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Sonometer
A monochord, also known as sonometer (see below), is an ancient musical and scientific laboratory instrument, involving one (mono-) string ( chord). The term ''monochord'' is sometimes used as the class-name for any musical stringed instrument having only one string and a stick shaped body, also known as musical bows. According to the Hornbostel–Sachs system, string bows are bar zithers (311.1) while monochords are traditionally board zithers (314). The "harmonical canon", or monochord is, at its least, "merely a string having a board under it of exactly the same length, upon which may be delineated the points at which the string must be stopped to give certain notes," allowing comparison. A string is fixed at both ends and stretched over a sound box. One or more movable bridges are then manipulated to demonstrate mathematical relationships among the frequencies produced. "With its single string, movable bridge and graduated rule, the monochord (''kanōn'' reek: law straddl ...
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Monochord Jeans
A monochord, also known as sonometer (see below), is an ancient musical and scientific laboratory instrument, involving one (mono-) string ( chord). The term ''monochord'' is sometimes used as the class-name for any musical stringed instrument having only one string and a stick shaped body, also known as musical bows. According to the Hornbostel–Sachs system, string bows are bar zithers (311.1) while monochords are traditionally board zithers (314). The "harmonical canon", or monochord is, at its least, "merely a string having a board under it of exactly the same length, upon which may be delineated the points at which the string must be stopped to give certain notes," allowing comparison. A string is fixed at both ends and stretched over a sound box. One or more movable bridges are then manipulated to demonstrate mathematical relationships among the frequencies produced. "With its single string, movable bridge and graduated rule, the monochord (''kanōn'' reek: law straddl ...
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Sonometer
A monochord, also known as sonometer (see below), is an ancient musical and scientific laboratory instrument, involving one (mono-) string ( chord). The term ''monochord'' is sometimes used as the class-name for any musical stringed instrument having only one string and a stick shaped body, also known as musical bows. According to the Hornbostel–Sachs system, string bows are bar zithers (311.1) while monochords are traditionally board zithers (314). The "harmonical canon", or monochord is, at its least, "merely a string having a board under it of exactly the same length, upon which may be delineated the points at which the string must be stopped to give certain notes," allowing comparison. A string is fixed at both ends and stretched over a sound box. One or more movable bridges are then manipulated to demonstrate mathematical relationships among the frequencies produced. "With its single string, movable bridge and graduated rule, the monochord (''kanōn'' reek: law straddl ...
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Composite Number
A composite number is a positive integer that can be formed by multiplying two smaller positive integers. Equivalently, it is a positive integer that has at least one divisor other than 1 and itself. Every positive integer is composite, prime, or the unit 1, so the composite numbers are exactly the numbers that are not prime and not a unit. For example, the integer 14 is a composite number because it is the product of the two smaller integers 2 ×  7. Likewise, the integers 2 and 3 are not composite numbers because each of them can only be divided by one and itself. The composite numbers up to 150 are: :4, 6, 8, 9, 10, 12, 14, 15, 16, 18, 20, 21, 22, 24, 25, 26, 27, 28, 30, 32, 33, 34, 35, 36, 38, 39, 40, 42, 44, 45, 46, 48, 49, 50, 51, 52, 54, 55, 56, 57, 58, 60, 62, 63, 64, 65, 66, 68, 69, 70, 72, 74, 75, 76, 77, 78, 80, 81, 82, 84, 85, 86, 87, 88, 90, 91, 92, 93, 94, 95, 96, 98, 99, 100, 102, 104, 105, 106, 108, 110, 111, 112, 114, 115, 116, 117, 118, 1 ...
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Prime Number
A prime number (or a prime) is a natural number greater than 1 that is not a product of two smaller natural numbers. A natural number greater than 1 that is not prime is called a composite number. For example, 5 is prime because the only ways of writing it as a product, or , involve 5 itself. However, 4 is composite because it is a product (2 × 2) in which both numbers are smaller than 4. Primes are central in number theory because of the fundamental theorem of arithmetic: every natural number greater than 1 is either a prime itself or can be factorized as a product of primes that is unique up to their order. The property of being prime is called primality. A simple but slow method of checking the primality of a given number n, called trial division, tests whether n is a multiple of any integer between 2 and \sqrt. Faster algorithms include the Miller–Rabin primality test, which is fast but has a small chance of error, and the AKS primality test, which always pr ...
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Least Common Multiple
In arithmetic and number theory, the least common multiple, lowest common multiple, or smallest common multiple of two integers ''a'' and ''b'', usually denoted by lcm(''a'', ''b''), is the smallest positive integer that is divisible by both ''a'' and ''b''. Since division of integers by zero is undefined, this definition has meaning only if ''a'' and ''b'' are both different from zero. However, some authors define lcm(''a'',0) as 0 for all ''a'', since 0 is the only common multiple of ''a'' and 0. The lcm is the "lowest common denominator" (lcd) that can be used before fractions can be added, subtracted or compared. The least common multiple of more than two integers ''a'', ''b'', ''c'', . . . , usually denoted by lcm(''a'', ''b'', ''c'', . . .), is also well defined: It is the smallest positive integer that is divisible by each of ''a'', ''b'', ''c'', . . . Overview A multiple of a number is the product of that number and an integer. For example, 10 is a ...
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Multiplication Table
In mathematics, a multiplication table (sometimes, less formally, a times table) is a mathematical table used to define a multiplication operation for an algebraic system. The decimal multiplication table was traditionally taught as an essential part of elementary arithmetic around the world, as it lays the foundation for arithmetic operations with base-ten numbers. Many educators believe it is necessary to memorize the table up to 9 × 9. History In pre-modern time The oldest known multiplication tables were used by the Babylonians about 4000 years ago. However, they used a base of 60. The oldest known tables using a base of 10 are the Chinese decimal multiplication table on bamboo strips dating to about 305 BC, during China's Warring States period. The multiplication table is sometimes attributed to the ancient Greek mathematician Pythagoras (570–495 BC). It is also called the Table of Pythagoras in many languages (for example French, Italian and Russian), so ...
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Tetractys
The tetractys ( el, τετρακτύς), or tetrad, or the tetractys of the decad is a triangular number, triangular figure consisting of ten points arranged in four rows: one, two, three, and four points in each row, which is the geometrical representation of the fourth triangular number. As a mysticism, mystical symbol, it was very important to the secret worship of Pythagoreanism. There were four seasons, and the number was also associated with planetary motions and music. Pythagorean symbol # The first four numbers symbolize the ''musica universalis'' and the Cosmos as: ## (1) Unity (Monad (philosophy), Monad) ## (2) Dyad (Greek philosophy), Dyad – Power – Limit/Unlimited (peras/Apeiron (cosmology), apeiron) ## (3) Harmony (Triad) ## (4) Kosmos (Tetrad) # The four rows add up to ten, which was unity of a higher order (The Dekad). # The Tetractys symbolizes the classical element, four classical elements—air, fire, water, and earth. # The Tetractys represented the organiz ...
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Superparticular
In mathematics, a superparticular ratio, also called a superparticular number or epimoric ratio, is the ratio of two consecutive integer numbers. More particularly, the ratio takes the form: :\frac = 1 + \frac where is a positive integer. Thus: Superparticular ratios were written about by Nicomachus in his treatise ''Introduction to Arithmetic''. Although these numbers have applications in modern pure mathematics, the areas of study that most frequently refer to the superparticular ratios by this name are music theory and the history of mathematics. Mathematical properties As Leonhard Euler observed, the superparticular numbers (including also the multiply superparticular ratios, numbers formed by adding an integer other than one to a unit fraction) are exactly the rational numbers whose continued fraction terminates after two terms. The numbers whose continued fraction terminates in one term are the integers, while the remaining numbers, with three or more terms in their c ...
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Pythagorean Tuning
Pythagorean tuning is a system of musical tuning in which the frequency ratios of all intervals are based on the ratio 3:2.Bruce Benward and Marilyn Nadine Saker (2003). ''Music: In Theory and Practice'', seventh edition, 2 vols. (Boston: McGraw-Hill). Vol. I: p. 56. . This ratio, also known as the "pure" perfect fifth, is chosen because it is one of the most consonant and easiest to tune by ear and because of importance attributed to the integer 3. As Novalis put it, "The musical proportions seem to me to be particularly correct natural proportions." Alternatively, it can be described as the tuning of the syntonic temperament in which the generator is the ratio 3:2 (i.e., the untempered perfect fifth), which is ≈702 cents wide. The system dates to Ancient Mesopotamia; see . The system is named, and has been widely misattributed, to Ancient Greeks, notably Pythagoras (sixth century BC) by modern authors of music theory, while Ptolemy, and later Boethius, ascribed the divi ...
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Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ...
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Pizzicato
Pizzicato (, ; translated as "pinched", and sometimes roughly as "plucked") is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument : * On bowed string instruments it is a method of playing by plucking the strings with the fingers, rather than using the bow. This produces a very different sound from bowing, short and percussive rather than sustained. * On keyboard string instruments, such as the piano, pizzicato may be employed (although rarely seen in traditional repertoire, this technique has been normalized in contemporary music, with ample examples by George Crumb, Toru Takemitsu, Helmut Lachenmann, and others) as one of the variety of techniques involving direct manipulation of the strings known collectively as "string piano". * On the guitar, it is a muted form of plucking, which bears an audible resemblance to pizzicato on a bowed string instrument with its relatively short ...
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Mersenne's Laws
Mersenne's laws are laws describing the frequency of oscillation of a stretched string or monochord, useful in musical tuning and musical instrument construction. Overview The equation was first proposed by French mathematician and music theorist Marin Mersenne in his 1636 work ''Harmonie universelle''.Mersenne, Marin (1636)''Harmonie universelle'' Cited in, '' Wolfram.com''. Mersenne's laws govern the construction and operation of string instruments, such as pianos and harps, which must accommodate the total tension force required to keep the strings at the proper pitch. Lower strings are thicker, thus having a greater mass per length. They typically have lower tension. Guitars are a familiar exception to this: string tensions are similar, for playability, so lower string pitch is largely achieved with increased mass per length. Higher-pitched strings typically are thinner, have higher tension, and may be shorter. "This result does not differ substantially from Galileo's, yet ...
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