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Sonic Philosophy
Sonic philosophy or the philosophy of sound is a philosophical theory that proposes thinking sonically instead of thinking about sound. It is applied in ontology or the investigation of being and the determination of what exists. The materialist sonic philosophy is also considered part of aesthetic philosophy and traces the effect of sound on philosophy and draws from the notion that sound is a flux, event, and effect. Background Scholars cite the role of the naturalistic philosophies of Friedrich Nietzsche and Arthur Schopenhauer in the development of sonic philosophy. Both maintained that music and sound directly figure the world as it is in itself and that they serve as the primary forces and movements behind all natural change, tension, creation, and destruction. The latter's notion of music considers it as a direct expression of the will. In his early unpublished writings, Nietzsche wrote that the concept of the philosopher involves his attempts "to let all sounds of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philosophy
Philosophy (from , ) is the systematized study of general and fundamental questions, such as those about existence, reason, knowledge, values, mind, and language. Such questions are often posed as problems to be studied or resolved. Some sources claim the term was coined by Pythagoras ( BCE), although this theory is disputed by some. Philosophical methods include questioning, critical discussion, rational argument, and systematic presentation. in . Historically, ''philosophy'' encompassed all bodies of knowledge and a practitioner was known as a ''philosopher''."The English word "philosophy" is first attested to , meaning "knowledge, body of knowledge." "natural philosophy," which began as a discipline in ancient India and Ancient Greece, encompasses astronomy, medicine, and physics. For example, Newton's 1687 ''Mathematical Principles of Natural Philosophy'' later became classified as a book of physics. In the 19th century, the growth of modern research universiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage is perhaps best known for his 1952 composition ''4′33″'', which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challenge t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psyche (psychology)
In psychology, the psyche is the totality of the human mind, conscious and unconscious. Many thinkers, including Carl Jung, also include in this definition the overlap and tension between the personal and the collective elements in man. Psychology is the scientific or objective study of the psyche. The word has a long history of use in psychology and philosophy, dating back to ancient times, and represents one of the fundamental concepts for understanding human nature from a scientific point of view. The English word soul is sometimes used synonymously, especially in older texts. Etymology The basic meaning of the Greek word ψυχή (''psyche'') was "life", although unsupported, some have claimed it is derived from the verb ψύχω (''psycho'', "to blow"). Derived meanings included "spirit", "soul", "ghost", and ultimately "self" in the sense of "conscious personality" or "psyche". Ancient psychology The idea of the psyche is central to the philosophy of Plato. Scholars tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonic Deception
Sonic deception refers to a deception tactic on the battlefield that involves the projection of sounds to produce noises intended to mislead hearers. The recorded noises target the enemy's sound-ranging equipment, as well as the human ear. It is employed in various activities, which include vehicular movements and the construction of infrastructure and military facilities. Tactic Sonic deception is defined as the generation, use, and distribution of sounds, which could include actual recordings and artificially generated noise that are blended to produce a sonic experience on the battlefield. The effect could lead to the confusion or distraction of the enemy. As a deception strategy, it can also be used to mislead the target. The integration of sonic deception into larger battlefield tactics involves not only the access and use of recorded sounds and noises. These materials are used with actual equipment or personnel so that it is convincing to the enemy force. For instance, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shan Shui
''Shan shui'' (; pronounced ) refers to a style of traditional Chinese painting that involves or depicts scenery or natural landscapes, using a brush and ink rather than more conventional paints. Mountains, rivers and waterfalls are common subjects of ''shan shui'' paintings. History ''Shan shui'' painting first began to develop in the 5th century, in the Liu Song dynasty.''Textual Evidence for the Secular Arts of China in the Period from Liu Sung through Sui'' (1967) by Alexander Soper It was later characterized by a group of landscape painters such as Zhang Zeduan, most of them already famous, who produced large-scale landscape paintings. These landscape paintings usually centered on mountains. Mountains had long been seen as sacred places in China, which were viewed as the homes of immortals and thus, close to the heavens. Philosophical interest in nature, or in mystical connotations of naturalism, could also have contributed to the rise of landscape painting. The art o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christof Migone
Christof Migone is a Swiss-born experimental sound artist and writer, formerly based in Montreal, now living in Toronto. He is assistant professor at the Department of Visual Arts at the University of Western Ontario Migone's solo recordings include ''Sound Voice Perform'' (2006), ''South Winds'' (2003), ''Crackers'' (2001), ''Quieting'' (2000), ''The Death of Analogies'' (1999), ''vex'' (1998) and ''Hole in the Head'' (1996). All of which were recorded on various labels: Avatar, ND, Alien 8, Locust, and Oral. His writing on audio art has appeared in ''EAR'' magazine, ''Radiotext(e)'', ''Radio Rethink'', ''Theater Drama Review'', ''Parachute'', ''Site of Sound: of Architecture and the Ear'', ''Experimental Sound and Radio'' edited by Allen S. Weiss, ''Writing Aloud: The Sonics of Language'', ''S:ON Sound in Contemporary Canadian Art'' edited by Nicole Gingras, and ''Aural Cultures'' edited by Jim Drobnick. In ''Sonic Somatic: Performances of the Unsound Body'', Migone proposed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilles Deleuze
Gilles Louis René Deleuze ( , ; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art. His most popular works were the two volumes of ''Capitalism and Schizophrenia'': ''Anti-Oedipus'' (1972) and ''A Thousand Plateaus'' (1980), both co-written with psychoanalyst Félix Guattari. His metaphysical treatise ''Difference and Repetition'' (1968) is considered by many scholars to be his magnum opus. See also: "''Difference and Repetition'' is definitely the most important work published by Deleuze." (Edouard Morot-Sir, from the back cover of the first edition of the English translation), or James Williams' judgment: "It is nothing less than a revolution in philosophy and stands out as one of the great philosophical works of the twentieth century" (James Williams, ''Gilles Deleuze's Difference and Repetition: A Critical Introduction and Guide'' dinburgh UP, 2003 p. 1). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel DeLanda
Manuel DeLanda (born 1952) is a Mexican- American writer, artist and philosopher who has lived in New York since 1975. He is a lecturer in architecture at the Princeton University School of Architecture and the University of Pennsylvania School of Design, where he teaches courses on the philosophy of urban history and the dynamics of cities as historical actors with an emphasis on the importance of self-organization and material culture in the understanding of a city. DeLanda also teaches architectural theory as an adjunct professor of architecture and urban design at the Pratt Institute and serves as the Gilles Deleuze Chair and Professor of Philosophy at the European Graduate School. He holds a BFA from the School of Visual Arts (1979) and a PhD in media and communication from the European Graduate School (2010). DeLanda was previously a visiting professor at the University of Southern California School of Architecture, where he taught an intensive two-week course in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Neuhaus
Max Neuhaus (August 9, 1939 – February 3, 2009) was an American musician, composer and artist who was a noted interpreter of contemporary and experimental percussion music in the 1960s. He went on to create numerous permanent and short-term sound installations in the four decades that followed. Biography Neuhaus was born on August 9, 1939 in Beaumont, Texas and attended high school in Houston. He studied percussion with Paul Price at the Manhattan School of Music, graduating with a master of music degree in 1962. He performed as a percussion soloist on concert tours throughout the United States with Pierre Boulez (1962-1963) and Karlheinz Stockhausen (1963-1964). In 1964 and 1965, he presented solo recitals in Carnegie Hall in New York City and in fiteeen major European cities. In 1966, he published on Mass Art Inc. four live realizations of John Cage's ''Fontana Mix'' (1958), an indeterminate graphic score originally intended for a tape piece, with or without additional instrume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera House, A Concert By Pianist Josef Hofmann - NARA 541890 - Edit
Metropolitan may refer to: * Metropolitan area, a region consisting of a densely populated urban core and its less-populated surrounding territories * Metropolitan borough, a form of local government district in England * Metropolitan county, a type of county-level administrative division of England Businesses * Metro-Cammell, previously the Metropolitan Cammell Carriage and Wagon Company * Metropolitan-Vickers, a British heavy electrical engineering company * Metropolitan Stores, a Canadian former department store chain * Metropolitan Books, an imprint of Henry Holt and Company Colleges and universities * Leeds Metropolitan University, United Kingdom * London Metropolitan University, United Kingdom * Manchester Metropolitan University, United Kingdom * Metropolitan Community College (Omaha), United States * Metropolitan State University of Denver, United States ** Metro State Roadrunners * Metropolitan State University, in Saint Paul, Minnesota * Oslo Metropolitan University, Norw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ontology
In metaphysics, ontology is the philosophical study of being, as well as related concepts such as existence, becoming, and reality. Ontology addresses questions like how entities are grouped into categories and which of these entities exist on the most fundamental level. Ontologists often try to determine what the categories or highest kinds are and how they form a system of categories that encompasses classification of all entities. Commonly proposed categories include substances, properties, relations, states of affairs and events. These categories are characterized by fundamental ontological concepts, including particularity and universality, abstractness and concreteness, or possibility and necessity. Of special interest is the concept of ontological dependence, which determines whether the entities of a category exist on the most fundamental level. Disagreements within ontology are often about whether entities belonging to a certain category exist and, if so, how they ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phenomenological
Phenomenology may refer to: Art * Phenomenology (architecture), based on the experience of building materials and their sensory properties Philosophy * Phenomenology (philosophy), a branch of philosophy which studies subjective experiences and a methodology of study founded by Edmund Husserl (1859–1938) beginning in 1900 ** Munich phenomenology, a group of philosophers and psychologists at University of Munich who were inspired by Husserl's work to develop phenomenology after 1900 ** Existential phenomenology, in the work of Husserl's student Martin Heidegger (1889–1976) and his followers after 1927 * Phenomenology (Peirce), a branch of philosophy according to Charles Sanders Peirce (1839–1914) * Philosophy of experience (Hinduism), the phenomenology of experience in Hinduism, first expounded by Gaudapada () Philosophical literature * ''Phenomenology of Perception'', a book by Maurice Merleau-Ponty * ''The Phenomenology of Spirit'', a book by Georg Wilhelm Friedrich Hegel S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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