The Charts (American Group)
The Charts were an American doo-wop group of the 1950s, most famous for their recording "Deserie". The group formed as The Thrilltones in Harlem, New York in 1956, and comprised teenagers Joe Grier (lead), Stephen Brown (first tenor), Glenmore Jackson (second tenor), Leroy Binns (baritone), and Ross Buford (bass). They acquired a manager, Les Cooper, who had previously been a member of various R&B groups, and who changed their name to The Charts. They were signed to the Everlast label, owned by Bobby Robinson's brother Danny, who released their first single "Deserie" in May 1957. The song's authorship was credited to Cooper and Johnson, although singer Joe Grier later claimed that he had written the song along with the group's other material. The record was No. 3 on the national R&B charts, and was later featured on many compilations of doo-wop classics. After a few more singles for Everlast, the original Charts disbanded in 1958 when Grier went into the service. On his retur ...
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Doo-wop
Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.Hoffmann, FRoots of Rock: Doo-Wop In ''Survey of American Popular Music'', modified for the web by Robert Birklin ...
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Gonna Take A Miracle
''Gonna Take a Miracle'' is the fifth album by New York City-born singer, songwriter and pianist Laura Nyro, with assistance by vocal trio Labelle. It was released on Columbia Records in November 1971, one year after its predecessor ''Christmas and the Beads of Sweat''. The album is Nyro's only all-covers album, and she interprets mainly 1950s and 1960s soul and R&B standards, using Labelle as a traditional back-up vocal group. Nyro had originally had the idea to do a covers album during 1970, and on her tour to support the ''Christmas and the Beads of Sweat'' album, she introduced several of the songs that later appeared on ''Gonna Take a Miracle'', including "Spanish Harlem" and "Dancing in the Street". ''Gonna Take a Miracle'' remains a critics' favorite Laura Nyro record for its laidback atmosphere and impressive soul grooves and musicianship as well as classic Philadelphia soul production from Kenny Gamble and Leon Huff. It was her last commercially successful album, peakin ...
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Musical Groups Disestablished In 1958
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music -al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousnes ...

Musical Groups Established In 1956
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music-al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness ...

African-American Musical Groups
African Americans (also referred to as Black Americans and Afro-Americans) are an ethnic group consisting of Americans with partial or total ancestry from sub-Saharan Africa. The term "African American" generally denotes descendants of enslaved Africans who are from the United States. While some Black immigrants or their children may also come to identify as African-American, the majority of first generation immigrants do not, preferring to identify with their nation of origin. African Americans constitute the second largest racial group in the U.S. after White Americans, as well as the third largest ethnic group after Hispanic and Latino Americans. Most African Americans are descendants of enslaved people within the boundaries of the present United States. On average, African Americans are of West Africa, West/Central Africa, Central African with some European descent; some also have Native Americans in the United States, Native American and other ancestry. According to Unit ...
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Doo-wop Groups
Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.Hoffmann, FRoots of Rock: Doo-Wop In ''Survey of American Popular Music'', modified for the web by Robert Birklin ...
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The Elegants
The Elegants was an American doo-wop vocal group, that started in 1958 by Vito Picone, Arthur Venosa, Frank Tardogno, Carman Romano and James Moschello in South Beach, Staten Island, New York. Before their nursery rhyme inspired song, " Little Star", became a number one hit, the band usually performed informally under the boardwalk by their homes. "Little Star" was the only million seller for the group, and was written by Venosa and Picone. It spent 19 weeks in the ''Billboard'' Hot 100, earning gold disc status. The song reached number 25 in the UK Singles Chart in September 1958. After their success with "Little Star", the band, still in their teens, toured with artists such as Buddy Holly, Dion and the Belmonts, Chuck Berry and Jerry Lee Lewis. However, none of their subsequent singles reached the charts at all, making them an example of one-hit wonders. In early 1970s, lead singer Vito Picone returned to the group, replacing Tardogno as the lead singer. The group can be ...
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Laura Nyro
Laura Nyro ( ; born Laura Nigro; October 18, 1947 – April 8, 1997) was an American songwriter, singer, and pianist. She achieved critical acclaim with her own recordings, particularly the albums ''Eli and the Thirteenth Confession'' (1968) and '' New York Tendaberry'' (1969), and had commercial success with artists such as Barbra Streisand and the 5th Dimension recording her songs. Wider recognition for her artistry was posthumous while her contemporaries such as Elton John idolized her. She was praised for her strong emotive vocal style and 3- octave mezzo-soprano vocal range. Between 1968 and 1970, a number of artists had hits with her songs: The 5th Dimension with "Blowing Away", "Wedding Bell Blues", " Stoned Soul Picnic", "Sweet Blindness", and "Save the Country"; Blood, Sweat & Tears and Peter, Paul and Mary with "And When I Die"; Three Dog Night and Maynard Ferguson with "Eli's Comin'"; and Barbra Streisand with " Stoney End", "Time and Love", and "Hands off the M ...
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Harlem, New York
Harlem is a neighborhood in Upper Manhattan, New York City. It is bounded roughly by the Hudson River on the west; the Harlem River and 155th Street (Manhattan), 155th Street on the north; Fifth Avenue on the east; and 110th Street (Manhattan), Central Park North on the south. The greater Harlem area encompasses several other neighborhoods and extends west and north to 155th Street, east to the East River, and south to Martin Luther King, Jr., Boulevard (Manhattan), Martin Luther King Jr. Boulevard, Central Park, and 96th Street (Manhattan), East 96th Street. Originally a Netherlands, Dutch village, formally organized in 1658, it is named after the city of Haarlem in the Netherlands. Harlem's history has been defined by a series of economic boom-and-bust cycles, with significant population shifts accompanying each cycle. Harlem was predominantly occupied by Jewish American, Jewish and Italian American, Italian Americans in the 19th century, but African-American residents began to ...
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The Del Vikings
The Del-Vikings (also known as The Dell-Vikings) were an American doo-wop musical group that recorded several hit singles in the 1950s and continued to record and tour with various lineups in later decades. The group is notable for the hit songs "Come Go with Me" and " Whispering Bells", and for having been a successful racially mixed musical group during a period of time when such groups were rare. History Formation and early fame The Del-Vikings were formed in 1955 by members of the United States Air Force stationed in Pittsburgh, Pennsylvania, with Clarence Quick, Kripp Johnson, Don Jackson, Samuel Paterson, Bernard Robertson and guitarist Joe Lopes. Because all of the members were in the armed forces, the group constantly ran the risk of being disrupted by members being stationed in other places. This happened soon after the group's forming when Paterson and Robertson were sent to Germany. They were replaced by baritone David Lerchey, the group's first white member, and tenor ...
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The Coasters
The Coasters are an American rhythm and blues/rock and roll vocal group who had a string of hits in the late 1950s. Beginning with "Searchin'" and " Young Blood" in 1957, their most memorable songs were written by the songwriting and producing team of Leiber and Stoller. Although the Coasters originated outside of mainstream doo-wop, their records were so frequently imitated that they became an important part of the doo-wop legacy through the 1960s. In 1987, they were the first group inducted into the Rock and Roll Hall of Fame. History The Coasters were formed on October 12, 1955, when two of The Robins, a Los Angeles–based rhythm-and-blues group, joined Atlantic Records. They were dubbed The Coasters because they went from the west coast to the east. The Robins included Carl Gardner and Bobby Nunn. The original Coasters were Gardner, Nunn, Billy Guy, Leon Hughes (who was replaced by Young Jessie on a couple of their early Los Angeles recordings), and the guitarist Adolp ...
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