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Sukashibori
is the Japanese term for openwork or pierced work, using various techniques in metalworking and other media, in which the foreground design is left intact, while background areas are cut away and removed (or the converse may be performed). (revised edition; 1964 first ed.), p.132/133 The resulting piece becomes see-through (''sukashi'') and hence the name. Traditional artisans worked on piece of cast metal (or hammered metal) such as bronze as medium. In traditional metalworking (''chōkin'', ), the carving tools they used were the piercing burin (''sukashi-tagane'', ) and scroll saw (''tsurubiki-noko''(?), )., p. 132. 「弦引鋸」is the word used here for the scroll saw, but no other instance of the word can be found in other sources, and the reading of the word is a guess. it may be ''tsuruhiki nokogiri'', for instance The type where the foreground pattern is preserved and the background removed is called , and the reverse is called . In Buddhist art, or lotus motif is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Interrasile
Opus interrasile, ''lit''. 'work shaved or scraped in-between' is a pierced openwork metalworking technique found from the 3rd century AD, and remaining popular in Byzantine jewellery. It was developed and popularized in Rome, where metalworkers used it to make arabesques and other similar designs. The technique involves punching holes in metal to simulate lattice patterns, openwork gold jewelry, and so on. Patterns were often drawn on the metal, and then various tools used to remove the desired pieces. The technique may be referred more generically to as openwork or pierced work. The equivalent technique in Japan is called sukashibori is the Japanese term for openwork or pierced work, using various techniques in metalworking and other media, in which the foreground design is left intact, while background areas are cut away and removed (or the converse may be performed). (revi ..., and is found in Buddhist art. References * * * Ancient art in metal Jewellery making Anc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sword Guard LACMA M
A sword is an edged, bladed weapon intended for manual cutting or thrusting. Its blade, longer than a knife or dagger, is attached to a hilt and can be straight or curved. A thrusting sword tends to have a straighter blade with a pointed tip. A slashing sword is more likely to be curved and to have a sharpened cutting edge on one or both sides of the blade. Many swords are designed for both thrusting and slashing. The precise definition of a sword varies by historical epoch and geographic region. Historically, the sword developed in the Bronze Age, evolving from the dagger; the earliest specimens date to about 1600 BC. The later Iron Age sword remained fairly short and without a crossguard. The spatha, as it developed in the Late Roman army, became the predecessor of the European sword of the Middle Ages, at first adopted as the Migration Period sword, and only in the High Middle Ages, developed into the classical arming sword with crossguard. The word ''sword'' continues t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Openwork
Openwork or open-work is a term in art history, architecture and related fields for any technique that produces decoration by creating holes, piercings, or gaps that go right through a solid material such as metal, wood, stone, pottery, cloth, leather, or ivory. Such techniques have been very widely used in a great number of cultures. The term is rather flexible, and used both for additive techniques that build up the design, as for example most large features in architecture, and those that take a plain material and make cuts or holes in it. Equally techniques such as casting using Molding (process), moulds create the whole design in a single stage, and are common in openwork. Though much openwork relies for its effect on the viewer seeing right through the object, some pieces place a different material behind the openwork as a background. Varieties Techniques or styles that normally use openwork include all the family of lace and cutwork types in textiles, including broderie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metalworking
Metalworking is the process of shaping and reshaping metals to create useful objects, parts, assemblies, and large scale structures. As a term it covers a wide and diverse range of processes, skills, and tools for producing objects on every scale: from huge ships, buildings, and bridges down to precise engine parts and delicate jewelry. The historical roots of metalworking predate recorded history; its use spans cultures, civilizations and millennia. It has evolved from shaping soft, native metals like gold with simple hand tools, through the smelting of ores and hot forging of harder metals like iron, up to highly technical modern processes such as machining and welding. It has been used as an industry, a driver of trade, individual hobbies, and in the creation of art; it can be regarded as both a science and a craft. Modern metalworking processes, though diverse and specialized, can be categorized into one of three broad areas known as forming, cutting, or joining processes. Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burin (engraving)
A burin ( ) is a steel cutting tool used in engraving, from the French ''burin'' (cold chisel). Its older English name and synonym is graver. Etymology The term ''burin'' refers to a tool used by engravers that has a thin, pointed blade and it used to etch or cut. The first known use of the word dates back to France in the mid-1600s when the term was coined for the tool we know today. Design The burin consists of a rounded handle shaped like a mushroom, and a tempered steel shaft, coming from the handle at an angle, and ending in a very sharp cutting face. The most ubiquitous types have a square or lozenge face, a high-end repertoire has many others. A tint burin consists of a square face with teeth, to create many fine, closely spaced lines. A stipple tool allows for the creation of fine dots. A flat burin consists of a rectangular face, and is used for cutting away large portions of material at a time. The earliest uses of a burin come from the Lower Paleolithic era, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scroll Saw
A scroll saw is a small electric or pedal-operated saw used to cut intricate curves in wood, metal, or other materials. The fineness of its blade allows it to cut more delicately than a power jigsaw, and more easily than a hand coping saw or fretsaw. Like those tools, it is capable of creating curves with edges, by pivoting its table. The scroll saw's name derives from its traditional use in making scrollwork, sculptural ornaments which prominently featured scroll-head designs. Advantages While somewhat similar to a band saw, a scroll saw uses a reciprocating blade rather than a continuous loop. Like a hand coping saw, the scroll saw's blade can be removed and placed through a pre-drilled starting hole, allowing interior cutouts to be made without an entry slot. Also, the fineness in both width and tooth count of a scroll's blade permits significantly more intricate curves than even the narrowest gauge band-saw blade. The majority of scroll saws offer a small light on a flexi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabesque (Islamic Art)
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be ' tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns. Arabesques are a fundamental element of I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keman
(Japanese phoneticization from the Sanskrit ''kusumamālā'' "Garland of Flowers"), is a Buddhist ritual decoration, placed hanging on the beam of the inner sanctuary before the enshrined Buddha, in the main hall of the temple. (revised edition; 1964 first ed.), p.132/133 As its Sanskrit name suggests, it originated as a term for fresh flowers strung together and tied in a loop, but became a name for such implements as used to pay respect to the dead (''hotoke''), and eventually signified ritual implements ornamenting the inner sanctuary (, corresponding to the chancel of a church. They are typically made from gilt bronze in the shape of a round fan (uchiwa). Other materials used for making it are oxhide, wooden boards, or threads. The design may feature karyobinga (harpy-like beings), or use foliage scroll-work (''karakusa'') combined with the '' hōsōge'' (imaginary peony-like floral pattern), lotus, or peony. A well-known example is the ''keman'' from the Golden Hall of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koro (incense Burner)
A censer, incense burner, perfume burner or pastille burner is a vessel made for burning incense or perfume in some solid form. They vary greatly in size, form, and material of construction, and have been in use since ancient times throughout the world. They may consist of simple earthenware bowls or fire pots to intricately carved silver or gold vessels, small table top objects a few centimetres tall to as many as several metres high. Many designs use openwork to allow a flow of air. In many cultures, burning incense has spiritual and religious connotations, and this influences the design and decoration of the censer. Often, especially in Western contexts, "censer" is used for pieces made for religious use, especially those on chains that are swung through the air to spread the incense smoke widely, while "perfume burner" is used for objects made for secular use. The original meaning of pastille was a small compressed mixture of aromatic plant material and charcoal that was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsuba
Japanese sword mountings are the various housings and associated fittings ('' tosogu'') that hold the blade of a Japanese sword when it is being worn or stored. refers to the ornate mountings of a Japanese sword (e.g. ''katana'') used when the sword blade is being worn by its owner, whereas the ''shirasaya'' is a plain undecorated wooden mounting composed of a '' saya'' and '' tsuka'' that the sword blade is stored in when not being used. Components *: The '' fuchi'' is a hilt collar between the '' tsuka'' and the ''tsuba''. *: The '' habaki'' is a wedge-shaped metal collar used to keep the sword from falling out of the '' saya'' and to support the fittings below; fitted at the ''ha-machi'' and ''mune-machi'' which precede the '' nakago''. *: a hook shaped fitting used to lock the ''saya'' to the ''obi'' while drawing. *: The ''kashira'' is a butt cap (or pommel) on the end of the ''tsuka''. *: The '' kōgai'' is a spike for hair arranging carried sometimes as part of katana- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transom (architectural)
In architecture, a transom is a transverse horizontal structural beam or bar, or a crosspiece separating a door from a window above it. This contrasts with a mullion, a vertical structural member. Transom or transom window is also the customary U.S. word used for a transom light, the window over this crosspiece. In Britain, the transom light is usually referred to as a fanlight, often with a semi-circular shape, especially when the window is segmented like the slats of a folding hand fan. A prominent example of this is at the main entrance of 10 Downing Street, the official residence of the British prime minister. History In early Gothic ecclesiastical work, transoms are found only in belfry unglazed windows or spire lights, where they were deemed necessary to strengthen the mullions in the absence of the iron stay bars, which in glazed windows served a similar purpose. In the later Gothic, and more especially the Perpendicular Period, the introduction of transoms became common ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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