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Suprasegmental
In linguistics, prosody () is concerned with elements of speech that are not individual phonetic segments (vowels and consonants) but are properties of syllables and larger units of speech, including linguistic functions such as intonation, stress, and rhythm. Such elements are known as suprasegmentals. Prosody may reflect features of the speaker or the utterance: their emotional state; the form of utterance (statement, question, or command); the presence of irony or sarcasm; emphasis, contrast, and focus. It may reflect elements of language not encoded by grammar or choice of vocabulary. Attributes of prosody In the study of prosodic aspects of speech, it is usual to distinguish between auditory measures ( subjective impressions produced in the mind of the listener) and objective measures (physical properties of the sound wave and physiological characteristics of articulation that may be measured objectively). Auditory (subjective) and objective ( acoustic and articulatory) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosody (linguistics)
In linguistics, prosody () is concerned with elements of speech that are not individual phonetic segments (vowels and consonants) but are properties of syllables and larger units of speech, including linguistic functions such as intonation, stress, and rhythm. Such elements are known as suprasegmentals. Prosody may reflect features of the speaker or the utterance: their emotional state; the form of utterance (statement, question, or command); the presence of irony or sarcasm; emphasis, contrast, and focus. It may reflect elements of language not encoded by grammar or choice of vocabulary. Attributes of prosody In the study of prosodic aspects of speech, it is usual to distinguish between auditory measures ( subjective impressions produced in the mind of the listener) and objective measures (physical properties of the sound wave and physiological characteristics of articulation that may be measured objectively). Auditory (subjective) and objective ( acoustic and articulatory) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Segment (linguistics)
In linguistics, a segment is "any discrete unit that can be identified, either physically or auditorily, in the stream of speech". The term is most used in phonetics and phonology to refer to the smallest elements in a language, and this usage can be synonymous with the term phone. In spoken languages, segments will typically be grouped into consonants and vowels, but the term can be applied to any minimal unit of a linear sequence meaningful to the given field of analysis, such as a mora or a syllable in prosodic phonology, a morpheme in morphology, or a chereme in sign language analysis. Segments are called "discrete" because they are, at least at some analytical level, separate and individual, and temporally ordered. Segments are generally not completely discrete in speech production or perception, however. The articulatory, visual and acoustic cues that encode them often overlap. Examples of overlap for spoken languages can be found in discussions of phonological assimilati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syllable
A syllable is a unit of organization for a sequence of speech sounds typically made up of a syllable nucleus (most often a vowel) with optional initial and final margins (typically, consonants). Syllables are often considered the phonological "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre and its stress patterns. Speech can usually be divided up into a whole number of syllables: for example, the word ''ignite'' is made of two syllables: ''ig'' and ''nite''. Syllabic writing began several hundred years before the first letters. The earliest recorded syllables are on tablets written around 2800 BC in the Sumerian city of Ur. This shift from pictograms to syllables has been called "the most important advance in the history of writing". A word that consists of a single syllable (like English ''dog'') is called a monosyllable (and is said to be ''monosyllabic''). Similar terms include disyllable (and ''disyllabic''; also '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Focus (linguistics)
In linguistics, focus (abbreviated ) is a grammatical category that conveys which part of the sentence contributes new, non-derivable, or contrastive information. In the English sentence "Mary only insulted BILL", focus is expressed prosodically by a pitch accent on "Bill" which identifies him as the only person Mary insulted. By contrast, in the sentence "Mary only INSULTED Bill", the verb "insult" is focused and thus expresses that Mary performed no other actions towards Bill. Focus is a cross-linguistic phenomenon and a major topic in linguistics. Research on focus spans numerous subfields including phonetics, syntax, semantics, pragmatics, and sociolinguistics. Functional approaches Information structure has been described at length by a number of linguists as a grammatical phenomenon. Lexicogrammatical structures that code prominence, or focus, of some information over other information has a particularly significant history dating back to the 19th century. Recent attempts to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auditory Phonetics
Auditory phonetics is the branch of phonetics concerned with the hearing of speech sounds and with speech perception. It thus entails the study of the relationships between speech stimuli and a listener's responses to such stimuli as mediated by mechanisms of the peripheral and central auditory systems, including certain areas of the brain. It is said to compose one of the three main branches of phonetics along with acoustic and articulatory phonetics, though with overlapping methods and questions. Physical scales and auditory sensations There is no direct connection between auditory sensations and the physical properties of sound that give rise to them. While the physical (acoustic) properties are objectively measurable, auditory sensations are subjective and can only be studied by asking listeners to report on their perceptions. The table below shows some correspondences between physical properties and auditory sensations. Segmental and suprasegmental Auditory phonetics is con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formulaic Language
Formulaic language (previously known as automatic speech or embolalia) is a linguistic term for verbal expressions that are fixed in form, often non-literal in meaning with attitudinal nuances, and closely related to communicative-pragmatic context. Along with idioms, expletives and proverbs, formulaic language includes pause fillers (e.g., "Like", "Er" or "Uhm") and conversational speech formulas (e.g., "You've got to be kidding," "Excuse me?" or "Hang on a minute"). Background The word embolalia comes from the Greek word ''embolos'' which means 'something thrown in', from the word meaning 'to throw in', and ''-lalia'' meaning 'speech, chattering and babbling; abnormal or disordered form of speech. Modern linguists led by Leonard Bloomfield in 1933 call these "hesitation forms", the sounds of stammering (uh), stuttering (um, um), throat-clearing (ahem!), stalling (well, um, that is), interjected when the speaker is groping for words or at a loss for the next thought. French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice (phonetics)
Voice or voicing is a term used in phonetics and phonology to characterize speech sounds (usually consonants). Speech sounds can be described as either voiceless (otherwise known as ''unvoiced'') or voiced. The term, however, is used to refer to two separate concepts: *Voicing can refer to the ''articulatory process'' in which the vocal folds vibrate, its primary use in phonetics to describe phones, which are particular speech sounds. *It can also refer to a classification of speech sounds that tend to be associated with vocal cord vibration but may not actually be voiced at the articulatory level. That is the term's primary use in phonology: to describe phonemes; while in phonetics its primary use is to describe phones. For example, voicing accounts for the difference between the pair of sounds associated with the English letters "s" and "z". The two sounds are transcribed as and to distinguish them from the English letters, which have several possible pronunciations, depe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mora (linguistics)
A mora (plural ''morae'' or ''moras''; often symbolized μ) is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable. For example, a short syllable such as ''ba'' consists of one mora (''monomoraic''), while a long syllable such as ''baa'' consists of two (''bimoraic''); extra-long syllables with three moras (''trimoraic'') are relatively rare. Such metrics are also referred to as syllable weight. The term comes from the Latin word for "linger, delay", which was also used to translate the Greek word χρόνος : ''chrónos'' (time) in its metrical sense. Formation The general principles for assigning moras to segments are as follows (see Hayes 1989 and Hyman 1985 for detailed discussion): # A syllable onset (the first consonant or consonants of the syllable) does not represent any mora. # The syllable nucleus represents one mora in the case of a short vowel, and two morae in the case of a long vowel or diphthong. Consonants se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juncture
Juncture, in linguistics, is the manner of moving (transition) between two successive syllables in speech. An important type of juncture is the suprasegmental phonemic cue by means of which a listener can distinguish between two otherwise identical sequences of sounds that have different meanings. Typology There are several kinds of juncture, the most widely used typology of which is: ;plus juncture:Also known as open juncture, this is subdivided into internal open juncture and external open juncture. It is the juncture that occurs at word boundaries. In phonetic transcription open juncture is transcribed , hence the name ''plus'' juncture. ;close juncture:Also known as a normal transition, this is a transition between segments (sounds) within a word. ;terminal juncture:Also known as falling, clause terminal or terminal contour, this is the juncture at the end of a clause or utterance with falling pitch before a silence. Other less common typologies exist, such as the divis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosodic Stress
In linguistics, and particularly phonology, stress or accent is the relative emphasis or prominence given to a certain syllable in a word or to a certain word in a phrase or sentence. That emphasis is typically caused by such properties as increased loudness and vowel length, full articulation of the vowel, and changes in tone. The terms ''stress'' and ''accent'' are often used synonymously in that context but are sometimes distinguished. For example, when emphasis is produced through pitch alone, it is called ''pitch accent'', and when produced through length alone, it is called ''quantitative accent''. When caused by a combination of various intensified properties, it is called ''stress accent'' or ''dynamic accent''; English uses what is called ''variable stress accent''. Since stress can be realised through a wide range of phonetic properties, such as loudness, vowel length, and pitch (which are also used for other linguistic functions), it is difficult to define stress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stress (linguistics)
In linguistics, and particularly phonology, stress or accent is the relative emphasis or prominence given to a certain syllable in a word or to a certain word in a phrase or sentence. That emphasis is typically caused by such properties as increased loudness and vowel length, full articulation of the vowel, and changes in tone. The terms ''stress'' and ''accent'' are often used synonymously in that context but are sometimes distinguished. For example, when emphasis is produced through pitch alone, it is called ''pitch accent'', and when produced through length alone, it is called ''quantitative accent''. When caused by a combination of various intensified properties, it is called ''stress accent'' or ''dynamic accent''; English uses what is called ''variable stress accent''. Since stress can be realised through a wide range of phonetic properties, such as loudness, vowel length, and pitch (which are also used for other linguistic functions), it is difficult to define stress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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