Subjectile
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Subjectile
The subjectile is a kind of ground used in artistic painting. The word has also been used by Antonin Artaud and Jacques Derrida commented on its use.Derrida J., and Thévenin, P., ''The Secret Art of Antonin Artaud'', Caws, Mary Ann, The MIT Press, 1998. The subjectile is seen as a theory, not a fact; as a theory the subjectile is a tool that can be employed to analyse art objects to generate hypotheses concerning the relationship between subject and object in art. Derrida mentions that the word ''subjectile'' appears in an essay on Pierre Bonnard, published in 1921. The subjectile refers to Bonnard's use of cardboard for painting. The Concise French dictionary translates ''subjectile'' as "Art: support (beneath paint, etc.)". Without a support and ground, the subject of a painting could not exist, as it would fall away. Derrida argues that Artaud's subjectile is both ground and a support. It is stretched out, extended, beyond, through and behind the subject, it is not alien ...
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Antonin Artaud
Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud (; 4 September 1896 – 4 March 1948), was a French writer, poet, dramatist, visual artist, essayist, actor and theatre director. He is widely recognized as a major figure of the European avant-garde. In particular, he had a profound influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, mysticism and indigenous Mexican and Balinese practices. Early life Antonin Artaud was born in Marseille, to Euphrasie Nalpas and Antoine-Roi Artaud. His parents were first cousins—his grandmothers were sisters from Smyrna (modern day İzmir, Turkey). His paternal grandmother, Catherine Chilé, was raised in Marseille, where she married Marius Artaud, a Frenchman. His maternal grandmother, Mariette Chilé, grew up in Smyrna, where she married Louis ...
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Jacques Derrida
Jacques Derrida (; ; born Jackie Élie Derrida; See also . 15 July 1930 – 9 October 2004) was an Algerian-born French philosopher. He developed the philosophy of deconstruction, which he utilized in numerous texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology.Jacques Derrida
. ''Encyclopædia Britannica''. Britannica.com. Retrieved 19 May 2017.
He is one of the major figures associated with and postmodern philosophy
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Khôra
''Khôra'' (also ''chora''; grc, χώρα) was the territory of the Ancient Greek ''polis'' outside the city proper. The term has been used in philosophy by Plato to designate a receptacle (as a "third kind" 'triton genos'' ''Timaeus'' 48e4), a space, a material substratum, or an interval. In Plato's account, ''khôra'' is described as a formless interval, alike to a non-being, in between which the "Forms" were received from the intelligible realm (where they were originally held) and were "copied", shaping into the transitory forms of the sensible realm; it "gives space" and has maternal overtones (a womb, matrix):So likewise it is right that the substance which is to be fitted to receive frequently over its whole extent the copies of all things intelligible and eternal should itself, of its own nature, be void of all the forms. Wherefore, let us not speak of her that is the Mother and Receptacle of this generated world, which is perceptible by sight and all the senses, by the na ...
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Pierre Bonnard
Pierre Bonnard (; 3 October 186723 January 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject. Early life and education Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Mertzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 18 ...
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Susan Sontag
Susan Sontag (; January 16, 1933 – December 28, 2004) was an American writer, philosopher, and political activist. She mostly wrote essays, but also published novels; she published her first major work, the essay "Notes on 'Camp'", in 1964. Her best-known works include the critical works ''Against Interpretation'' (1966), ''Styles of Radical Will'' (1968), ''On Photography'' (1977), and ''Illness as Metaphor'' (1978), as well as the fictional works ''The Way We Live Now'' (1986), ''The Volcano Lover'' (1992), and '' In America'' (1999). Sontag was active in writing and speaking about, or travelling to, areas of conflict, including during the Vietnam War and the Siege of Sarajevo. She wrote extensively about photography, culture and media, AIDS and illness, human rights, and leftist ideology. Her essays and speeches drew controversy, and she has been described as "one of the most influential critics of her generation." Early life and education Sontag was born Susan Rosenblatt in ...
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Gilles Deleuze
Gilles Louis René Deleuze ( , ; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art. His most popular works were the two volumes of ''Capitalism and Schizophrenia'': ''Anti-Oedipus'' (1972) and ''A Thousand Plateaus'' (1980), both co-written with psychoanalyst Félix Guattari. His metaphysical treatise ''Difference and Repetition'' (1968) is considered by many scholars to be his magnum opus. See also: "''Difference and Repetition'' is definitely the most important work published by Deleuze." (Edouard Morot-Sir, from the back cover of the first edition of the English translation), or James Williams' judgment: "It is nothing less than a revolution in philosophy and stands out as one of the great philosophical works of the twentieth century" (James Williams, ''Gilles Deleuze's Difference and Repetition: A Critical Introduction and Guide'' dinburgh UP, 2003 p. 1). ...
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20th-century Philosophy
Contemporary philosophy is the present period in the history of Western philosophy beginning at the early 20th century with the increasing professionalization of the discipline and the rise of Analytic philosophy, analytic and continental philosophy. The phrase "contemporary philosophy" is a piece of technical terminology in philosophy that refers to a specific period in the history of Western philosophy (namely the philosophy of the 20th and 21st centuries). However, the phrase is often confused with modern philosophy (which refers to an earlier period in Western philosophy), postmodern philosophy (which refers to some philosophers' criticisms of modern philosophy), and with a non-technical use of the phrase referring to any recent philosophic work. Professionalization Process Professionalization is the social process by which any trade or occupation establishes the group Norm (sociology), norms of conduct, acceptable wikt:qualification, qualifications for membership of the pr ...
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Concepts In Aesthetics
The following outline is provided as an overview of and topical guide to aesthetics: Aesthetics – branch of philosophy and axiology concerned with the nature of beauty. What ''type'' of thing is an aesthetic? Aesthetics can be described as all of the following: * Branch of philosophy – ** Branch of axiology – Related academic areas * Aesthetics of music * Applied aesthetics * Architecture * Art * Arts criticism * Gastronomy * History of aesthetics (pre-20th-century) * History of painting * Painting * Philosophy of film * Philosophy of music * Poetry * Sculpture * Theory of painting History of aesthetics * History of aesthetics **History of aesthetics before the 20th century Concepts in aesthetics * Aesthetic emotions * Art manifesto * Art object * Avant-garde * Beauty * Boring * Comedy * Camp * Creativity * Cute * Disgusting * Ecstasy * Elegance * Entertainment * Ephemerality * Eroticism * Fun * Gaze * Harmony * Humour * Interpretation * Judgement ...
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