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Sotdae
A () is a tall wooden pole or stone pillar with a carved bird on its top, built for the purpose of folk belief in Korea. Like , wooden totem poles with a sculptured human face, it was usually erected near the entrance of a village to ward off evil spirits as well as to represent villagers' wishes for prosperity and well-being. Later, it was also built as a celebratory or commemorative symbol. For instance, when a son of a family passed a civil service examination called , a was set up in the yard. In that case, it was colored in orange and topped with a blue dragon. Features were generally set up alone, but sometimes, along with (Korean totem poles), (돌탑, a pagoda built with stone) or (신목, sacred trees). It was worshiped as a village guardian. The birds may look like wild geese, crows or ibises in some areas, but ducks are the most common. have different names according to regions; (소주), (소줏대) in Jeolla Province, (솔대) in Gangwon Province and Hamhung ...
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Jangseung
A ''jangseung'' or village guardian is a Korean totem pole usually made of wood. Jangseungs were traditionally placed at the edges of villages to mark village boundaries and frighten away demons. They were also worshipped as village tutelary deities. In the southern regions of Jeolla, Chungcheong, and Gyeongsang, jangseungs are also referred to as ''beopsu'' or ''beoksu'', a variation of ''boksa'' (복사/卜師), meaning a male shaman. In the Jeolla region, jangseungs are often made of stone bearing some resemblance to the dolhareubangs of Jeju Island. In Seoul, 18th century Joseon Dynasty King Jeongjo ordered jangseungs erected in the area near Sangdo to ward off evil spirits when he made a royal procession to Suwon, where his father's tomb was located. Since then, the district has been called Jangseungbaegi and has given its name to the Jangseungbaegi Station on the Seoul Metropolitan Subway's Line 7. Jangseungs are usually adorned with inscriptions describing the ...
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Jangseung
A ''jangseung'' or village guardian is a Korean totem pole usually made of wood. Jangseungs were traditionally placed at the edges of villages to mark village boundaries and frighten away demons. They were also worshipped as village tutelary deities. In the southern regions of Jeolla, Chungcheong, and Gyeongsang, jangseungs are also referred to as ''beopsu'' or ''beoksu'', a variation of ''boksa'' (복사/卜師), meaning a male shaman. In the Jeolla region, jangseungs are often made of stone bearing some resemblance to the dolhareubangs of Jeju Island. In Seoul, 18th century Joseon Dynasty King Jeongjo ordered jangseungs erected in the area near Sangdo to ward off evil spirits when he made a royal procession to Suwon, where his father's tomb was located. Since then, the district has been called Jangseungbaegi and has given its name to the Jangseungbaegi Station on the Seoul Metropolitan Subway's Line 7. Jangseungs are usually adorned with inscriptions describing the ...
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Hwanghae
Hwanghae Province (''Hwanghae-do'' ) was one of the Eight Provinces of Korea during the Joseon era. Hwanghae was located in the northwest of Korea. The provincial capital was Haeju. The regional name for the province was Haeseo. History In 1395, the province was organized as Punghae (). In 1417, the province was renamed Hwanghae. The name derived from the names of the two principal cities of Hwangju () and Haeju ). In 1895, the province was reorganized into the Districts of Haeju () in the west and Gaeseong () in the east, but in 1896, a new system of thirteen provinces was established, and Hwanghae Province was reconstituted. In 1945, Korea was divided into Soviet and American zones of occupation, north and south respectively of the 38th parallel. The southernmost part of Hwanghae (around the towns of Ongjin and Yonan County) was cut off from the rest of the province by the dividing line and joined Gyeonggi Province in the southern half of the country. In 1948, Hwanghae an ...
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Donggukisanggukjip
Donggukisanggukjip (동국이상국집,東國李相國集) is a Korean compilation book written in 1241 by Goryeo Yi Gyubo Yi or YI may refer to: Philosophic Principle * Yì (义; 義, righteousness, justice) among the 三綱五常 Ethnic groups * Dongyi, the Eastern Yi, or Tung-yi (Chinese: , ''Yí''), ancient peoples who lived east of the Zhongguo in ancient Ch .... It is one of the books which mention the founding myth of Goguryeo. History The book consists of 53 volumes, and was woodblock printed. Ham(涵) who was son of Yi Gyubo edited and published the first 41 books and the last 12 books were published in December in the same year. In 1251, yik-bae(益培), grand son of Yi Gyubo corrected and complemented the content by the order of then king of goryeo in an institute called bunsadaejangdogam(分司大藏都監). The book was edited several times in the Joseon dynasty, but judging from the words of Joseon scholar Yi Ik that some of the lost volumes of the book wa ...
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Dangun
Dangun (; ) or Dangun Wanggeom (; ) was the legendary founder and god-king of Gojoseon, the first Korean kingdom, around present-day Liaoning province in Northeast China and the northern part of the Korean Peninsula. He is said to be the "grandson of heaven" and "son of a bear", and to have founded the kingdom in 2333 BC. The earliest recorded version of the Dangun legend appears in the 13th-century ''Samguk Yusa'', which cites China's ''Book of Wei'' and Korea's lost historical record ''Gogi (lit. 'Ancient Record')'' (고기, ). However, it has been confirmed that there is no relevant record in the China's'' Book of Wei''. There are around seventeen religious groups that focus on the worship of Dangun. Koreans regard the day when Dangun founded Gojoseon, Korea's first dynasty, as a national holiday and call it Gaecheonjeol (개천절; 開天節). The Gaecheonjeol is 3 October. It is a religious anniversary started by Daejonggyo (대종교; 大倧教) worshipping Dangun. Gaec ...
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Dongguksesigi
Dongguksesigi (동국세시기,東國歲時記) is a book explaining the traditional customs of the year in Korea, written during the Joseon Dynasty Joseon (; ; Middle Korean: 됴ᇢ〯션〮 Dyǒw syéon or 됴ᇢ〯션〯 Dyǒw syěon), officially the Great Joseon (; ), was the last dynastic kingdom of Korea, lasting just over 500 years. It was founded by Yi Seong-gye in July 1392 and re ... by the scholar Hong Suk Mo. The book, finished in 1849, explains the origin of each custom in detail. References 1849 books Joseon dynasty works {{korea-hist-stub ...
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Shamanism
Shamanism is a religious practice that involves a practitioner (shaman) interacting with what they believe to be a Spirit world (Spiritualism), spirit world through Altered state of consciousness, altered states of consciousness, such as trance. The goal of this is usually to direct Non-physical entity, spirits or Energy (esotericism), spiritual energies into the physical world for the purpose of healing, divination, or to aid human beings in some other way. Beliefs and practices categorized as "shamanic" have attracted the interest of scholars from a variety of disciplines, including anthropologists, archeologists, historians, religious studies scholars, philosophers and psychologists. Hundreds of books and Academic publishing#Scholarly paper, academic papers on the subject have been produced, with a peer-reviewed academic journal being devoted to the study of shamanism. In the 20th century, non-Indigenous Peoples, Indigenous Westerners involved in countercultural movements, ...
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Sculpture In Haneul Park, Seoul
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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