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Teaching Script
A teaching script is a sample script that serves as a visual orientation for learning to penmanship, write by hand. In the sense of a guideline or a prototype, it supports the demanding process of developing handwriting skills and abilities in a visual and illustrative way. Teaching scripts are represented as alphabets (upper and lower case letters), which are generally accompanied by numbers and punctuation marks. For detailed information on the execution of movements and the design of individual letters and their incorporation into words, various learning materials such as writing exercise sheets or corresponding exercise books are usually provided. Historical context Historically, the older approach was to provide students with a beautiful, readable, and efficient cursive as a standard script for learning. Students were supposed to bring their writing closer and closer to this perfect model. In the first third of the 20th century, type teachers such as Rudolf von Larisch and L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Getty-Dubay Italic Sample
Getty-Dubay Italic is a modern teaching script for handwriting based on Latin script, developed in 1976 in Portland, Oregon, by Barbara Getty and Inga Dubay with the aim of allowing learners to make an easier transition from print writing to cursive. Characteristics Getty-Dubay Italic is designed as a semi-cursive Italic script. Other than strokes to join the letter (alphabet), letters, only the lower-case letter 'k' and a few upper-case letters have forms different from their printed equivalents. Getty-Dubay Italic is written with a Slant (handwriting), slant of 85 degrees, measured counterclockwise from the baseline. Prevalence It has been claimed that about one-third of US homeschoolers (and about 7% of US schoolchildren generally) now learn Getty-Dubay Italic rather than conventional Block letters, manuscript-then-cursive handwriting styles. Publishing Getty-Dubay Italic books were previously published by Portland State University and are now self-published by the authors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sütterlin
(, " script") is the last widely used form of , the historical form of German handwriting script that evolved alongside German blackletter (most notably ') typefaces. Graphic artist Ludwig Sütterlin was commissioned by the Prussian Ministry of Science, Art and Culture (') to create a modern handwriting script in 1911. His handwriting scheme gradually replaced the older cursive scripts that had developed in the 16th century at the same time that letters in books had developed into Fraktur. The name ' is nowadays often used to refer to several similar varieties of old German handwriting, but Sütterlin's own script was taught only from 1915 to 1941 in all German schools. History The ministry had asked for "modern" handwriting scripts to be used in offices and to be taught in school. Sütterlin created two scripts in parallel with the two typefaces that were in use (see Antiqua–Fraktur dispute). The scripts were introduced in Prussia in 1915 and from the 1920s onwards they b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (diacritic)
A bar or stroke is a modification consisting of a line drawn through a grapheme. It may be used as a diacritic to derive new letters from old ones, or simply as an addition to make a grapheme more distinct from others. It can take the form of a vertical bar, slash, or crossbar. A stroke is sometimes drawn through the numerals 7 (horizontal overbar) and 0 (overstruck foreslash), to make them more distinguishable from the number 1 and the letter O, respectively. (In some typefaces, one or other or both of these characters are designed in these styles; they are not produced by overstrike or by combining diacritic. The normal way in most of Europe to write the number seven is with a bar. ) In medieval English scribal abbreviations, a stroke or bar was used to indicate abbreviation. For example, , the pound sign, is a stylised form of the letter (the letter with a cross bar). For the specific usages of various letters with bars and strokes, see their individual articles. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiqua (typeface Class)
Antiqua () is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. Letters are designed to flow, and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur-style typefaces where the individual strokes are broken apart. The two typefaces were used alongside each other in the Germanophone world, with the Antiqua–Fraktur dispute often dividing along ideological or political lines. After the mid-20th century, Fraktur fell out of favor and Antiqua-based typefaces became the official standard in Germany. (In German, the term "Antiqua" refers to serif typefaces.) History Antiqua typefaces are typefaces designed between 1470 and 1600, specifically those by Nicolas Jenson and the Aldine roman commissioned by Aldus Manutius and cut by Francesco Griffo. The letterforms were based on a synthesis of Roman inscriptional capitals and Carolingian writing. Florentine poet Petrarch wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long S
The long s, , also known as the medial ''s'' or initial ''s'', is an Archaism, archaic form of the lowercase letter , found mostly in works from the late 8th to early 19th centuries. It replaced one or both of the letters ''s'' in a double-''s'' sequence (e.g., "ſinfulneſs" for "sinfulness" and "poſſeſs" or "poſseſs" for "possess", but never "poſſeſſ"). The modern letterform is known as the "short", "terminal", or "round" ''s''. In typography, the long ''s'' is known as a type of swash letter, commonly referred to as a "swash ''s''". The long ''s'' is the basis of the first half of the grapheme of the German alphabet Orthographic ligature, ligature letter , ( or , 'sharp ''s'''). As with other letters, the long ''s'' may have a variant appearance depending on typeface: , , , . Rules English This list of rules for the long ''s'' is not exhaustive, and it applies only to books printed during the 17th to early 19th centuries in English-speaking countries. Similar r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolf Hitler
Adolf Hitler (20 April 1889 – 30 April 1945) was an Austrian-born German politician who was the dictator of Nazi Germany from 1933 until Death of Adolf Hitler, his suicide in 1945. Adolf Hitler's rise to power, He rose to power as the leader of the Nazi Party, becoming Chancellor of Germany#Nazi Germany (1933–1945), the chancellor in 1933 and then taking the title of in 1934. His invasion of Poland on 1 September 1939 marked the start of the Second World War. He was closely involved in military operations throughout the war and was central to the perpetration of the Holocaust: the genocide of Holocaust victims, about six million Jews and millions of other victims. Hitler was born in Braunau am Inn in Austria-Hungary and moved to German Empire, Germany in 1913. He was decorated during his service in the German Army in the First World War, receiving the Iron Cross. In 1919 he joined the German Workers' Party (DAP), the precursor of the Nazi Party, and in 1921 was app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiqua–Fraktur Dispute
The Antiqua–Fraktur dispute was a typographical dispute in 19th- and early 20th-century Germany. In most European countries, blackletter typefaces like the German Fraktur were displaced with the creation of the Antiqua typefaces in the 15th and 16th centuries. However, in Germany and Austria, the two styles of printing coexisted until the first half of the 20th century. During that time, both styles gained ideological connotations in Germany, which led to long and heated disputes on what was the "correct" typeface to use. The eventual outcome was that the Antiqua-style typefaces prevailed when the Nazi Party chose to put an end to the use of Fraktur in favor of "normal typeface" (). Origin Historically, the dispute originates in the differing use of these two typefaces in most intellectual texts. Whereas Fraktur was preferred for works written in German, for Latin texts the Antiqua-style typefaces were normally used. This extended even to English–German dictionaries; th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackletter
Blackletter (sometimes black letter or black-letter), also known as Gothic script, Gothic minuscule or Gothic type, was a script used throughout Western Europe from approximately 1150 until the 17th century. It continued to be commonly used for Danish, Norwegian, and Swedish until the 1870s, Finnish until the turn of the 20th century, Estonian and Latvian until the 1930s, and for the German language until the 1940s, when Adolf Hitler officially Antiqua–Fraktur dispute, discontinued it in 1941. Fraktur is a notable script of this type, and sometimes the entire group of blackletter faces is referred to as Fraktur. Blackletter is sometimes referred to as Old English, but it is not to be confused with the Old English language, which predates blackletter by many centuries and was written in the insular script or in Futhorc. Along with Italic type and Roman type, blackletter served as one of the major typefaces in the history of Western typography. Origins Carolingian minuscule wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsche Normalschrift Ab 01091941
Deutsch ( , ) or Deutsche ( , ) may refer to: * or : the German language or in particular Standard German, spoken in central European countries and other places *Old High German language refers to Deutsch as a way to define the primary characteristic of the people of the land with importance given to masculine strength - Dhaithya in Samskrutham (aka Sanskrit) meaning a physically very strong man, who is not concerned about his actions and their consequences that use his strength, as he is blinded by the temporary power he possesses at the moment. *: Germans, as a weak masculine, feminine, or plural demonym * ''Deutsch'' (word), originally referring to the Germanic vernaculars of the Early Middle Ages Businesses and organisations *André Deutsch, an imprint of Carlton Publishing Group * Deutsch Inc., a former American advertising agency that split in 2020 into: **Deutsch NY, a New York City-based advertising agency * Deutsche Aerospace AG *Deutsche Akademie, a cultural organisat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reich Ministry Of Science, Education And Culture
The Reich Ministry of Science, Education and Culture (, also unofficially known as the "Reich Education Ministry" (), or "REM") existed from 1934 until 1945 under the leadership of Bernhard Rust and was responsible for unifying the education system of Nazi Germany and aligning it with the goals of Nazi leadership. Background The REM was the successor to the former ''Preußisches Ministerium für Wissenschaft, Kunst und Volksbildung'' (Prussian Ministry of Science, Art and Culture), creating for the first time in Germany a centralized and hierarchical institution in control of the Reich's education sector. In 1934, the REM took over from the ''Reichsinnenministerium'' (Reich Interior Ministry) the supervision of colleges and universities in Germany, as well as research institutions such as the ''Physikalisch-Technische Reichsanstalt'' (abbreviated PTR; translation: Reich Physical and Technical Institute.); today, the PTR is known as the ''Physikalisch-Technische Bundesanstalt''.He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Schemm
Hans Schemm (6 October 1891 – 5 March 1935) was an educator who became a prominent Nazi Party official. He served as ''Gauleiter'' of Gau Bayreuth and Bavarian State Minister for Education and Culture until his death in an airplane accident. Early life Schemm, whose parents ran a shoemaker's shop, was born in Bayreuth. He attended '' volksschule'' for five years and then a teacher training preparatory school. From 1908 to 1910 he attended the Royal Bavarian Teachers' Seminar, a teachers' college in Altdorf bei Nürnberg. He taught school beginning in 1910, first in Wülfersreuth, then as of 1911 in Neufang. In 1915 he got married; in 1917 a son was born. When the First World War broke out, Schemm was drafted and served as a medical attendant at a military epidemic hospital in Bayreuth. There he became infected with tuberculosis and, consequently, was discharged from military service on 26 August 1916. He returned to his teaching job in Neufang. In 1919 he was a member of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gauleiter
A ''Gauleiter'' () was a regional leader of the Nazi Party (NSDAP) who served as the head of a ''Administrative divisions of Nazi Germany, Gau'' or ''Reichsgau''. ''Gauleiter'' was the third-highest Ranks and insignia of the Nazi Party, rank in the Nazi political leadership, subordinate only to ''Reichsleiter'' and to the ''Führer'' himself. The position was effectively abolished with the fall of the Nazi regime on 8 May 1945. History and development Origin and early years The first use of the term ''Gauleiter'' by the Nazi Party was in 1925 around the time Adolf Hitler re-founded the Party on 27 February, after the lifting of the ban that had been imposed on it in the aftermath of the Beer Hall Putsch of 9 November 1923. The word can be singular or plural in German usage, depending on its context, and derives from the German words ''Gau (territory), Gau'' and ''leiter'' (''leader''). The word ''Gau'' is an old term for a region of the German ''Reich'' (Empire). The Frankis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
