philip the Bold to provide a dynastic burial place for the House of Valois, Valois Dukes of Burgundy#House of Valois .281361-1482.29, Dukes of Burgundy,Vaughan, 202 and operated until it was dissolved in 1791, during the French Revolution. Called "the grandest project in a reign renowned for extravagance", it was lavishly enriched with works of art, and the dispersed remnants of its collection remain key to the understanding of the art of the period. Founding Purchase of the land and quarrying of materials began in 1377, but construction did not begin until 1383,
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Arch
An arch is a vertical curved structure that spans an elevated space and may or may not support the weight above it, or in case of a horizontal arch like an arch dam, the hydrostatic pressure against it. Arches may be synonymous with vaults, but a vault may be distinguished as a continuous arch forming a roof. Arches appeared as early as the 2nd millennium BC in Mesopotamian brick architecture, and their systematic use started with the ancient Romans, who were the first to apply the technique to a wide range of structures. Basic concepts An arch is a pure compression form. It can span a large area by resolving forces into compressive stresses, and thereby eliminating tensile stresses. This is sometimes denominated "arch action". As the forces in the arch are transferred to its base, the arch pushes outward at its base, denominated "thrust". As the rise, i. e. height, of the arch decreases the outward thrust increases. In order to preserve arch action and prevent collapse ...
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Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek temples, Et ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ...
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Charger (table Setting)
Charger plates or service plates are large plates used at full course dinners or to dress up special events like parties and weddings. Charger plates have been in use since the 19th century. North America Food is not actually served on chargers; they are often called underplates or chop plates. The word "charger" originated around 1275–1325 from the Middle English "chargeour". Formerly, a charger signified either a large platter or a large, shallow dish for liquids. They are usually larger than most common dinner plates. Since they are not used for food, charger plates can be found in a variety of materials, from traditional china, to metal, wood, glass, plastic and pearl, and they may be decorated with substances that can be toxic if ingested. Charger plate etiquette and use vary. Some professional catering companies remove the decorative charger plate as soon as the guests are seated. In other instances, when the design of charger plates complements the design of dining pl ...
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Maiolica
Maiolica is tin-glazed pottery decorated in colours on a white background. Italian maiolica dating from the Renaissance period is the most renowned. When depicting historical and mythical scenes, these works were known as ''istoriato'' wares ("painted with stories"). By the late 15th century, multiple locations,L. Arnoux, 1877, British Manufacturing Industries – Pottery "Most of the Italian towns had their manufactory, each of them possessing a style of its own. Beginning at Caffagiolo and Deruta, they extended rapidly to Gubbio, Ferrara, and Ravenna, to be continued to Casteldurante, Rimini, Urbino, Florence, Venice, and many other places." mainly in northern and central Italy, were producing sophisticated pieces for a luxury market in Italy and beyond. In France maiolica developed as faience, in the Netherlands and England as delftware, and in Spain as talavera. In English the spelling was anglicised to ''majolica'' but the pronunciation usually preserved the vowel with an ...
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Spandrel
A spandrel is a roughly triangular space, usually found in pairs, between the top of an arch and a rectangular frame; between the tops of two adjacent arches or one of the four spaces between a circle within a square. They are frequently filled with decorative elements. Meaning There are four or five accepted and cognate meanings of the term ''spandrel'' in architectural and art history, mostly relating to the space between a curved figure and a rectangular boundary – such as the space between the curve of an arch and a rectilinear bounding moulding, or the wallspace bounded by adjacent arches in an arcade and the stringcourse or moulding above them, or the space between the central medallion of a carpet and its rectangular corners, or the space between the circular face of a clock and the corners of the square revealed by its hood. Also included is the space under a flight of stairs, if it is not occupied by another flight of stairs. In a building with more than one floor ...
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