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The Cryptkeeper
''Tales from the Crypt'' was an American bi-monthly horror comic anthology series published by EC Comics from 1950 to 1955, producing 27 issues (the first issue with the title was #20, previously having been ''International Comics'' (#1–#5); ''International Crime Patrol'' (#6); ''Crime Patrol'' (#7–#16) and ''The Crypt of Terror'' (#17–#19) for a total of 46 issues in the series). Along with its sister titles, ''The Haunt of Fear'' and '' The Vault of Horror'', ''Tales from the Crypt'' was popular, but in the late 1940s and early 1950s comic books came under attack from parents, clergymen, schoolteachers and others who believed the books contributed to illiteracy and juvenile delinquency. In April and June 1954, highly publicized congressional subcommittee hearings on the effects of comic books upon children left the industry shaken. With the subsequent imposition of a highly restrictive Comics Code, EC Comics publisher Bill Gaines cancelled ''Tales from the Crypt'' and its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Feldstein
Albert Bernard Feldstein ( ; October 24, 1925 – April 29, 2014) was an American writer, editor, and artist, best known for his work at EC Comics and, from 1956 to 1985, as the editor of the satire, satirical magazine ''Mad (magazine), Mad''. After retiring from ''Mad'', Feldstein concentrated on Visual arts of the United States, American paintings of Western wildlife. Early life and education Al Feldstein was born October 24, 1925, in Brooklyn, New York (state), New York, to a Jewish household. He was the son of Max, who made dental molds, and Beatrice Feldstein. After winning an award in the 1939 New York World's Fair poster contest, he decided on a career in the art field and studied at the Fiorello H. LaGuardia High School of Music & Art and Performing Arts, High School of Music and Art in Manhattan. During World War II, he served stateside in the United States Army Air Forces, Army Air Forces. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secrets Of The Cryptkeeper's Haunted House
''Secrets of the Cryptkeeper's Haunted House'' is a children's Saturday-morning game show that ran on CBS. It premiered on September 14, 1996 and lasted until August 23, 1997. It featured the Cryptkeeper of ''Tales from the Crypt'' (with John Kassir as the voice) now serving as an announcer. It is the last TV series in the ''Tales From the Crypt'' franchise. The series was taped at Universal Studios Florida. ''Secrets of the Cryptkeeper's Haunted House'' received a Daytime Emmy nomination for Outstanding Game Show in 1997, losing to fellow CBS program ''The Price Is Right''. The series is one of only two children's game shows to be nominated in this category, to be followed by ''BrainSurge'' in 2012. The series was replaced 3 weeks later by ''Wheel 2000'', a kids version of Wheel of Fortune. Game summary Two teams of kids (one team wearing red shirts; the other team, black shirts, and both teams usually named for a creature commonly perceived as scary, for example Beasts vs. Ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russ Cochran (publisher)
Russ Cochran (; July 3, 1937 – February 23, 2020) was a publisher of EC Comics reprints, Disney comics, and books on Hopalong Cassidy, Chet Atkins, Les Paul, and vacuum tubes. He was a publisher for over 30 years, after quitting his job as a physics professor. His EC Comics reprints included the black-and-white '' The Complete EC Library'', the four-color '' EC Annuals'', and the full-color hardcover EC Archives. In 1982, he was awarded an Inkpot Award. Cochran was associated with Another Rainbow Publishing, Gladstone Publishing, and Gemstone Publishing. EC Comics reprints Cochran's reprints (which have been released through a number of publishers, including Cochran himself) were compiled primarily from copies of the original artwork pages (complemented when necessary by scans of the original printed comics), which were owned by EC Publisher William Gaines. Cochran befriended Gaines and also handled the resale of the original artwork to collectors via mail-auction catalogs duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballantine Books
Ballantine Books is a major book publisher located in the United States, founded in 1952 by Ian Ballantine with his wife, Betty Ballantine. It was acquired by Random House in 1973, which in turn was acquired by Bertelsmann in 1998 and remains part of that company today. Ballantine's original logo was a pair of mirrored letter Bs back to back, while its current logo is two Bs stacked to form an elaborate gate. The firm's early editors were Stanley Kauffmann and Bernard Shir-Cliff. History Following Fawcett Publications' controversial 1950 introduction of Gold Medal paperback originals rather than reprints, Lion Books, Avon and Ace also decided to publish originals. In 1952, Ian Ballantine, a founder of Bantam Books, announced that he would "offer trade publishers a plan for simultaneous publishing of original titles in two editions, a hardcover 'regular' edition for bookstore sale, and a paper-cover, 'newsstand' size, low-priced edition for mass market sale." When the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Fiction
Horror is a genre of fiction which is intended to frighten, scare, or disgust. Horror is often divided into the sub-genres of psychological horror and supernatural horror, which is in the realm of speculative fiction. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society. Prevalent elements of the genre include ghosts, demons, vampires, werewolves, ghouls, the Devil, witches, monsters, extraterrestrials, dystopian and post-apocalyptic worlds, serial killers, cannibalism, cults, dark magic, satanism, the macabre, gore and torture. History Before 1000 The horror genre has ancient origins, with roots in folklore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comics Magazine Association Of America
The Association of Comics Magazine Publishers (ACMP) was an American industry trade group formed in the late 1940s to regulate the content of comic books in the face of public criticism during that time. It was a precursor to the Comics Magazine Association of America, and the ACMP Publishers Code served as the template for a more detailed set of rules enforced by the CMAA's Comics Code Authority. History The ACMP was formed in May 1947Vassallo, Michael J., "The History of Atlas Horror/Fantasy: The Comics Code 1955" (introduction), ‘’Marvel Masterworks: Atlas Era Journey into Mystery Vol. 3 ‘’ (Marvel Worldwide, 2010), p. vi (unnumbered) and publicly announced on July 1, 1948. Hajdu, David. ''The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America'' (Farrar, Straus and Giroux, 2008), p. 128. , Founding members included: * Phil Keenan, publisher of Hillman Periodicals * Leverett Gleason, publisher of Lev Gleason Publications * Bill Gaines, publisher of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fredric Wertham
Fredric Wertham (; born Friedrich Ignatz Wertheimer, March 20, 1895 – November 18, 1981) was a German-American psychiatrist and author. Wertham had an early reputation as a progressive psychiatrist who treated poor black patients at his Lafargue Clinic at a time of heightened discrimination in urban mental health practice. Wertham also authored a definitive textbook on the brain, and his institutional stressor findings were cited when courts overturned multiple segregation statutes, most notably in ''Brown v. Board of Education.'' Despite this, Wertham remains best known for his concerns about the effects of violent imagery in mass media and the effects of comic books on the development of children. His best-known book is ''Seduction of the Innocent'' (1954), which asserted that comic books caused youth to become delinquents. Besides ''Seduction of the Innocent'', Wertham also wrote articles and testified before government inquiries into comic books, most notably as part of a Uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adventures Into The Unknown
''Adventures Into the Unknown'' was an American comic-book magazine series best known as the medium's first ongoing horror-comics title. Published by the American Comics Group, initially under the imprint B&I Publishing, it ran 174 issues (cover-dated Fall 1948 - Aug. 1967).''Adventures Into the Unknown'' (American Comics Group, 1948 Series) at the The first issue, written by with art by |
Good Girl Art
Good Girl Art (GGA) is a style of artwork depicting women primarily featured in comic books, comic strips, and pulp magazines. The term was coined by the American Comic Book Company, appearing in its mail order catalogs from the 1930s to the 1970s, and is used by modern comic experts to describe the hyper-sexualized version of femininity depicted in comics of the era. History The science fiction author Richard A. Lupoff defined good girl art as: The popularity of Good Girl Art peaked in the 1940s and 1950s as the style gained favor with young men, particularly US servicemen, for whom comics served as an opportunity to 'girl watch'. Leading artists of the movement include Bill Ward (known for his '' Torchy'' comics) and Matt Baker, who was one of the few African Americans working as an artist during the Golden Age of Comics. During this period, GGA also found its way into newspaper comic strips. One of the early examples of good girl art was Russell Stamm's Invisible Scarl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bondage (BDSM)
Bondage in the BDSM subculture, is the practice of consensually tying, binding, or restraining a partner for erotic, aesthetic, or somatosensory stimulation. A partner may be physically restrained in a variety of ways, including the use of rope, cuffs, bondage tape, or self-adhering bandage. Bondage itself does not necessarily imply sadomasochism. Bondage may be used as an end in itself, as in the case of rope bondage and breast bondage. It may also be used as a part of sex or in conjunction with other BDSM activities. The letter "B" in the acronym "BDSM" comes from the word "bondage". Sexuality and erotica are an important aspect in bondage, but are often not the end in itself. Aesthetics also plays an important role in bondage. A common reason for the active partner to tie up their partner is so both may gain pleasure from the restrained partner's submission and the feeling of the temporary transfer of control and power. For sadomasochistic people, bondage is often u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghoul
A ghoul ( ar, غول, ') is a demon-like being or monstrous humanoid. The concept originated in pre-Islamic Arabian religion, associated with graveyards and the consumption of human flesh. Modern fiction often uses the term to label a certain kind of undead monster. By extension, the word ghoul is also used in a derogatory sense to refer to a person who delights in the macabre or whose occupation directly involves death, such as a gravedigger or graverobber. Etymology Ghoul is from the Arabic ''ghūl'', from ''ghāla'', "to seize". In Arabic, the term is also sometimes used to describe a greedy or gluttonous individual. See also the etymology of gal and gala: "to cast spells," "scream," "crow," and its association with "warlike ardor," "wrath," and the Akkadian "gallu," which refer to demons of the underworld. The term was first used in English literature in 1786 in William Beckford's Orientalist novel ''Vathek'', which describes the ''ghūl'' of Arabic folklore. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eerie (Avon)
''Eerie'' was an American magazine of horror comics introduced in 1966 by Warren Publishing. Like '' Mad'', it was a black-and-white magazine intended for newsstand distribution and did not submit its stories to the comic book industry's voluntary Comics Code Authority. Each issue's stories were introduced by the host character, Cousin Eerie. Its sister publications were ''Creepy'' and ''Vampirella''. Publication history The first issue cost 35¢, was published in September 1966 and only had a 200-issue run of an "ashcan" edition. With a logo by Ben Oda, it was created overnight by editor Archie Goodwin and letterer Gaspar Saladino to establish publisher Jim Warren's ownership of the title when it was discovered that a rival publisher (later known as Eerie Publications) would be using the name. Warren explained, "We launched ''Eerie'' because we thought ''Creepy'' ought to have an adversary. The Laurel and Hardy syndrome always appealed to me. ''Creepy'' and ''Eerie'' are like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
