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Sloka Meter
Sanskrit prosody or Chandas refers to one of the six Vedangas, or limbs of Vedic studies.James Lochtefeld (2002), "Chandas" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , page 140 It is the study of poetic metres and verse in Sanskrit. This field of study was central to the composition of the Vedas, the scriptural canons of Hinduism, so central that some later Hindu and Buddhist texts refer to the Vedas as ''Chandas''. The Chandas, as developed by the Vedic schools, were organized around seven major metres, and each had its own rhythm, movements and aesthetics. Sanskrit metres include those based on a fixed number of syllables per verse, and those based on fixed number of morae per verse. Extant ancient manuals on Chandas include Pingala's ''Chandah Sutra'', while an example of a medieval Sanskrit prosody manual is Kedara Bhatta's ''Vrittaratnakara''. The most exhaustive compilations of Sanskrit prosody describe over 600 metres. This is a subst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedanga
The Vedanga ( sa, वेदाङ्ग ', "limbs of the Veda") are six auxiliary disciplines of Hinduism that developed in ancient times and have been connected with the study of the Vedas:James Lochtefeld (2002), "Vedanga" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , pages 744-745 List of the Vedanga #Shiksha ('): phonetics, phonology, pronunciation. This auxiliary discipline has focused on the letters of the Sanskrit alphabet, accent, quantity, stress, melody and rules of euphonic combination of words during a Vedic recitation. #Chandas ('): prosody.James Lochtefeld (2002), "Chandas" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , page 140 This auxiliary discipline has focused on the poetic meters, including those based on fixed number of syllables per verse, and those based on fixed number of morae per verse. # Vyakarana ('): grammar and linguistic analysis.James Lochtefeld (2002), "Vyakarana" in The Illustrated En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manasollasa
The ' also known as ''Abhilashitartha Chintamani'', is an early 12th-century Sanskrit text composed by the Kalyani Chalukya king Someshvara III, who ruled in present-day Karnataka . It is an encyclopedic work covering topics such as polity, governance, ethics, economics, astronomy, astrology, rhetoric, veterinary medicine, horticulture, perfumes, food, architecture, games, painting, poetry, dance and music. The text is a valuable source of socio-cultural information on 11th- and 12th-century India. The encyclopedic treatise is structured as five sub-books with a cumulative total of 100 chapters. It is notable for its extensive discussion of arts, particularly music and dance. It is also notable for including chapters on food recipes and festivals, many of which are a part of modern Indian culture. Another medieval era Sanskrit text with the title ''Mānasollāsa'' also exists, consisting of devotional praise hymns (''stotra''), and it is different from the encyclopedic treatise. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molossus (poetry)
A molossus () is a metrical foot used in Greek and Latin poetry. It consists of three long syllables. Examples of Latin words constituting molossi are ''audiri, cantabant, virtutem''. In English poetry, syllables are usually categorized as being either stressed or unstressed, rather than long or short, and the unambiguous molossus rarely appears, as it is too easily interpreted as two feet (and thus a metrical fault) or as having at least one destressed syllable. Perhaps the best example of a molossus is the repeated refrain of ''no birds sing'' in the first and last verse of John Keats' poem "La Belle Dame Sans Merci" (1819) especially for the way it forces the reader to slow down, which is the poetic essence of this metrical foot. The title of Lord Tennyson's poem "Break, Break, Break" (1842) is sometimes cited as a molossus, but in context it can only be three separate feet: Clement Wood proposes as a more convincing instance: ''great white chief'', of which an example oc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tribrach (poetry)
A tribrach is a metrical foot used in formal poetry and Greek and Latin verse. In quantitative meter (such as the meter of classical verse), it consists of three short syllables; in accentual-syllabic verse (such as formal English verse), the tribrach consists of a run of three short syllables substituted for a trochee. A "tribrach word" is a word consisting of three short syllables, such as Latin "shining" or Greek "you have".W. M. Lindsay (1919), ''Early Latin Verse'', pp. 105–6. An English equivalent would be a word with three short syllables such as ''Canada'' or ''passenger''. The origin of the word tribrach is the Greek , derived from the prefix - "three" and the adjective "short". Terminology The name is first recorded in the Roman writer Quintilian (1st century AD). According to Quintilian, an alternative name for a tribrach, was a "trochee": ("Three short syllables make a , but those who give the name to the prefer to call it a .") Quintilian himself referr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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