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Sopranino Sax
The sopranino saxophone is the second-smallest member of the saxophone family. It is tuned in the key of E, and sounds an octave higher than the alto saxophone. An F sopranino (an octave above the F alto (also called mezzo-soprano) saxophone) were described in Adolphe Sax's patent, but no known examples have ever been built. The sopranino saxophone has a sweet sound and although it is one of the least common of the saxophones in regular use today, it is still being produced by several of the major musical manufacturing companies. Due to their small size, sopraninos are not usually curved like other saxophones. Orsi, however, does make curved sopranino saxophones. The original patented saxophone family, as developed by Adolphe Sax, included Eb and Bb saxophones in the voices of sopranino, soprano, alto, tenor, baritone, bass, contrabass, and subcontrabass instruments (although he never built the last), as well as the same seven in C and F though only the soprano, alto, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Third
In music theory, a minor third is a musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval number). The minor third is one of two commonly occurring thirds. It is called ''minor'' because it is the smaller of the two: the major third spans an additional semitone. For example, the interval from A to C is a minor third, as the note C lies three semitones above A. Coincidentally, there are three staff positions from A to C. Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The minor third is a skip melodically. Notable examples of ascending minor thirds include the opening two notes of " Greensleeves" and of " Light My Fire". The minor third may be derived from the harmonic series as the interval between the fifth and sixth harmonics, or from the 19th harmonic. The minor third is co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boléro
''Boléro'' is a 1928 work for large orchestra by French composer Maurice Ravel. At least one observer has called it Ravel's most famous composition. It was also one of his last completed works before illness forced him into retirement. Composition The work's creation was set in motion by a commission from the dancer Ida Rubinstein, who asked Ravel for an orchestral transcription of six pieces from Isaac Albéniz's set of piano pieces, ''Iberia''. While working on the transcription, Ravel was informed that Spanish conductor Enrique Fernández Arbós had already orchestrated the movements, and that copyright law prevented any other arrangement from being made. When Arbós heard of this, he said he would happily waive his rights and allow Ravel to orchestrate the pieces. But Ravel decided to orchestrate one of his own works instead, then changed his mind and decided to compose a completely new piece based on the ''bolero'', a Spanish dance musical form. While on vacation at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Koller
Antonio Hans Cyrill Koller (12 February 1921 in Vienna – 21 December 2003 in Vienna) was an Austrian jazz tenor saxophonist and bandleader. Koller attended the University of Vienna from 1936 to 1939 and served in the armed forces from 1940 to 1946. Following World War II, he returned to Vienna and played with the Hot Club of Vienna; in 1950 he emigrated to Germany and formed a small ensemble there. In the 1950s, he played with Freddie Brocksieper, Albert Mangelsdorff, Jutta Hipp, Dizzy Gillespie, Bill Russo, Lee Konitz, Stan Kenton, Eddie Sauter, Benny Goodman, Attila Zoller, Oscar Pettiford, Kenny Clarke, Wes Montgomery, Martial Solal and Jimmy Pratt. From 1958 to 1965, he directed the jazz workshops of the Norddeutscher Rundfunk in Hamburg, returning to Vienna in 1970. Soon after he formed his own ensemble, Free Sound, and later in the decade he worked with the International Brass Company. In addition to his playing and bandleading, Koller also composed; among his original wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Frampton
Roger Frampton (20 May 1948 – 4 January 2000) was an Australian jazz pianist, saxophonist, composer, and educator. Based in Sydney, he played a major role in shaping the evolution of Australian jazz. He taught at the Jazz Studies course at the Sydney Conservatorium of Music, and also became Head of Jazz Studies during the late 1970s. Biography Born in Portsmouth, England in 1948, Frampton began learning piano and saxophone at an early age and by the age of 15 he had formed his own modern jazz group which played in local clubs, also performing with top English jazz musicians such as Don Rendel, Bill Le Sage and Joe Harriott. He migrated to Australia with his family in December 1966 and in the following year joined the experimental electronic music group Teletopa and also AZ Music, which performed the works of John Cage, Steve Reich and others. Frampton toured overseas with Teletopa in 1972, playing in London at the International Carnival of Experimental Sound, at the Edinbu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lol Coxhill
George Lowen Coxhill (19 September 1932 – 10 July 2012) known professionally as Lol Coxhill, was an English free improvising saxophonist. He played soprano and sopranino saxophone. Biography Coxhill was born to George Compton Coxhill and Mabel Margaret Coxhill (née Motton) at Portsmouth, Hampshire, UK. He grew up in Aylesbury, Buckinghamshire, and bought his first saxophone in 1947. After national service he became a busy semi-professional musician, touring US airbases with Denzil Bailey's Afro-Cubists and the Graham Fleming Combo. In the 1960s he played with visiting American blues, soul and jazz musicians including Rufus Thomas, Mose Allison, Otis Spann, and Champion Jack Dupree. He also developed his practice of playing unaccompanied solo saxophone, often busking in informal performance situations. Other than his solo playing, he performed mostly as a sideman or as an equal collaborator, rather than a conventional leader – there was no regular Lol Coxhill Trio or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul McCandless
Paul Brownlee McCandless Jr. (born March 24, 1947) is an American multi-instrumentalist and founding member of the American jazz group Oregon. He is one of the few jazz oboists. He also plays bass clarinet, English horn, flute and soprano saxophone. Biography Paul Brownlee McCandless Jr. was born in Indiana, Pennsylvania, United States, into a musical family. His father (who was also an oboe and English horn player) taught him clarinet, his mother piano, and he attended the Manhattan School of Music. In 1971 he auditioned with the New York Philharmonic playing English horn and was a finalist. McCandless has released a series of records of his own compositions with bands he led, including ''All the Mornings Bring'' ( Elektra/Asylum, 1979), ''Navigator'' (Landslide, 1981), ''Heresay'' (Windham Hill, 1988), ''Premonition'' (Windham Hill, 1992). With Oregon, he has recorded over twenty albums, as well as several albums with Paul Winter. In 1996, McCandless won a Grammy Award for B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Jarman
Joseph Jarman (September 14, 1937 – January 9, 2019) was an American jazz musician, composer, poet, and Shinshu Buddhist priest. He was one of the first members of the Association for the Advancement of Creative Musicians and a member of the Art Ensemble of Chicago. Biography Early life He was born in Pine Bluff, Arkansas, United States. Jarman grew up in Chicago, Illinois. At DuSable High School, he studied drums with Walter Dyett, switching to saxophone and clarinet when he joined the United States Army after graduation. During his time there, he was part of the 11th Airborne Division Band for a year. The AACM and his solo band After he was discharged from the Army in 1958, Jarman attended Wilson Junior College, where he met bassist Malachi Favors Maghostut and saxophonists Roscoe Mitchell, Henry Threadgill, and Anthony Braxton. These men would often perform long jam sessions at the suggestion of their professor, Richard Wang (now with Illinois University). Mitchell intro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christophe Monniot
Christophe may refer to: People * Christophe (given name), list of people with this name * Christophe (singer) (1945–2020), French singer * Cristophe (hairstylist) (born 1958), Belgian hairstylist * Georges Colomb (1856–1945), French comic strip artist and botanist who published under the pseudonym Christophe People with the surname Christophe * Didier Christophe (born 1956), retired professional French footballer, managing Pau FC * Henri Christophe (1767–1820), Haitian Revolution leader Other uses * Christophe (Amsterdam), restaurant in Amsterdam, The Netherlands * 1698 Christophe Events January–March * January 1 – The Abenaki tribe and Massachusetts colonists sign a treaty, ending the conflict in New England. * January 4 – The Palace of Whitehall in London, England is destroyed by fire. * January 23 – G ..., asteroid {{Disambiguation, human name, surname Surnames from given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roscoe Mitchell
Roscoe Mitchell (born August 3, 1940) is an American composer, jazz instrumentalist, and educator, known for being "a technically superb – if idiosyncratic – saxophonist". ''The Penguin Guide to Jazz'' described him as "one of the key figures" in avant-garde jazz;''The Penguin Guide to Jazz'' by Richard Cook, Brian Morton, et al. p. 916, eighth edition All About Jazz stated in 2004 that he had been "at the forefront of modern music" for more than 35 years. Critic Jon Pareles in ''The New York Times'' has mentioned that Mitchell "qualifies as an iconoclast". In addition to his own work as a bandleader, Mitchell is known for cofounding the Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians ( AACM). History Early life Mitchell was born in Chicago, Illinois, United States. He also grew up in the Chicago area, where he played saxophone and clarinet at around age twelve. His family was always involved in music with many different styles playing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Monte Young
La Monte Thornton Young (born October 14, 1935) is an American composer, musician, and performance artist recognized as one of the first American minimalist composers and a central figure in Fluxus and post-war avant-garde music. He is best known for his exploration of sustained tones, beginning with his 1958 composition '' Trio for Strings.'' His compositions have called into question the nature and definition of music, most prominently in the text scores of his ''Compositions 1960''. While few of his recordings remain in print, his work has inspired prominent musicians across various genres, including avant-garde, rock, and ambient music. Young played jazz saxophone and studied composition in California during the 1950s, and subsequently moved to New York in 1960, where he was a central figure in the downtown music and Fluxus art scenes.Jeremy Grimshaw, ''Draw a Straight Line and Follow It: The Music and Mysticism of La Monte Young''. Oxford University Press, 2012 He then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Braxton
Anthony Braxton (born June 4, 1945) is an American experimental composer, educator, music theorist, improviser and multi-instrumentalist who is best known for playing saxophones, particularly the alto. Braxton grew up on the South Side of Chicago, Illinois, and was a key early member of the Association for the Advancement of Creative Musicians. He received great acclaim for his 1969 double- LP record ''For Alto'', the first full-length album of solo saxophone music. A prolific composer with a vast body of cross-genre work, the MacArthur Fellow and NEA Jazz Master has released hundreds of recordings and compositions. During six years signed to Arista Records, the diversity of his output encompassed work with many members of the AACM, including duets with co-founder and first president Muhal Richard Abrams; collaborations with electronic musician Richard Teitelbaum; a saxophone quartet with Julius Hemphill, Oliver Lake and Hamiet Bluiett; compositions for four orchestras; and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Carter (musician)
James Carter (born January 3, 1969) is an American jazz musician widely recognized for his technical virtuosity on saxophones and a variety of woodwinds. He is the cousin of noted jazz violinist Regina Carter. Biography Carter was born in Detroit, Michigan, and learned to play under the tutelage of Donald Washington, becoming a member of his youth jazz ensemble Bird-Trane-Sco-NOW!! As a young man, Carter attended Blue Lake Fine Arts Camp, becoming the youngest faculty member at the camp. He first toured Scandinavia with the International Jazz Band in 1985 at the age of 16. On May 31, 1988, at the Detroit Institute of Arts (DIA), Carter was a last-minute addition for guest artist Lester Bowie, which turned into an invitation to play with his new quintet (forerunner of his New York Organ Ensemble) in New York City that following November at the now defunct Carlos 1 jazz club. This was pivotal in Carter's career, putting him in musical contact with the world, and he moved to New Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
