Sound Art
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Sound Art
Sound art is an artistic activity in which sound is utilized as a primary medium or material. Like many genres of contemporary art, sound art may be interdisciplinary in nature, or be used in hybrid forms. According to Brandon LaBelle, sound art as a practice "harnesses, describes, analyzes, performs, and interrogates the condition of sound and the process by which it operates." In Western art, early examples include Luigi Russolo's ''Intonarumori'' or noise intoners (1913), and subsequent experiments by dadaists, surrealists, the Situationist International, and in Fluxus events and other Happenings. Because of the diversity of sound art, there is often debate about whether sound art falls within the domains of visual art or experimental music, or both. Other artistic lineages from which sound art emerges are conceptual art, minimalism, site-specific art, sound poetry, electro-acoustic music, spoken word, avant-garde poetry, sound scenography, and experimental theatre. Origin of ...
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Sound
In physics, sound is a vibration that propagates as an acoustic wave, through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the ''reception'' of such waves and their ''perception'' by the brain. Only acoustic waves that have frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of to . Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges. Acoustics Acoustics is the interdisciplinary science that deals with the study of mechanical waves in gasses, liquids, and solids including vibration, sound, ultrasound, and infrasound. A scientist who works in the field of acoustics is an ''acoustician'', while someone working in the field of acoustica ...
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Columbia University Press
Columbia University Press is a university press based in New York City, and affiliated with Columbia University. It is currently directed by Jennifer Crewe (2014–present) and publishes titles in the humanities and sciences, including the fields of literary and cultural studies, history, social work, sociology, religion, film, and international studies. History Founded in May 1893, In 1933 the first four volumes of the ''History of the State of New York'' were published. In early 1940s revenues rises, partially thanks to the ''Encyclopedia'' and the government's purchase of 12,500 copies for use by the military. Columbia University Press is notable for publishing reference works, such as ''The Columbia Encyclopedia'' (1935–present), ''The Columbia Granger's Index to Poetry'' (online as ''The Columbia World of Poetry Online'') and ''The Columbia Gazetteer of the World'' (also online) and for publishing music. First among American university presses to publish in electronic ...
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Leonardo Music Journal
''Leonardo Music Journal'' is an annual multimedia peer-reviewed academic journal (print and audio CD) published by the MIT Press on behalf of Leonardo, The International Society of the Arts, Sciences and Technology. The journal was established in 1991 and publishes the work of artists who are inventing media, implementing developing technologies, and expanding the boundaries of radical and experimental aesthetics. The journal is a companion volume to ''Leonardo''. The editor-in-chief is Roger Malina (University of Texas at Dallas The University of Texas at Dallas (UTD or UT Dallas) is a public research university in Richardson, Texas. It is one of the largest public universities in the Dallas area and the northernmost institution of the University of Texas system. It w ...). External links * Music journals MIT Press academic journals Annual journals English-language journals Publications established in 1968 Academic journals associated with learned and professional ...
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Something Else Press
Something Else Press was founded by Dick Higgins in 1963. It published many important Intermedia texts and artworks by such Fluxus artists as Higgins, Ray Johnson, Alison Knowles, Allan Kaprow, George Brecht, Daniel Spoerri, Robert Filliou, Al Hansen, John Cage, Emmett Williams and by such important modernist figures as Gertrude Stein, Henry Cowell, and Bern Porter. History Background The Something Else Press was an early publisher of Concrete poetry and other works by Fluxus artists throughout the 1960s. During the 1960s in New York City some of the artists who worked at the Something Else Press included Editor-in-Chief Emmett Williams, artist Alison Knowles, poet Larry Freifeld, novelist Mary Flanagan, artist Ronnie Landfield, and publisher/founder Dick Higgins. Fluxus artist and scholar Ken Friedman acted as general manager for Higgins from California in 1970 and 1971. Originally located in Chelsea in Manhattan, the Something Else Press eventually relocated to West ...
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Bernhard Gál
Bernhard Gál (born 1971) is an Austrian artist, composer and musicologist. Biography Bernhard Gál (a.k.a. Gal) works between the categories, creating music for instruments and electro-acoustic compositions, as well as art installations. Many of his intermedia art projects and sound installations present combinations of sound, light, objects, video projections and spatial concepts. He is director of the Austrian art organization "sp ce" and runs the record label Gromoga Records. Gál's work has been presented in concerts, installations and exhibitions throughout Europe, Asia and The Americas. He has been invited to music and art festivals including Donaueschinger Musiktage Germany; Donaufestival Austria; FILE São Paulo; ICMC Berlin; Inventionen Berlin; Jeunesse Festival Vienna; MaerzMusik Berlin; MATA Festival New York; Musashino Public Art Festival Tokyo, Musicacoustica Beijing; Mutek Montreal; Nuova Consonanza Rome; New Sound, New York-Festival, NYC; Sonambiente Berlin; Soun ...
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UbuWeb
UbuWeb is a web-based educational resource for avant-garde material available on the internet, founded in 1996 by poet Kenneth Goldsmith. It offers visual, concrete and sound poetry, expanding to include film and sound art mp3 archives. Philosophy UbuWeb was founded in response to the marginal distribution of crucial avant-garde material. It remains non-commercial and operates on a gift economy. UbuWeb ensures educational open access to out-of-print works that find a second life through digital art reprint while also representing the work of contemporaries. It addresses problems in the distribution of and access to intellectual materials. Distribution policy UbuWeb does not distribute commercially viable works but rather resurrects avant-garde sound art, video and textual works through their translation into a digital art web environment - re-contextualising them with current academic commentary and contemporary practice. It houses and distributes freely the entire archive of ...
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Experimental Theatre
Experimental theatre (also known as avant-garde theatre), inspired largely by Richard Wagner, Wagner's concept of Gesamtkunstwerk, began in Western theatre in the late 19th century with Alfred Jarry and his Ubu Roi, Ubu plays as a rejection of both the age in particular and, in general, the dominant ways of writing and producing plays. The term has shifted over time as the mainstream theatre world has adopted many forms that were once considered radical. Like other forms of the avant-garde, it was created as a response to a perceived general cultural crisis. Despite different political and formal approaches, all avant-garde theatre opposes bourgeois theatre. It tries to introduce a different use of language and the Human body, body to change the mode of perception and to create a new, more active relation with the audience. Relationships to audience Famed experimental theatre director and playwright Peter Brook describes his task as building "… a necessary theatre, one in which ...
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Sound Scenography
Sound scenography (also known as acoustic scenography) is the process of staging spaces and environments through sound. It combines expertise from the fields of architecture, acoustics, communication, sound design and interaction design to convey artistic, historical, scientific, or commercial content or to establish atmospheres and moods. Definition Initially developed as a sub-discipline of scenography, it is now primarily used in the context of exhibitions, museums, media installations and trade fairs, as well as shops, adventure parks, spas, reception areas, and open-plan offices. Distinct from other applications in sound design, spatial localisation plays a central role in sound scenography. Sound in contexts such as film soundtracks has a synchronised and standardised listening experience. The sound experience should be the same for every visitor at every position (and in every cinema). Because exhibition spaces are freely traversable and show audio-visual content at vari ...
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Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013
The avant-garde pushes the boundaries of what is accepted as the norm or the ''
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Spoken Word
Spoken word refers to an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a late 20th century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection. Spoken word is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, and hip hop music, and can include comedy routines and prose monologues. Unlike written poetry, the poetic text takes its quality less from the visual aesthetics on a page, but depends more on phonaesthetics, or the aesthetics of sound. History Spoken word has existed for many years; long before writing, through a cycle of practicing, listening and memorizing, each language drew on its resources of sound structure for aural patterns that made spoken poetry very different from ordinary discourse and easier to commit ...
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Electro-acoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of '' elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of ''musique concrète'', ...
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Sound Poetry
Sound poetry is an artistic form bridging literacy and musical composition, in which the phonetic aspects of human speech are foregrounded instead of more conventional semantic and syntactic values; "verse without words". By definition, sound poetry is intended primarily for performance. History and development The vanguards of the 20th century While it is sometimes argued that the roots of sound poetry are to be found in oral poetry traditions, the writing of pure sound texts that downplay the roles of meaning and structure is a 20th-century phenomenon. The Futurist and Dadaist Vanguards of the beginning of this century were the pioneers in creating the first sound poetry forms. Filippo Tommaso Marinetti discovered that onomatopoeias were useful to describe a battle in Tripoli where he was a soldier, creating a sound text that became a sort of a spoken photograph of the battle. Dadaists were more involved in sound poetry and they invented different categories: *''Bruitist poem'' i ...
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