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Strota
''Stotra'' (Sanskrit: wikt:स्तोत्र, स्तोत्र) is a Sanskrit word that means "ode, eulogy or a hymn of praise."Monier Williams, Monier Williams' Sanskrit-English Dictionary, Oxford University Press, Article on 'Stotra'' It is a literary genre of Indian religious texts designed to be melodically sung, in contrast to a ''shastra'' which is composed to be recited. A stotra can be a prayer, a description, or a conversation, but always with a poetic structure. It may be a simple poem expressing praise and personal devotion to a deity for example, or poems with embedded spiritual and philosophical doctrines. Many ''stotra'' hymns praise aspects of the divine, such as Devi, Shiva, or Vishnu. Relating to word "''stuti''", coming from the same Sanskrit root *''stu-'' ("to praise"), and basically both mean "praise". Notable stotras are ''Shiva Tandava Stotram'' in praise of Shiva and Ram Raksha Stotra, ''Rama Raksha Stotra'', a prayer for protection to Lord Rama, R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ardhanarishvara
The Ardhanarishvara ( sa, अर्धनारीश्वर, Ardhanārīśvara, the half-female Lord, translit-std=IAST), is a form of the Hindu deity Shiva combined with his consort Parvati. Ardhanarishvara is depicted as half-male and half-female, equally split down the middle. The right half is usually the male Shiva, illustrating his traditional attributes. The earliest Ardhanarishvara images are dated to the Kushan period, starting from the first century CE. Its iconography evolved and was perfected in the Gupta era. The Puranas and various iconographic treatises write about the mythology and iconography of Ardhanarishvara. Ardhanarishvara remains a popular iconographic form found in most Shiva temples throughout India, though very few temples are dedicated to this deity. Ardhanarishvara represents the synthesis of masculine and feminine energies of the universe (Purusha and Prakriti) and illustrates how Shakti, the female principle of God, is inseparable from (or t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khadgamala
The Khadgamala (, sa, खड्गमाला, "Garland of the Sword") is an invocational mantra that names each of the Devi Hindu goddesses according to their place in the Sri Yantra or in the Maha Meru. This list of divine names is described poetically as a "garland" ( sa, mālā). The sword (Sanskrit: ''khaḍga'') is an epithet for the Devi's "power to strike down desire, hatred, and delusion". This recitation of mantra is a spiritual practice of Hindu tantra. Guru Karunamaya delivered a series of talks in English on Sri Sankara TV on Sri Devi Khadgamala revealing the inner meaning of the Shri Yantra The Sri Yantra, Shri Yantra, or Shri Chakra is a form of mystical diagram (''yantra'') used in the Shri Vidya school of Hinduism. It consists of nine interlocking triangles - four upward ones which represent Shiva, and five downward ones represen ... and Lalitha Tripura Sundari. See also References External links Khadagmala mantra and explanation Shaktism Spiritu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhaktamara Stotra
Bhaktamara Stotra is a famous Jain Sanskrit prayer. It was composed by Acharya Manatunga (7th century CE). The name Bhaktamara comes from a combination of two Sanskrit names, "Bhakta" (Devotee) and "Amar" (Immortal). The prayer praises ''Rishabhanatha'' (adinath), the first ''Tirthankara'' of Jainism in this time cycle. There are 48 verses in total. The last verse gives the name of the author ''Manatunga''. Bhaktamar verses have been recited as a stotra (prayer), and sung as a stavan (hymn), somewhat interchangeably. Other Jain prayers have taken after these (such as the Kalyānamandira stotra, devoted to the twenty-third tirthankara, and the Svayambhu stotra, to all twenty-four); additional verses here praise the omniscience of Adinatha, while devotionals are considered a source for lay understandings of Jain doctrine. Legend According to legends, Manatunga Āchārya was chained and imprisoned by the local King Bhoj. Manatunga Āchārya composed this stotra (hymn) in the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dvadasha Stotra
Dvadasha stotra is a series of 12 Stotras composed by Sri Madhvacharya, the 13th-century founder of the Tattvavada or Dvaita school of philosophy. 'Dvadasha' in Sanskrit means 12 and all the 12 stotras are in praise of Lord Vishnu. It is believed that the stotras were composed in connection with the installation of the idol of Lord Krishna at Udupi. While most of the 12 stotras are praises of the Lord, the third stotra is actually a summary of Madhvacharya's philosophy. There have been numerous musical compositions of Dvadasha stotras over the years. It is also a ritual to recite the Dvadasha stotras at the time of "naivedya" or offering of food to God at Madhva temples. Commentaries and translations There are eight known commentaries on the Dvadasha stotras. They are by, * Gangodamishra * Gûdhakartrka * Chalari Narasimhacharya * Channapattana Thimmannacharya * Umarji Tirumalacharya * C M Padmanabhacharya * Punyashravana Bhikshu * Sri Vishwapati Tîrtha See also * Prameya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agasti Lakshmi Stotra
Agastya ( kn, ಅಗಸ್ತ್ಯ, ta, அகத்தியர், sa, अगस्त्य, te, అగస్త్యుడు, ml, അഗസ്ത്യൻ, hi, अगस्त्य) was a revered Indian sage of Hinduism. In the Indian tradition, he is a noted recluse and an influential scholar in diverse languages of the Indian subcontinent. He and his wife Lopamudra are the celebrated authors of hymns 1.165 to 1.191 in the Sanskrit text ''Rigveda'' and other Vedic literature. Agastya is considered to be the father of Siddha medicine. Agastya appears in numerous itihasas and Puranas including the major ''Ramayana'' and ''Mahabharata''. He is one of the seven most revered rishis (the Saptarishi) in the Vedic texts, and is revered as one of the Tamil Siddhar in the Shaivism tradition, who invented an early grammar of the Old Tamil language, Agattiyam, playing a pioneering role in the development of Tampraparniyan medicine and spirituality at Saiva centres in pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maruti Stotra
Maruti Stotra (Bheema Roopi) or Hanuman Stotra is a 17th-century stotra, hymn of praise, composed in Marathi language by saint-poet of Maharashtra, Samarth Ramdas. It is a compilation of praiseful verses that describe the many aspects and virtues of Maruti Nandan or Hanuman. There is another hymn to Hanuman called Hanuman Stuti by the same author. Composer This was composed by Samarth Ramdas, the 17th century Marathi saint and poet. One of Samarth Ramdas's societal goals, was to promote physical exercise to develop a healthy society. Bheema in Sanskrit is a symbol of vastness, and this "Bheema Roopi Stotra" is the first and primary section of Maruti Stotra. Typical Usage or Recital Maruti, also known as Hanuman is the deity of strength is worshiped at most Akhadas or traditional gymnasiums by athletes (wrestlers). These verses are typically recited at the commencement of the daily activities, at most Akhadas or wrestling gymnasiums in Maharashtra. Almost all cadets at the A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahishasuramardini Stotra
Durga ( sa, दुर्गा, ) is a major Hindu goddess, worshipped as a principal aspect of the mother goddess Mahadevi. She is associated with protection, strength, motherhood, destruction, and wars. Durga's legend centres around combating evils and demonic forces that threaten peace, prosperity, and dharma, representing the power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed, and entails destruction to empower creation. Durga is seen as a motherly figure and often depicted as a beautiful woman, riding a lion or tiger, with many arms each carrying a weapon and often defeating demons. She is widely worshipped by the followers of the goddess-centric sect, Shaktism, and has importance in other denominations like Shaivism and Vaishnavism. The most important texts of Shaktism, Devi Mahatmya, and Devi Bhagavata Purana, revere Devi (the Goddess) as the primordial creator of the universe and the Brahman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panchakshara Stotra
Shri Shiva Panchakshara Stotram (Sanskrit: श्रीशिवपञ्चाक्षरस्तोत्रम्, IAST: Śrī śivapañcākṣarastōtram) is a Stotra. Stotras are a type of popular devotional literature and are not bound by the strict rules as some other ancient Indian scriptures, such as the Vedas. In Sanskrit literature, poetry written for praise of god is called stotras. The Panchakshara (Sanskrit : पञ्चाक्षर) literally means "five letters" in Sanskrit and refers to the five holy letters Na, Ma, Śi, Vā and Ya. This is prayer to Lord Shiva, and is associated with Shiva's Mantra Om Namah Shivaya , of which Namah Shivaya is also called the Panchakshari Mantra. Lord Shiva is the main deity in Shaivism school of Hinduism. The holy word chant to worship him is made of five letters and is popularly called Panchakshara- Na, Ma, Śi, Vā, and Ya. According to Hindu traditions, the human body is considered to be made up of five elements and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiv Mahimna Stotra
''Shiva Mahimna Stotra'' ( sa, शिवमहिम्न:स्तोत्र , śiva-mahimnah stotra , translit-std=IAST , Hymn about the greatness of Shiva) is a Sanskrit composition (Stotra) in devotion of Shiva that is believed has been composed by a ''gandharva'' (heavenly being) named Pushpadanta. It essentially lists Shiva's various achievements and qualities. The context Pushpadanta was a ''gandharva'', a celestial musician, in the court of god Indra, but also a lover of flowers and a devotee of Shiva. Once he happened to see a beautiful garden adorned with charming flowers. It was the garden of king Chitraratha who was also a devotee of Shiva. The king used to offer flowers from his palatial garden as a symbol of his devotion to Shiva. Pushpadanta was awestruck by the beauty of the garden and plucked flowers from the garden. Every day he tried to stop himself in vain, but plucked flowers. In the end, king Chitraratha was left with no flowers for his prayers to Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dakshinamurthy Stotram
The ''Dakshinamurti Stotra'' is a Sanskrit religious hymn (''stotra'') to Shiva attributed to Adi Shankara. It explains the metaphysics of the universe in the frame of the tradition of Advaita Vedanta. In the Hindu mythology, Dakshinamurti is an incarnation of Shiva, the supreme god of knowledge. Dakshinamurti is an aspect of Shiva as a guru of all types of knowledge, and bestower of ''jñāna''. This aspect of Shiva is his personification as the supreme or the ultimate awareness, understanding and knowledge.* This form represents Shiva in his aspect as a teacher of yoga, music, and wisdom, and giving exposition on the shastras. Unlike most of the stotras of Hindu gods, which are in the form of description of anthropomorphic forms, or mythological deeds of those gods, the ''Dakshinamurti Stotra'' takes the form of conceptual and philosophical statements. Repeated chanting and/or meditating on the meaning of these verses is expected to help a spiritual practitioner of Advaita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
