Straight Ahead Animation
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Straight Ahead Animation
Straight ahead is a term used in animation that refers to a method that uses only the first key pose of a character, and then continues drawing the character to create the desired motion. It was first referred to in the 1981 book by Ollie Johnson and Frank Thomas ''The Illusion of Life'', and is a part of the 12 Basic Principles of Animation. It contrasts with its converse, pose to pose animation, in that it does not use inbetweening. Straight ahead action is so named because the animator literally works straight ahead from the first drawing of the scene. Disney director-animator Woolie Reitherman Wolfgang Reitherman (June 26, 1909 – May 22, 1985), also known and sometimes credited as Woolie Reitherman, was a German–American animator, director and producer and one of the "Disney's Nine Old Men, Nine Old Men" of core animators at Walt ... said, "When i didn't know what I was doing in an action, I always went straight-ahead. I'd just start on ones. Half the time I didn't k ...
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Animation
Animation is a method by which image, still figures are manipulated to appear as Motion picture, moving images. In traditional animation, images are drawn or painted by hand on transparent cel, celluloid sheets to be photographed and exhibited on film. Today, most animations are made with computer-generated imagery (CGI). Computer animation can be very detailed Computer animation#Animation methods, 3D animation, while Traditional animation#Computers and traditional animation, 2D computer animation (which may have the look of traditional animation) can be used for stylistic reasons, low bandwidth, or faster real-time renderings. Other common animation methods apply a stop motion technique to two- and three-dimensional objects like cutout animation, paper cutouts, puppets, or Clay animation, clay figures. A cartoon is an animated film, usually a short film, featuring an cartoon, exaggerated visual style. The style takes inspiration from comic strips, often featuring anthropomorphi ...
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Ollie Johnston
Oliver Martin Johnston Jr. (October 31, 1912 – April 14, 2008) was an American motion picture animator. He was one of Disney's Nine Old Men, and the last surviving at the time of his death from natural causes. He was recognized by The Walt Disney Company with its Disney Legend Award in 1989. His work was recognized with the National Medal of Arts in 2005. Career Johnston was an animator at Walt Disney Studios from 1934 to 1978, and became a directing animator beginning with ''Pinocchio'', released in 1940. He contributed to most Disney animated features, including ''Fantasia'' and ''Bambi''. His last full work for Disney came with ''The Rescuers'', in which he was caricatured as one of the film's characters, the cat Rufus. The last film he worked on was ''The Fox and the Hound''. His work includes Mr. Smee (in ''Peter Pan''), the Stepsisters (in ''Cinderella''), the District Attorney (in ''The Adventures of Ichabod and Mr. Toad''), and Prince John (in ''Robin Hood''). Acco ...
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Frank Thomas (animator)
Franklin Rosborough Thomas (September 5, 1912 – September 8, 2004) was an American animator and pianist. He was one of Walt Disney's leading team of animators known as the Nine Old Men. Biography Thomas was born on September 5, 1912 in Santa Monica, California to Frank Thomas, a teacher, and Ina Gregg. He had two older brothers, Lawrence and Welburne. He grew up in Fresno. Frank Thomas attended Stanford University, where he was a member of Theta Delta Chi fraternity and worked on campus humor magazine ''The Stanford Chaparral'' with Ollie Johnston. After graduating from Stanford in 1933, he attended Chouinard Art Institute, then joined The Walt Disney Company on September 24, 1934, as employee number 224. There he animated dozens of feature films and shorts, and also was a member of the Dixieland band Firehouse Five Plus Two, playing the piano. Career His work in animated cartoon shorts included ''Brave Little Tailor'', in which he animated scenes of Mickey Mouse and t ...
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The Illusion Of Life
''Disney Animation: The Illusion of Life'' (later republished as ''The Illusion of Life: Disney Animation'') is a book by Frank Thomas and Ollie Johnston, two of the key animators at Disney during the Golden age of American animation. Contents This book gives a history of Disney animation, explaining the processes involved in clear, non-technical terms. The philosophy is expressed in the so-called 12 basic principles of animation. It contains 489 plates in full color, as well as thousands of black-and-white illustrations, ranging from storyboard sketches to entire animation sequences. Editions The 1981 edition published by Abbeville Press () used better quality paper and consequently possessed higher image quality than either the 1988 edition or the revised edition from 1995 () (published by Disney's Hyperion with the inverted title ''The Illusion of Life: Disney Animation''.) Legacy Topping the list of "best animation books of all time" in a poll at AWN, ''The Illusion of ...
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12 Basic Principles Of Animation
Disney's twelve basic principles of animation were introduced by the Disney animators Ollie Johnston and Frank Thomas in their 1981 book '' The Illusion of Life: Disney Animation''. The principles are based on the work of Disney animators from the 1930s onwards, in their quest to produce more realistic animation. The main purpose of these principles was to produce an illusion that cartoon characters adhered to the basic laws of physics, but they also dealt with more abstract issues, such as emotional timing and character appeal. The book has been referred to by some as the "Bible of animation", and some of its principles have been adopted by traditional studios. In 1999, ''The Illusion of Life'' was voted the number one "best animation book ..of all time" in an online poll done by Animation World Network. While originally intended to apply to traditional, hand-drawn animation, the principles still have great relevance for today's more prevalent computer animation. The 12 pr ...
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Pose To Pose Animation
Pose to pose is a term used in animation, for creating key poses for characters and then inbetweening them in intermediate frames to make the character appear to move from one pose to the next. Pose-to-pose is used in traditional animation as well as computer-based 3D animation. The opposite concept is straight ahead animation Straight ahead is a term used in animation that refers to a method that uses only the first key pose of a character, and then continues drawing the character to create the desired motion. It was first referred to in the 1981 book by Ollie Johnson a ..., where the poses of a scene are not planned, which results in more loose and free animation, though with less control over the animation's timing. References Computer animation Computing terminology {{animation ...
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Inbetweening
Inbetweening, also known as tweening, is a process in animation that involves creating intermediate Film frame, frames, called inbetweens, between two key frame, keyframes. The intended result is to create the illusion of movement by smoothly transitioning one image into another. Traditional animation Traditional inbetweening involves the use of a light table to draw a set of pencil and paper drawings. The process of inbetweening in traditional animation starts with a primary artist, who draws key frames to define movement. After the testing and approval of a rough animation, the scene is passed down to assistants, who perform Cleanup (animation), clean-up and add necessary inbetweening. In large studios, assistants usually add breakdowns, which define the movement in more detail. The scene is then passed down to another assistant, the inbetweener who completes the animation. In small animation teams, animators will often carry out the full inbetweening process themselves. Dick H ...
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Woolie Reitherman
Wolfgang Reitherman (June 26, 1909 – May 22, 1985), also known and sometimes credited as Woolie Reitherman, was a German–American animator, director and producer and one of the "Disney's Nine Old Men, Nine Old Men" of core animators at Walt Disney Animation Studios, Walt Disney Productions. He emerged as a key figure at Disney during the 1960s and 1970s, a transitionary period which saw the death of Walt Disney in 1966, with him serving as director and/or producer on eight consecutive Disney animated feature films from ''One Hundred and One Dalmatians'' (1961) through ''The Fox and the Hound'' (1981). Career While studying at Chouinard Art Institute, his paintings had attracted the attention of Philip L. Dike, a drawing and painting instructor. Impressed with his artwork, Dike showed them to Disney, in which Reitherman was invited to the studio. He initially wanted to work as a watercolorist, but Walt Disney suggested he should be an animator. Reitherman was hired at Walt Di ...
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