Slackwire
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Slackwire
Slackwire (or slack wire) is an acrobatic circus act that involves the balancing skills of moving along a flexible, thin wire suspended in the air, connected to two anchor points. Slackwire is not to be confused with slacklining. Description and setup Usually slackwire utilizes a steel wire in diameter fixed between two anchor points. It can have two single stands with two extending wire pieces each to install the apparatus in an arena, or two A-frame stands with one extending wire piece for each. It can also be mounted between two trees at an appropriate distance apart, or fixed to a ceiling or any points which are strong enough to hold a performer's weight. Wire walking artists usually use soft shoes made of leather. Slack rope A slack rope (or slackrope) is very similar to a slackwire. The difference between a slack rope and a slackwire is in the characteristics of rope and wire. A slack rope usually utilizes a rope in diameter. The slackwire and slack rope each have ...
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Tightrope
Tightrope walking, also called funambulism, is the skill of walking along a thin wire or rope. It has a long tradition in various countries and is commonly associated with the circus. Other skills similar to tightrope walking include slack rope walking and slacklining. Types Tightwire is the skill of maintaining balance while walking along a tensioned wire between two points. It can be done either using a balancing tool (umbrella, fan, balance pole, etc.) or "freehand", using only one's body to maintain balance. Typically, tightwire performances either include dance or object manipulation. Object manipulation acts include a variety of props in their acts, such as clubs, rings, hats, or canes. Tightwire performers have even used wheelbarrows with passengers, ladders, and animals in their act. The technique to maintain balance is to keep the performer's centre of mass above their support point—usually their feet. Highwire is a form of tightwire walking but performed at much g ...
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Tightrope Walking
Tightrope walking, also called funambulism, is the skill of walking along a thin wire or rope. It has a long tradition in various countries and is commonly associated with the circus. Other skills similar to tightrope walking include slack rope walking and slacklining. Types Tightwire is the skill of maintaining balance while walking along a tensioned wire between two points. It can be done either using a balancing tool (umbrella, fan, balance pole, etc.) or "freehand", using only one's body to maintain balance. Typically, tightwire performances either include dance or object manipulation. Object manipulation acts include a variety of props in their acts, such as clubs, rings, hats, or canes. Tightwire performers have even used wheelbarrows with passengers, ladders, and animals in their act. The technique to maintain balance is to keep the performer's centre of mass above their support point—usually their feet. Highwire is a form of tightwire walking but performed at much gr ...
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Skipping Rope
A skipping rope (British English) or jump rope (American English) is a tool used in the sport of skipping/jump rope where one or more participants jump over a rope swung so that it passes under their feet and over their heads. There are multiple subsets of skipping/jump rope, including single freestyle, single speed, pairs, three-person speed (Double Dutch), and three-person freestyle (Double Dutch freestyle). Rope skipping is commonly performed as an exercise or recreational activity, and there are also several major organizations that support jump rope as a competitive sport. Often separated by sex and age, events include hundreds of competitive teams all around the world. In the US, schools rarely have jump rope teams, and few states have sanctioned official events at the elementary school level. In freestyle events, jumpers use a variety of basic and advanced techniques in a routine of one minute, which is judged by a head judge, content judges, and performance judges. In ...
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Slackline In The Sun
Slacklining refers to the act of walking, running or balancing along a suspended length of flat webbing that is tensioned between two anchors. Slacklining is similar to slack rope walking and tightrope walking. Slacklines differ from tightwires and tightropes in the type of material used and the amount of tension applied during use. Slacklines are tensioned significantly less than tightropes or tightwires in order to create a dynamic line which will stretch and bounce like a long and narrow trampoline. Tension can be adjusted to suit the user, and different webbing may be used in various circumstances. Styles of slacklining Urbanlining Urbanlining or urban slacklining combines all the different styles of slacklining. It is practiced in urban areas, for example in city parks and on the streets. Most urban slackliners prefer wide lines for tricklining on the streets, but some may use narrow () lines for longline purposes or for waterlining. Also see the other sections of sla ...
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Sergey Alexandrovich Pavlov
Sergey A. Pavlov (russian: link=no, Серге́й Александрович Павлов) (born 1958, USSR) is a Russian actor, clown, television director, writer and composer Biography 1980 – Sergey Pavlov was a student of "Clown Studio" in Moscow Circus on Tsvetnoy Boulevard 1980–1984 learning in "National State College of Circus & Variety Arts" (Clown department) 1984–1987 working in "Moscow Stage Circus" 1987–2004 "Mosconcert" (Moscow Concert Company) with act "Music clown” 1994 TV Director Courses – He graduated from the "Moscow Institute Advanced Studies of Television & Radio" (russian: link=no, Московский Институт Повышения Квалификации Работников Телевидения и Радиовещанияwww.ipk.ru The Clown Character LALALA and Show On 1984 Sergey Pavlov has created a clown character LALALA (idea, designing ... by S. Pavlov) Also he is an author, director of his clown/eccentric acts: “The Tang ...
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Slacklining
Slacklining refers to the act of walking, running or balancing along a suspended length of flat webbing that is tensioned between two anchors. Slacklining is similar to slack rope walking and tightrope walking. Slacklines differ from tightwires and tightropes in the type of material used and the amount of tension applied during use. Slacklines are tensioned significantly less than tightropes or tightwires in order to create a dynamic line which will stretch and bounce like a long and narrow trampoline. Tension can be adjusted to suit the user, and different webbing may be used in various circumstances. Styles of slacklining Urbanlining Urbanlining or urban slacklining combines all the different styles of slacklining. It is practiced in urban areas, for example in city parks and on the streets. Most urban slackliners prefer wide lines for tricklining on the streets, but some may use narrow () lines for longline purposes or for waterlining. Also see the other sections of sla ...
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Trapeze
A trapeze is a short horizontal bar hung by ropes or metal straps from a ceiling support. It is an aerial apparatus commonly found in circus performances. Trapeze acts may be static, spinning (rigged from a single point), swinging or flying, and may be performed solo, double, triple or as a group act. The name of the apparatus reflects the trapezoid shape made by the horizontal bar, ropes and ceiling support. History The art of trapeze performance is reported to have been developed by Jules Léotard, a young French acrobat and aerialist, in Toulouse in the mid-1800s. He is said to have used his father's swimming pool to practice. However, the name "trapeze" can be found in books dating as far back as twenty years earlier, before Léotard was born. One such example is George Roland’s “An Introductory Course of Modern Gymnastic Exercises”, published in 1832. Roland proposes the idea that the trapeze might owe its origin to Colonel Amoros, but ultimately deems the question o ...
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Acrobatic
Acrobatics () is the performance of human feats of balance (ability), balance, agility, and motor coordination. Acrobatic skills are used in performing arts, sports, sporting events, and martial arts. Extensive use of acrobatic skills are most often performed in acro dance, circus, and gymnastics, and to a lesser extent in other athletic activities including ballet, slacklining and Diving (sport), diving. Although acrobatics is most commonly associated with human body performance, the term is used to describe other types of performance, such as aerobatics. History Acrobatic traditions are found in many cultures, and there is evidence that the earliest such traditions occurred thousands of years ago. For example, Minoan civilization, Minoan art from c. 2000 BC contains depictions of bull-leaping, acrobatic feats on the backs of bulls. Ancient Greeks practiced acrobatics, and the noble court displays of the European Middle Ages would often include acrobatic performances that ...
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Juggling
Juggling is a physical skill, performed by a juggler, involving the manipulation of objects for recreation, entertainment, art or sport. The most recognizable form of juggling is toss juggling. Juggling can be the manipulation of one object or many objects at the same time, most often using one or two hands but also possible with feet. Jugglers often refer to the objects they juggle as ''props''. The most common props are balls, clubs, or rings. Some jugglers use more dramatic objects such as knives, fire torches or chainsaws. The term ''juggling'' can also commonly refer to other prop-based manipulation skills, such as diabolo, plate spinning, devil sticks, poi, cigar boxes, contact juggling, hooping, yo-yo, and hat manipulation. Etymology The words ''juggling'' and ''juggler'' derive from the Middle English ''jogelen'' ("to entertain by performing tricks"), which in turn is from the Old French '' jangler''. There is also the Late Latin form ''joculare'' of Latin ''jocu ...
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Rola Bola
A balance board is a device used as a circus skill, for recreation, balance training, athletic training, brain development, therapy, musical training and other kinds of personal development. It is a lever similar to a see-saw that the user usually stands on, usually with the left and right foot at opposite ends of the board. The user's body must stay balanced enough to keep the board's edges from touching the ground and to keep from falling off the board. A different challenge is presented by each of the five basic types of balance boards and their subtypes. Some of them can be attempted successfully by three-year-olds and elderly people, and some, because of their steepness and speed, are difficult and dangerous for professional athletes. In their design, what differentiates the five types (and their subtypes) is how unstable each of them is, i.e., in how many and in which of the three dimensions of space each board turns and/or sways and how freely its fulcrum contacts ...
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