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Throwing Knives
A throwing knife is a knife that is specially designed and weighted so that it can be thrown effectively. They are a distinct category from ordinary knives. Throwing knives are used by many cultures around the world, and as such different tactics for throwing them have been developed, as have different shapes and forms of throwing knife. Throwing knives are also used in sport. Central Africa Throwing knives saw use in central Africa. The wide area they were used over means that they were referred to by a number of names such as Onzil, Kulbeda, Mambele, Pinga and Trombash. These weapons had multiple iron blades and were used for warfare and hunting. A maximum effective range of about 50 yards has been suggested. The weapon appears to have originated in central Sudan somewhere around 1000 AD from where it spread south. It has however been suggested that the same weapon is depicted in Libyan wall sculptures dating around 1350 BC. The throwing knives were extensively collected b ...
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Throwing Knives
A throwing knife is a knife that is specially designed and weighted so that it can be thrown effectively. They are a distinct category from ordinary knives. Throwing knives are used by many cultures around the world, and as such different tactics for throwing them have been developed, as have different shapes and forms of throwing knife. Throwing knives are also used in sport. Central Africa Throwing knives saw use in central Africa. The wide area they were used over means that they were referred to by a number of names such as Onzil, Kulbeda, Mambele, Pinga and Trombash. These weapons had multiple iron blades and were used for warfare and hunting. A maximum effective range of about 50 yards has been suggested. The weapon appears to have originated in central Sudan somewhere around 1000 AD from where it spread south. It has however been suggested that the same weapon is depicted in Libyan wall sculptures dating around 1350 BC. The throwing knives were extensively collected b ...
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Knife
A knife ( : knives; from Old Norse 'knife, dirk') is a tool or weapon with a cutting edge or blade, usually attached to a handle or hilt. One of the earliest tools used by humanity, knives appeared at least 2.5 million years ago, as evidenced by the Oldowan tools. Originally made of wood, bone, and stone (such as flint and obsidian), over the centuries, in step with improvements in both metallurgy and manufacturing, knife blades have been made from copper, bronze, iron, steel, ceramic, and titanium. Most modern knives have either fixed or folding blades; blade patterns and styles vary by maker and country of origin. Knives can serve various purposes. Hunters use a hunting knife, soldiers use the combat knife, scouts, campers, and hikers carry a pocket knife; there are kitchen knives for preparing foods (the chef's knife, the paring knife, bread knife, cleaver), table knives (butter knives and steak knives), weapons (daggers or switchblades), knives for throwing or juggling, a ...
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Knife Throwing
Knife throwing is an art, sport, combat skill, or variously an entertainment technique, involving an artist skilled in the art of throwing knives, the weapons thrown, and a target. In some stage performances, the knife thrower ties an assistant to the target (sometimes known as a "target girl") and throws to miss them. Basic principles Knife throwing, whether in a martial or sport application, involves the same basic principles of mechanics. The objective in each case is for the point to stick into the target with a sufficient amount of force. For this to be successful, accuracy, distance, number of rotations and placement of the body all must be taken into account. If the thrower uses a spin technique, the knife will rotate during flight. This means that the thrower, assuming they are throwing the same way every time, must either choose a specific distance for each type of throw or, more practically, make slight adjustments to the placement of the knife in the hand or to the thr ...
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A Selection Of African Throwing Knives In Room 25 Of The British Museum
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it ...
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Onzil
An onzil (or osele or musele) is a throwing knife of ethnic groups from eastern Gabon (Kota people (Gabon), Kota, Fang people, Fang, Mbete languages, Mbété). Uses Looking like an axe, the ''onzil'' has a hornbill, calao-shaped blade. Its handle, often made of wood, is covered with copper wire, iron or brass. Sometimes handles are made of ivory. The onzil served as sacrificial weapons or for the war. The Kota people (Gabon), Kotas called them ''osele'' or ''musele'', and the Fangs called them ''onzil''. The name remained. Early forms of this style knife, associated with the Fang people, had shorter straight handles. Kota people are neighbors of the Fang and likely from them adopted this style of knife.http://papke.med.ufl.edu/brian/Handfuls/V2%20Theo/chapter-8/1890-kota-bird-head.html Gallery COLLECTIE TROPENMUSEUM Metalen werpmes TMnr 5938-2.jpg, Classical onzil Kota Onzil Axe.svg, Rare fish shaped onzil Bibliography * Jan Elsen, ''De fer et de fierté, Armes bl ...
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Mary Kingsley
Mary Henrietta Kingsley (13 October 1862 – 3 June 1900) was an English ethnographer, scientific writer, and explorer whose travels throughout West Africa and resulting work helped shape European perceptions of both African cultures and British colonialism in Africa. Early life Kingsley was born in London on 13 October 1862, the daughter and oldest child of physician, traveller and writer George Kingsley and Mary Bailey. She came from a family of writers, as she was also the niece of novelists Charles Kingsley and Henry Kingsley. The family moved to Highgate less than a year after her birth, the same home where her brother Charles George R. ("Charley") Kingsley was born in 1866, and by 1881 were living in Southwood House, Bexley in Kent. Her father was a physician and worked for George Herbert, 13th Earl of Pembroke, and other aristocrats and was frequently away from home on his excursions. During these voyages he collected information for his studies. Dr. Kingsley a ...
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Mambele
A mambele is a form of hybrid knife/axe in central and southern Africa, originating from a curved throwing dagger used by the Mangbetu people, Mangbetu. Description The mambele consists of an iron blade with a curved back section and rearward spike. It can be used in close combat as a hatchet or dagger, or more typically as a throwing weapon. It usually consists of four blades, three on top and one on the side. The curved hook was used to keep the weapon in the victim, and if pulled out, caused further damage. It would have been about 22 inches in length. These African iron weapons are thrown with a rotatory motion, and can inflict deep wounds with their projecting blades. The mambele is also known as: *hunga munga *danisco by the Marghi people, Marghi *goleyo by the Musgum people, Musgum *njiga by the Baguirmi people, Bagirmi *kpinga by the Zande people, Zande. They were classed as "Court Metal", being produced under the patronage of the Avongara clan, distributed only to pr ...
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Kpinga
A mambele is a form of hybrid knife/axe in central and southern Africa, originating from a curved throwing dagger used by the Mangbetu. Description The mambele consists of an iron blade with a curved back section and rearward spike. It can be used in close combat as a hatchet or dagger, or more typically as a throwing weapon. It usually consists of four blades, three on top and one on the side. The curved hook was used to keep the weapon in the victim, and if pulled out, caused further damage. It would have been about 22 inches in length. These African iron weapons are thrown with a rotatory motion, and can inflict deep wounds with their projecting blades. The mambele is also known as: *hunga munga *danisco by the Marghi *goleyo by the Musgum *njiga by the Bagirmi *kpinga by the Zande. They were classed as "Court Metal", being produced under the patronage of the Avongara clan, distributed only to professional warriors, and considered status symbols. It was also part of t ...
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Trumbash
A trumbash or trombash is a Mangbetu throwing knife from the Democratic Republic of Congo. Uses Similar to a sickle, the ''trumbash'' was used as a throwing weapon or as currency A currency, "in circulation", from la, currens, -entis, literally meaning "running" or "traversing" is a standardization of money in any form, in use or circulation as a medium of exchange, for example banknotes and coins. A more general def .... The handle is usually made of wood, but it can be made of ivory or bone. It is more or less decorated, according to the rank of its owner and the use that is made of it.Werner Fischer, Manfred A. Zirngibl, ''African Weapons: Knives, Daggers, Swords, Axes, Throwing Knives'', 1978, p.67 The curved blade is made of iron. Gallery File:African Trumbash - Mangbetu curved knife.jpg File:Brooklyn Museum 22.462 Knife Trumbash.jpg File:Brooklyn Museum 22.457 Knife Ivory Handle Trumbash.jpg, Trumbash with an ivory handle File:Knife - Mangbetu - Royal Museum for ...
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Centroid
In mathematics and physics, the centroid, also known as geometric center or center of figure, of a plane figure or solid figure is the arithmetic mean position of all the points in the surface of the figure. The same definition extends to any object in ''n''-dimensional Euclidean space. In geometry, one often assumes uniform mass density, in which case the ''barycenter'' or ''center of mass'' coincides with the centroid. Informally, it can be understood as the point at which a cutout of the shape (with uniformly distributed mass) could be perfectly balanced on the tip of a pin. In physics, if variations in gravity are considered, then a ''center of gravity'' can be defined as the weighted mean of all points weighted by their specific weight. In geography, the centroid of a radial projection of a region of the Earth's surface to sea level is the region's geographical center. History The term "centroid" is of recent coinage (1814). It is used as a substitute for the older te ...
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Hans Talhoffer
Hans Talhoffer (Dalhover, Talhouer, Thalhoffer, Talhofer; – after 1482) was a German fencing master. His martial lineage is unknown, but his writings make it clear that he had some connection to the tradition of Johannes Liechtenauer, the grand master of a well-known Medieval German school of fencing. Talhoffer was a well-educated man who took interest in astrology, mathematics, onomastics, and the auctoritas and the ratio. He authored at least five fencing manuals during the course of his career, and appears to have made his living teaching, including training people for trial by combat. Life The first known reference to Talhoffer is in 1433, when he represented Johann II von Reisberg, archbishop of Salzburg, before the Vehmic court. Shortly thereafter in 1434, Talhoffer was arrested and questioned by order of Wilhelm von Villach (a footman to Albrecht III von Wittelsbach, duke of Bavaria) in connection to the trial of a Nuremberg aristocrat named Jacob Auer, accused o ...
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Paulus Hector Mair
Paulus Hector Mair (1517–1579) was a German civil servant fencing master from Augsburg. He collected Fechtbücher and undertook to compile all knowledge of the art of fencing in a compendium surpassing all earlier books. For this, he engaged the painter Jörg Breu the Younger, as well as two experienced fencers, whom he charged with perfecting the techniques before they were painted. The project was very costly, taking a full four years, and according to Mair, consumed most of his family's income and property. Three versions of his compilation, and one later, less extensive manuscript, have been preserved. Not only did Mair spend huge sums on his collections and on his projects, he also had a very expensive lifestyle, frequently hosting receptions for the more important burghers of Augsburg. His own income was not sufficient for this, and during many years, he misappropriated funds from the city treasury, with the supervision of which he had been entrusted since 1541. His embezz ...
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