Solarization
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Solarization
The Sabatier effect, also known as pseudo-solarization (or pseudo-solarisation) and erroneously referred to as the Sabattier effect, is a phenomenon in photography in which the image recorded on a negative or on a photographic print is wholly or partially reversed in tone. Dark areas appear light or light areas appear dark. Solarization and pseudo-solarization are quite distinct effects. Over time, the "pseudo" has been dropped in many photographic darkroom circles and discussions, but the effect that is meant is the Sabattier effect and not the solarization by extreme overexposure (see below). Background Initially, the term " solarization" was used to describe the effect observed in cases of extreme overexposure of the photographic film or plate in the camera. The effect generated in the dark room was then called ''pseudo-solarization''. Spencer defines the Sabattier effect as: "Partial image reversal produced by brief exposure to white light of a partly developed silver hali ...
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Solarization (photography)
The term solarization in photography is used to describe the effect of ''tone reversal'' observed in cases of extreme overexposure of the photographic film in the camera. Most likely, the effect was first observed in scenery photographs including the sun. The sun, instead of being the whitest spot in the image, turned black or grey. For instance, Minor White's photograph of a winter scene, ''The Black Sun 1955'', was a result of the shutter of his camera freezing in the open position, producing severe overexposure. Ansel Adams had also earlier created a solarized sun image, titled ''Black Sun, Owens Valley, California, 1939'', by overexposure. Definition When a photographic layer, suitable for solarization (see below), is exposed to actinic radiation, the resulting darkening after development will not increase steadily, but reaches a maximum which decreases under more intense exposure. In general is the phenomenon only then called solarization if the exposure has been produced ...
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Solarization (photography)
The term solarization in photography is used to describe the effect of ''tone reversal'' observed in cases of extreme overexposure of the photographic film in the camera. Most likely, the effect was first observed in scenery photographs including the sun. The sun, instead of being the whitest spot in the image, turned black or grey. For instance, Minor White's photograph of a winter scene, ''The Black Sun 1955'', was a result of the shutter of his camera freezing in the open position, producing severe overexposure. Ansel Adams had also earlier created a solarized sun image, titled ''Black Sun, Owens Valley, California, 1939'', by overexposure. Definition When a photographic layer, suitable for solarization (see below), is exposed to actinic radiation, the resulting darkening after development will not increase steadily, but reaches a maximum which decreases under more intense exposure. In general is the phenomenon only then called solarization if the exposure has been produced ...
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Equidensitometry
Equidensitometry is the technique of measuring ''equidensities'' in a photographic deposit or photographic layer, such as photographic films and photographic plates. *Equidensities are points, lines and areas having equal densities also called isodensities. * First order equidensities are points, lines and areas having isodensities obtained by applying one of the listed below techniques once, thus they exhibit one particular Density in the original *Second order equidentities are points and lines having isodensities obtained by applying one of the listed below techniques twice, thus they exhibit two particular Densities in the original. Second order equidensities do not normally show areas. * Equidensity series is a sandwich (in register) of a number of different equidensities. Usually each equidensity is coded by color or raster. Photographic and computerized image processing techniques Four techniques of obtaining equidensities are: * Tone separation process * Sabattier effect ...
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Agfacontour Professional
Agfacontour Professional was (as of 2002 not anymore produced) a special emulsion sheet film which, after exposure and development in the Agfacontour developer, produced direct equidensities. Agfacontour was introduced in 1970 by Agfa-Gevaert to produce equidensities by a direct, one-developing-step process. Until then equidensities had to be obtained using one of the following techniques: *The most popular method to obtain equidensities was the ''One-Film'' technique, better known as Sabattier effect (a.k.a. Pseudosolarization). *Another technique, making tonal extractions on high-contrast film, was called the ''Two-Film'' technique (negative-positive process): from a negative 3-5 different exposures were made on ultra high-contrast lith-films. These 3-5 positives were then copied again on ultra high-contrast lith-film to obtain negatives with virtually no grey tones. Then one positive and a negative from a different set were sandwiched together in register to obtain one spec ...
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Man Ray
Man Ray (born Emmanuel Radnitzky; August 27, 1890 – November 18, 1976) was an American visual artist who spent most of his career in Paris. He was a significant contributor to the Dada and Surrealism, Surrealist movements, although his ties to each were informal. He produced major works in a variety of List of artistic media, media but considered himself a painter above all. He was best known for his pioneering photography, and was a renowned fashion photography, fashion and portrait photographer. He is also noted for his work with photograms, which he called "rayographs" in reference to himself. Biography Background and early life During his career, Man Ray allowed few details of his early life or family background to be known to the public. He even refused to acknowledge that he ever had a name other than Man Ray.Neil Baldwin (writer), Baldwin, Neil. ''Man Ray: American Artist''; Da Capo Press; (1988, 2000) Man Ray's birth name was Emmanuel Radnitzky. He was born in ...
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Photography
Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic image sensor, this produces an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. The result with photographic emulsion is an invisible latent image, which is later chemically "developed" into a visible image, either negative or positive, depending on the purp ...
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Incandescent Light Bulb
An incandescent light bulb, incandescent lamp or incandescent light globe is an electric light with a wire filament heated until it glows. The filament is enclosed in a glass bulb with a vacuum or inert gas to protect the filament from oxidation. Current is supplied to the filament by terminals or wires embedded in the glass. A bulb socket provides mechanical support and electrical connections. Incandescent bulbs are manufactured in a wide range of sizes, light output, and voltage ratings, from 1.5 volts to about 300 volts. They require no external regulating equipment, have low manufacturing costs, and work equally well on either alternating current or direct current. As a result, the incandescent bulb became widely used in household and commercial lighting, for portable lighting such as table lamps, car headlamps, and flashlights, and for decorative and advertising lighting. Incandescent bulbs are much less efficient than other types of electric lighting, converting les ...
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Photographic Techniques
Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic image sensor, this produces an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. The result with photographic emulsion is an invisible latent image, which is later chemically "developed" into a visible image, either negative or positive, depending on the purpose ...
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Spiritual Tree Dsc06786 Duo Nevit
Spiritual is the adjective for spirit. Spiritual may also refer to: Religion *Spirituality, a concern with matters of the spirit **Spiritual attack, an attack by Satan and his demons on a Christian **Spiritual body, a Christian term for resurrection **Spiritual but not religious, a religious categorization **Spiritual bypass, a "tendency to use spiritual ideas and practices to sidestep or avoid facing unresolved emotional issues, psychological wounds, and unfinished developmental tasks" **Spiritual communion, a Christian practice of desiring union with Jesus Christ in the Eucharist **Spiritual crisis, a form of identity crisis where an individual experiences drastic changes to their meaning system typically because of a spontaneous spiritual experience **Spiritual death, absence of spirituality **Spiritual development, the development of the personality towards a religious or spiritual desired better personality **Spiritual direction, the practice of being with people as they atte ...
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Photoshop
Adobe Photoshop is a raster graphics editor developed and published by Adobe Inc. for Windows and macOS. It was originally created in 1988 by Thomas and John Knoll. Since then, the software has become the industry standard not only in raster graphics editing, but in digital art as a whole. The software's name is often colloquially used as a verb (e.g. "to photoshop an image", "photoshopping", and "photoshop contest") although Adobe discourages such use. Photoshop can edit and compose raster images in multiple layers and supports masks, alpha compositing and several color models including RGB, CMYK, CIELAB, spot color, and duotone. Photoshop uses its own PSD and PSB file formats to support these features. In addition to raster graphics, Photoshop has limited abilities to edit or render text and vector graphics (especially through clipping path for the latter), as well as 3D graphics and video. Its feature set can be expanded by plug-ins; programs developed and distributed in ...
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CLUT
In computer graphics, a palette is the set of available colors from which an image can be made. In some systems, the palette is fixed by the hardware design, and in others it is dynamic, typically implemented via a color lookup table (CLUT), a correspondence table in which selected colors from a certain color space's color reproduction range are assigned an index, by which they can be referenced. By referencing the colors via an index, which takes less information than needed to describe the actual colors in the color space, this technique aims to reduce data usage, including processing, transfer bandwidth, RAM usage, and storage. Images in which colors are indicated by references to a CLUT are called indexed color images. Description As of 2019, the most common image colorspace in graphics cards is the RGB color model with 8 bits per pixel color depth. Using this technique, 8 bits per pixel are used to describe the luminance level in each of the RGB channels, therefore 24 bi ...
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Video Synthesizer
A video synthesizer is a device that electronically creates a video signal. A video synthesizer is able to generate a variety of visual material without camera input through the use of internal video pattern generators. It can also accept and "clean up and enhance" or "distort" live television camera imagery. The synthesizer creates a wide range of imagery through purely electronic manipulations. This imagery is visible within the output video signal when this signal is displayed. The output video signal can be viewed on a wide range of conventional video equipment, such as TV monitors, theater video projectors, computer displays, etc. Video pattern generators may produce static or moving or evolving imagery. Examples include geometric patterns (in 2D or 3D), subtitle text characters in a particular font, or weather maps. Imagery from TV cameras can be altered in color or geometrically scaled, tilted, wrapped around objects, and otherwise manipulated. A particular video synth ...
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