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Takhallus
A takhallus ( ur, , fa, تخلّص, hi, तख़ल्लुस), is a pen-name. Pen names were widely adopted by Urdu, Punjabi, Hindi and Persian poets. ''Takhallus'' is an Arabic word which means, literally, "to get liberated" or "become secure;" the word has been borrowed in Hindi-Urdu and Punjabi to mean "pen name". The takhallus is often included in the maqta, last sher (couplet), of the ghazal. History While ghazal originated in Arabia evolving from Qasida, some of the common features of contemporary ghazal, such as including the takhallus in the maqta, the concept of matla, etc., did not exist in Arabic ghazal. It was Persian ghazal which added these features. Common Takhallus List of Takhallus of some Urdu poets: * ''Ghalib'' – Mirza Asadullah Baig Khan * ''Faiz'' – Faiz Ahmed Faiz * ''Hali'' – Altaf Hussain ''Hali'' * ''Jigar'' - Sikander Ali Moradabadi * ''Kaki'' - Khwaja Qutbuddin Bakhtiar * ''Zafar'' - Bahadur Shah II * ''Mir'' - Mir Taqi Mir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urdu Poetry
Urdu poetry ( ur, ) is a tradition of poetry and has many different forms. Today, it is an important part of the cultures of South Asia. According to Naseer Turabi there are five major poets of Urdu which are Mir Taqi Mir (d.1810), Mirza Ghalib, Mir Anees, Allama Iqbal and Josh Malihabadi (d.1982). The language of Urdu reached its pinnacle under the British Raj, and it received official status. All famous writers of Urdu language including Ghalib and Iqbal were given British scholarships. Following the Partition of India in 1947, it found major poets and scholars were divided along the nationalistic lines. However, Urdu poetry is cherished in both the nations. Both the Muslims and Hindus from across the border continue the tradition. It is fundamentally performative poetry and its recital, sometimes impromptu, is held in Mushairas (poetic expositions). Although its tarannum saaz (singing aspect) has undergone major changes in recent decades, its popularity among the masses remai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pen-name
A pen name, also called a ''nom de plume'' or a literary double, is a pseudonym (or, in some cases, a variant form of a real name) adopted by an author and printed on the title page or by-line of their works in place of their real name. A pen name may be used to make the author's name more distinctive, to disguise the author's gender, to distance the author from their other works, to protect the author from retribution for their writings, to merge multiple persons into a single identifiable author, or for any of a number of reasons related to the marketing or aesthetic presentation of the work. The author's real identity may be known only to the publisher or may become common knowledge. Etymology The French-language phrase is occasionally still seen as a synonym for the English term "pen name", which is a "back-translation" and originated in England rather than France. H. W. Fowler and F. G. Fowler, in ''The King's English'' state that the term ''nom de plume'' evolv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pen Name
A pen name, also called a ''nom de plume'' or a literary double, is a pseudonym (or, in some cases, a variant form of a real name) adopted by an author and printed on the title page or by-line of their works in place of their real name. A pen name may be used to make the author's name more distinctive, to disguise the author's gender, to distance the author from their other works, to protect the author from retribution for their writings, to merge multiple persons into a single identifiable author, or for any of a number of reasons related to the marketing or aesthetic presentation of the work. The author's real identity may be known only to the publisher or may become common knowledge. Etymology The French-language phrase is occasionally still seen as a synonym for the English term "pen name", which is a "back-translation" and originated in England rather than France. H. W. Fowler and F. G. Fowler, in ''The King's English'' state that the term ''nom de plume'' evolv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maqta
The maqta ( ur, ) is the last ''sher'' of a ''ghazal'', a collection of Urdu poems and the poet's ''takhallus'', or pen name, is usually employed in it, often in very creative ways. A '' shayar'' can use the ''maqta'' in a variety of interesting ways. He can "talk to himself", "to somebody else", "refer to something" etc. For example ''Firaq'' Gorakhpuri, whose ''takhallus'' is the word for the common theme in Urdu poetry of the state of pining for the beloved, plays on his pen name and the word ''firaq'': Roman Urdu: :''Tu yeh na samajh ke Firaq teri Firaq mein hai'' :''Firaq uski Firaq mein hai jo teri Firaq mein hai'' English Translation: :Don't think that Firaq pines for you :Firaq pines for the one who pines for you Examples A sher by Mir Taqi Mir: ''Mir'' in neem baaz aankhon mein Saari masti sharaab ki see hai Another by Mirza Ghalib: * Kaba kis munh se jaaoge ''Ghalib'' sharm tum ko magar nahiN aati See also *Takhallus *Ghazal *Urdu poetry *Matla The Matla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghalib
Mirza Beg Asadullah Khan (Urdu, fa, مرزا بیگ اسد اللہ خان; 27 December 1797 – 15 February 1869) also known as Mirza Ghalib (Urdu, fa}) was an Urdu and Persian language, Persian shayar (poet), poet of the 19th century Mughal Empire, Mughal and British Raj, British era in the Indian Subcontinent. He was popularly known by the pen name, pen names Ghalib (غالب) and Asad (اسد). His honorific was ''Dabir-ul-Mulk, Najm-ud-Daula''. He is one of the most popular poets in Pakistan and India. During his lifetime, the already declining Mughal Empire was eclipsed and displaced by the British East India Company Rule and finally deposed following the defeat of the Indian Rebellion of 1857; these are described through his work. He wrote in both Urdu and Persian language, Persian. Although his Persian Diwan (poetry), Divan (body of work) is at least five times longer than his Urdu Divan, his fame rests on his poetry in Urdu. Today, Ghalib remains one of the most popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bahadur Shah Zafar
Bahadur Shah II, usually referred to by his poetic title Bahadur Shah ''Zafar'' (; ''Zafar'' Victory) was born Mirza Abu Zafar Siraj-ud-din Muhammad (24 October 1775 – 7 November 1862) and was the twentieth and last Mughal Emperor as well as an Urdu poet. He was the second son and the successor to his father, Akbar II, who died on 28 September 1837. He was a titular Emperor, as the Mughal Empire existed in name only and his authority was limited only to the walled city of Old Delhi (Shahjahanbad). Following his involvement in the Indian Mutiny of 1857, the British exiled him to Rangoon in British-controlled Burma in 1858, after convicting him on several charges. Bahadur Shah Zafar's father, Akbar II, had been imprisoned by the British and he was not his father's preferred choice as his successor. One of Akbar Shah's queens pressured him to declare her son, Mirza Jahangir, as his successor. However, The East India Company exiled Jahangir after he attacked their resident in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fani Badayuni
Shaukat Ali Khan (1879 - 27 August 1941), better known as Fani Badayuni (his takhallus), was an Indian Urdu poet. Early life He was schooled at Government High School and graduated from Bareilly College in 1901, studied law at Aligarh Muslim University, earning L.L.B. degree in 1906. Career Badayuni started composing poetry around twenty years of age. In Hyderabad Badayuni migrated to Hyderabad, India after the Nizam's diwan Maharaja Kishan Prasad 'Shad', an Urdu lover and poet, got Fani appointed in the department of education. Bibliography His first collection of poems was published in 1917 from Badaun by Naqib Press. His other published works are: * Baqiyat-e-Fani (1926) published by Maktab-e-Agra * Irfaniyat-e-Fani (1938) published by Anjuman Taraqqi UrduEncyclopaedia of Indian literature vol. 2 * Fani ki nadir tahriren: Havashi, tasrihat aur tanqidi ja'ize ke sath by Shaukat Ali Khan Fani Badayuni (1968) * Intikhab-i Fani (Silsilah-yi matbu°at) by Shaukat °Ali Khan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saadi Shirazi
Saadi Shīrāzī ( fa, ابومحمّد مصلحالدین بن عبدالله شیرازی), better known by his pen name Saadi (; fa, سعدی, , ), also known as Sadi of Shiraz (, ''Saʿdī Shīrāzī''; born 1210; died 1291 or 1292), was a Persian poet and prose writer of the medieval period. He is recognized for the quality of his writings and for the depth of his social and moral thoughts. Saadi is widely recognized as one of the greatest poets of the classical literary tradition, earning him the nickname "The Master of Speech" or "The Wordsmith" ( ''ostâd-e soxan'') or simply "Master" ( ''ostâd'') among Persian scholars. He has been quoted in the Western traditions as well. '' Bustan'' has been ranked as one of the 100 greatest books of all time by ''The Guardian''. Biography Saadi was born in Shiraz, Iran, according to some, shortly after 1200, according to others sometime between 1213 and 1219. In the Golestan, composed in 1258, he says in lines evidently addr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rumi
Jalāl al-Dīn Muḥammad Rūmī ( fa, جلالالدین محمد رومی), also known as Jalāl al-Dīn Muḥammad Balkhī (), Mevlânâ/Mawlānā ( fa, مولانا, lit= our master) and Mevlevî/Mawlawī ( fa, مولوی, lit= my master), but more popularly known simply as Rumi (30 September 1207 – 17 December 1273), was a 13th-century PersianRitter, H.; Bausani, A. "ḎJ̲alāl al-Dīn Rūmī b. Bahāʾ al-Dīn Sulṭān al-ʿulamāʾ Walad b. Ḥusayn b. Aḥmad Ḵh̲aṭībī." Encyclopaedia of Islam. Edited by: P. Bearman, Th. Bianquis, C.E. Bosworth, E. van Donzel and W.P. Heinrichs. Brill, 2007. Brill Online. Excerpt: "known by the sobriquet Mewlānā, persian poet and founder of the Mewlewiyya order of dervishes" poet, Hanafi faqih, Islamic scholar, Maturidi theologian and Sufi mystic originally from Greater Khorasan in Greater Iran. Rumi's influence transcends national borders and ethnic divisions: Iranians, Tajiks, Turks, Greeks, Pashtuns, other C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rumi
Jalāl al-Dīn Muḥammad Rūmī ( fa, جلالالدین محمد رومی), also known as Jalāl al-Dīn Muḥammad Balkhī (), Mevlânâ/Mawlānā ( fa, مولانا, lit= our master) and Mevlevî/Mawlawī ( fa, مولوی, lit= my master), but more popularly known simply as Rumi (30 September 1207 – 17 December 1273), was a 13th-century PersianRitter, H.; Bausani, A. "ḎJ̲alāl al-Dīn Rūmī b. Bahāʾ al-Dīn Sulṭān al-ʿulamāʾ Walad b. Ḥusayn b. Aḥmad Ḵh̲aṭībī." Encyclopaedia of Islam. Edited by: P. Bearman, Th. Bianquis, C.E. Bosworth, E. van Donzel and W.P. Heinrichs. Brill, 2007. Brill Online. Excerpt: "known by the sobriquet Mewlānā, persian poet and founder of the Mewlewiyya order of dervishes" poet, Hanafi faqih, Islamic scholar, Maturidi theologian and Sufi mystic originally from Greater Khorasan in Greater Iran. Rumi's influence transcends national borders and ethnic divisions: Iranians, Tajiks, Turks, Greeks, Pashtuns, other C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jami
Nūr ad-Dīn 'Abd ar-Rahmān Jāmī ( fa, نورالدین عبدالرحمن جامی; 7 November 1414 – 9 November 1492), also known as Mawlanā Nūr al-Dīn 'Abd al-Rahmān or Abd-Al-Rahmān Nur-Al-Din Muhammad Dashti, or simply as Jami or Djāmī and in Turkey as Molla Cami, was a Persian Sunni poet who is known for his achievements as a prolific scholar and writer of mystical Sufi literature. He was primarily a prominent poet-theologian of the school of Ibn Arabi and a Khwājagānī Sũfī, recognized for his eloquence and for his analysis of the metaphysics of mercy. His most famous poetic works are ''Haft Awrang, Tuhfat al-Ahrar, Layla wa Majnun, Fatihat al-Shabab, Lawa'ih, Al-Durrah al-Fakhirah.'' Jami belonged to the Naqshbandi Sufi order. Biography Jami was born in Kharjerd, in Khorasan. Previously his father Nizām al-Dīn Ahmad b. Shams al-Dīn Muhammad had come from Dasht, a small town in the district of Isfahan. A few years after his birth, his family mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
