Sonatina
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Sonatina
A sonatina is a small sonata. As a musical term, sonatina has no single strict definition; it is rather a title applied by the composer to a piece that is in basic sonata form, but is shorter and lighter in character, or technically more elementary, than a typical sonata. The term has been in use at least since the late baroque; there is a one-page, one-movement harpsichord piece by Handel called "Sonatina". It is most often applied to solo keyboard works, but a number of composers have written sonatinas for violin and piano (see list under Violin sonata), for example the Sonatina in G major for Violin and Piano by Antonín Dvořák, and occasionally for other instruments, for example the Clarinet Sonatina by Malcolm Arnold. Term The title "Sonatina" was used occasionally by J.S. Bach for short orchestral introductions to large vocal works, as in his cantata ''Gottes Zeit ist die allerbeste Zeit'', BWV 106, a practice with precedent in the work of the earlier German composer ...
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Sonatina (Bartók)
Sonatina, Sz. 55, BB. 69 is a piece for solo piano written in 1915 by Hungarian composer Béla Bartók. Initially entitled Sonatina on Romanian folk tunes, it is based on folk tunes Bartók collected in his neighbour country Romania, which, even though he proclaimed Hungarian folk music was clearly superior, was a direct source of inspiration all along his active years. Structure This sonatina consists of three movements and, according to Bartók's notes, takes 3 minutes 47 seconds to perform: Though Bartók arranged it in three movements, the piece actually consists of five different folk tunes: he used two in the first movement, in an ABA form ABA may refer to: Businesses and organizations Broadcasting * Alabama Broadcasters Association, United States * Asahi Broadcasting Aomori, Japanese television station * Australian Broadcasting Authority Education * Académie des Beaux ..., and two in the last movement, which he then combines snatches of in the coda. In ...
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Violin Sonatina (Dvořák)
The Sonatina in G major for violin and piano ( cz, Sonatina G dur pro housle a klavír), Op. 100, B. 183, was written by Antonín Dvořák between November 19 and December 3, 1893, in New York City. It was the last chamber composition he wrote during his sojourn in the United States. Dvořák catered the sonatina to the gradually developing musical abilities of his children, especially those of his 15-year-old daughter Otilie and 10-year-old son Toník, who played piano and violin respectively. In a letter to Fritz Simrock on January 2, 1894, Dvořák conceived the piece in the following terms: ''"It is intended for youths (dedicated to my two children), but even grown-ups, adults, should be able to converse with it..."'' The sonatina was published by Simrock in Berlin in 1894. It also exists in a version for cello and piano. Structure The four short movements of the sonatina each exhibit a simple and clear, formal structure (hence the diminutive, cf. sonata). ...
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Muzio Clementi
Muzio Filippo Vincenzo Francesco Saverio Clementi (23 January 1752 – 10 March 1832) was an Italian composer, virtuoso pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer, who was mostly active in England. Encouraged to study music by his father, he was sponsored as a young composer by Sir Peter Beckford who took him to England to advance his studies. Later, he toured Europe numerous times from his long-standing base in London. It was on one of these occasions, in 1781, that he engaged in a piano competition with Wolfgang Amadeus Mozart. Influenced by Domenico Scarlatti's harpsichord school and Haydn's classical school and by the '' stile Galante'' of Johann Christian Bach and Ignazio Cirri, Clementi developed a fluent and technical legato style, which he passed on to a generation of pianists, including John Field, Johann Baptist Cramer, Ignaz Moscheles, Giacomo Meyerbeer, Friedrich Kalkbrenner, Johann Nepomuk Hummel and Carl Czerny. He was ...
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Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8 September 1841 – 1 May 1904) was a Czechs, Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravian traditional music, Moravia and his native Bohemia, following the Romantic-era Czech nationalism, nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them". Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted a score of his Symphony No. 1 (Dvořák), First Symphony to a prize competition in Germany, but did not win, and the unreturned manuscript was lost until it was rediscovered many decades ...
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Alexandre Tansman
Alexander Tansman ( pl, Aleksander Tansman, link=no, French: Alexandre Tansman; 12 June 1897 – 15 November 1986) was a Polish composer, pianist and conductor who became a naturalized French citizen in 1938. One of the earliest representatives of neoclassicism, associated with École de Paris, Tansman was a globally recognized and celebrated composer. Early life and heritage Tansman was born and raised in Łódź, Congress Poland. His parents were both of Lithuanian Jewish ancestry. His father Moshe Tantzman (1868–1908) died when Alexander was 10 and his mother Hannah (''née'' Gourvitch, 1872-1935) reared him and his older sister Teresa alone. Tansman later wrote: father's family came from Pinsk and I knew of a famous rabbi related to him. My father died very young, and there were certainly two, or more branches of the family, as ours was quite wealthy: we had in Lodz several domestics, two governesses (French and German) living with us etc. My father had a sister who settl ...
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Gottes Zeit Ist Die Allerbeste Zeit, BWV 106
(God's time is the very best time), , also known as ''Actus tragicus'', is an early sacred cantata composed by Johann Sebastian Bach in Mühlhausen, intended for a funeral. The earliest source for the composition is a copied manuscript dated 1768, therefore the date of the composition is not certain. Research leads to a funeral of a former mayor of Mühlhausen on 16 September 1708. The text is a carefully compiled juxtaposition of biblical texts, three quotations from the Old Testament and four from the New Testament, combined with funeral hymns, of which two are sung and one is quoted instrumentally, and some additions by an anonymous author. Bach scored the work for four vocal parts and a small ensemble of Baroque instruments, two recorders, two violas da gamba and continuo. The work is opened by an instrumental Sonatina, followed by through-composed sections which have been assigned to four movements. The structure is symmetrical around a turning point, when the lower voi ...
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Sonatina In F (Beethoven)
The Sonatina in F is a composition for solo piano in two movements, attributed to Ludwig van Beethoven (listed as Anh. 5 No. 2 in the Kinsky–Halm Catalogue), though doubtful. Structure The composition is in two movements: # '' Allegro assai'' # ''Rondo: Allegro'' Both movements are in time. Most of the first movement is in sixteenth notes and the second movement is in eighth notes. External links * Piano solos by Ludwig van Beethoven Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classic ... Compositions in F major Beethoven: spurious and doubtful works {{classical-composition-stub ...
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Anton Diabelli
Anton (or Antonio) Diabelli (5 September 17818 April 1858) was an Austrian music publisher, editor and composer. Best known in his time as a publisher, he is most familiar today as the composer of the waltz on which Ludwig van Beethoven wrote his set of thirty-three ''Diabelli Variations''. Early life Diabelli was born in Mattsee near Salzburg, then in the Archbishopric of Salzburg. A musical child, he sang in the boys' choir at Salzburg Cathedral where he is believed to have taken music lessons with Michael Haydn. By the age of 19 Diabelli had already composed several important compositions including six masses. Diabelli was trained to enter the priesthood and in 1800 joined the monastery at Raitenhaslach, Bavaria. He remained there until 1803, when Bavaria closed all its monasteries. Career In 1803 Diabelli moved to Vienna and began teaching piano and guitar and found work as a proofreader for a music publisher. During this period he learned the music publishing business w ...
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Ferruccio Busoni
Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. From an early age, Busoni was an outstanding, if sometimes controversial, pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. His writings on music were influential, and covered not only aesthetics but considerations of microtones and other innovative topics. He was based in Berlin from 1894 but spent much of World War I in Switzerland. He began composing in his early years in a late romantic style, but after 1907, when he publis ...
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Alexander Goedicke
Alexander Fyodorovich Goedicke ( rus, Алекса́ндр Фёдорович Ге́дике, r=Aleksandr Fyodorovich Gedike; in Moscow9 July 1957 in Moscow) was a Soviet and Russian composer and pianist. Goedicke was a professor at Moscow Conservatory. With no formal training in composition, he studied piano at the Moscow Conservatory with Galli, Pavel Pabst and Vasily Safonov. Goedicke won the Anton Rubinstein Competition in 1900. Despite his lack of traditional guidance, his compositional efforts were rewarded when he won the Rubinstein Prize for Composition at the young age of 23. Goedicke died at the age of 80 on 9 July 1957. Alexander Goedicke was Nikolai Medtner's first cousin. Alexander's father Fyodor Goedicke, a minor composer and pianist, was Medtner's mother's brother and his first teacher. Selected works ;Opera * ''Virineya'' (Виринея) (1913–1915); libretto by the composer * ''At the Crossing'' (У перевоза) (1933); libretto by the composer * ''J ...
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Sonatine (Ravel)
''Sonatine'' is a piano work written by Maurice Ravel. Although Ravel wrote in his autobiography that he wrote the sonatina after his piano suite ''Miroirs'', it seems to have been written between 1903 and 1905. with the prize being 100 francs. In 1941 the publication ''Music & Letters'' printed the article ''When Ravel Composed to Order'' by Michel Dimitri Calvocoressi. Calvocoressi discussed how he supposedly encouraged Ravel to write the piece in response to a competition posted in the Paris ''Weekly Critical Review''. Peter Jost of ''G. Henle Publishers'' found the original article in the Review published in three March 1903 editions. The original manuscript that Ravel submitted had the text ‘par Verla’ written and struck out, replaced with ‘par Maurice Ravel’. Ravel submitted the piece under a pseudonym and chose an anagram of his name. The Sonatine was first performed fully in Lyon on March 10, 1906 by Paule de Lestang. Shortly afterwards the piece received a P ...
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Aram Khachaturian
Aram Ilyich Khachaturian (; rus, Арам Ильич Хачатурян, , ɐˈram ɨˈlʲjitɕ xətɕɪtʊˈrʲan, Ru-Aram Ilyich Khachaturian.ogg; hy, Արամ Խաչատրյան, ''Aram Xačʿatryan''; 1 May 1978) was a Soviet and Armenian composer and conductor. He is considered one of the leading Soviet composers. Born and raised in Tbilisi, the multicultural capital of Georgia, Khachaturian moved to Moscow in 1921 following the Sovietization of the Caucasus. Without prior music training, he enrolled in the Gnessin Musical Institute, subsequently studying at the Moscow Conservatory in the class of Nikolai Myaskovsky, among others. His first major work, the Piano Concerto (1936), popularized his name within and outside the Soviet Union. It was followed by the Violin Concerto (1940) and the Cello Concerto (1946). His other significant compositions include the '' Masquerade Suite'' (1941), the Anthem of the Armenian SSR (1944), three symphonies (1935, 1943, 1947), and ar ...
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