Staff Lines
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Staff Lines
In Western musical notation, the staff (US and UK)"staff" in the Collins English Dictionary
"in British English: also called: stave; plural: staffs or staves"
"staff" in the Merriam-Webster Dictionary
/ref> or stave (UK) (: staffs or staves) is a set of five horizontal lines and four spaces that each represent a different musical pitch or in the case of a



Staff240
Staff may refer to: Pole * Staff, a weapon used in stick-fighting ** Quarterstaff, a European pole weapon * Staff of office, a pole that indicates a position * Staff (railway signalling), a token authorizing a locomotive driver to use a particular stretch of single track * Level staff, also called levelling rod, a graduated rod for comparing heights * Fire staff, a staff of wood or metal and Kevlar, used for fire dancing and performance * Flagstaff, on which a flag is flown * Scout staff, a tall pole traditionally used by Boy Scouts, which has a number of uses in an emergency * Pilgrim's staff, a walking stick used by pilgrims during their pilgrimages Military * Staff (military), the organ of military command and planning * , a United States Navy minesweeper * Smart Target-Activated Fire and Forget (XM943 STAFF), an American-made experimental 120mm tank gun shell People * Staff (name), a list of people with either the surname or nickname Other uses * People in employment withi ...
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American English
American English, sometimes called United States English or U.S. English, is the set of variety (linguistics), varieties of the English language native to the United States. English is the Languages of the United States, most widely spoken language in the United States and in most circumstances is the de facto common language used in government, education and commerce. Since the 20th century, American English has become the most influential form of English worldwide. American English varieties include many patterns of pronunciation, vocabulary, grammar and particularly spelling that are unified nationwide but distinct from other English dialects around the world. Any North American English, American or Canadian accent (sociolinguistics), accent perceived as lacking noticeably local, ethnic or cultural markedness, markers is popularly called General American, "General" or "Standard" American, a fairly uniform dialect continuum, accent continuum native to certain regions of the U ...
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Bracket (music)
In Western musical notation, the staff (US and UK)"staff" in the Collins English Dictionary
"in British English: also called: stave; plural: staffs or staves"
"staff" in the Merriam-Webster Dictionary
/ref> or stave (UK) (: staffs or staves) is a set of five horizontal lines and four spaces that each represent a different musical pitch or in the case of a percussion staff, differe ...
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Brace (music)
In Western musical notation, the staff (US and UK)"staff" in the Collins English Dictionary
"in British English: also called: stave; plural: staffs or staves"
"staff" in the Merriam-Webster Dictionary
/ref> or stave (UK) (: staffs or staves) is a set of five horizontal lines and four spaces that each represent a different musical pitch or in the case of a percussion staff, differe ...
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Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ...
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Accidental (music)
In music, an accidental is a note of a pitch (or pitch class) that is not a member of the scale or mode indicated by the most recently applied key signature. In musical notation, the sharp (), flat (), and natural () symbols, among others, mark such notes—and those symbols are also called accidentals. In the measure (bar) where it appears, an accidental sign raises or lowers the immediately following note (and any repetition of it in the bar) from its normal pitch, overriding the key signature. A note is usually raised or lowered by a semitone, and there are double sharps or flats, which raise or lower the indicated note by two semitones. Accidentals usually apply to all repetitions within the measure in which they appear, unless canceled by another accidental sign, or tied into the following measure. If a note has an accidental and the note is repeated in a different octave within the same measure the accidental is usually repeated, although this convention is far from uni ...
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Key Signature
In Western musical notation, a key signature is a set of sharp (), flat (), or rarely, natural () symbols placed on the staff at the beginning of a section of music. The initial key signature in a piece is placed immediately after the clef at the beginning of the first line. If the piece contains a section in a different key, the new key signature is placed at the beginning of that section. In a key signature, a sharp or flat symbol on a line or space of the staff indicates that the note represented by that line or space is to be played a semitone higher (sharp) or lower (flat) than it would otherwise be played. This applies through the end of the piece or until another key signature is indicated. Each symbol applies to all notes in the same pitch class—for example, a flat on the third line of the treble staff (as in the diagram) indicates that all notes appearing as Bs are played as B-flats. This convention was not universal until the late Baroque and early Classical peri ...
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Diatonic Scale
In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, depending on their position in the scale. This pattern ensures that, in a diatonic scale spanning more than one octave, all the half steps are Maximal evenness, maximally separated from each other (i.e. separated by at least two whole steps). The seven pitch (music), pitches of any diatonic scale can also be obtained by using a Interval cycle, chain of six perfect fifths. For instance, the seven natural (music), natural pitch classes that form the C-major scale can be obtained from a stack of perfect fifths starting from F: :F–C–G–D–A–E–B Any sequence of seven successive natural notes, such as C–D–E–F–G–A–B, and any Transposition (music), transposition thereof, is a diatonic scale. Modern musical keyboards are des ...
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Steps And Skips
In music, a step, or conjunct motion,Bonds, Mark Evan (2006). ''A History of Music in Western Culture'', p.123. 2nd ed. . is the difference in pitch between two consecutive notes of a musical scale. In other words, it is the interval between two consecutive scale degrees. Any larger interval is called a skip (also called a leap), or disjunct motion. In the diatonic scale, a step is either a minor second (sometimes also called ''half step'') or a major second (sometimes also called ''whole step''), with all intervals of a minor third or larger being skips. For example, C to D (major second) is a step, whereas C to E (major third) is a skip. More generally, a step is a smaller or narrower interval in a musical line, and a skip is a wider or larger interval with the categorization of intervals into steps and skips is determined by the tuning system and the pitch space used. Melodic motion in which the interval between any two consecutive pitches is no more than a step, or, less ...
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Interval (music)
In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. In Western music, intervals are most commonly differences between notes of a diatonic scale. Intervals between successive notes of a scale are also known as scale steps. The smallest of these intervals is a semitone. Intervals smaller than a semitone are called microtones. They can be formed using the notes of various kinds of non-diatonic scales. Some of the very smallest ones are called commas, and describe small discrepancies, observed in some tuning systems, between enharmonically equivalent notes such as C and D. Intervals can be arbitrarily small, and even imperceptible to the human ear. In physical terms, an interval is the ratio between two sonic freq ...
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Note (music)
In music, a note is the representation of a musical sound. Notes can represent the pitch and duration of a sound in musical notation. A note can also represent a pitch class. Notes are the building blocks of much written music: discretizations of musical phenomena that facilitate performance, comprehension, and analysis. The term ''note'' can be used in both generic and specific senses: one might say either "the piece 'Happy Birthday to You' begins with two notes having the same pitch", or "the piece begins with two repetitions of the same note". In the former case, one uses ''note'' to refer to a specific musical event; in the latter, one uses the term to refer to a class of events sharing the same pitch. (See also: Key signature names and translations.) Two notes with fundamental frequencies in a ratio equal to any integer power of two (e.g., half, twice, or four times) are perceived as very similar. Because of that, all notes with these kinds of relations can be groupe ...
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Ledger Line
A ledger line or leger line is used in Western musical notation to notate pitches above or below the lines and spaces of the regular musical staff. A line slightly longer than the note head is drawn parallel to the staff, above or below, spaced at the same distance as the lines within the staff. The origin of the word is uncertain, but may have been borrowed attributively from the term for a horizontal timber in a scaffolding, lying parallel to the face of the building and supporting the putlogs. There is no basis to support the often-found claim that the word originates from the French ''léger'', meaning "light" or "slight" . The Oxford online dictionary describes the origin of the "leger" spelling as a "variant of ledger" that first appeared in the 19th century . Although ledger lines are found occasionally in manuscripts of plainchant and early polyphony, it was only in the early 16th century in keyboard music that their use became at all extensive . Even then, printers had ...
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