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Skolion
A skolion (from grc, σκόλιον) (pl. skolia), also scolion (pl. scolia), was a song sung by invited guests at banquets in ancient Greece. Often extolling the virtues of the gods or heroic men, skolia were improvised to suit the occasion and accompanied by a lyre, which was handed about from singer to singer as the time for each scolion came around. "Capping" verses were exchanged, "by varying, punning, riddling, or cleverly modifying" the previous contribution. Etymology Although Greek folk etymology connects skolion with δύσκολος 'difficult', the likeliest connection is with σκέλος 'bent limb, part' as joined verse or repartee. This use is comparable to Japanese renga 'linked verse'. Background Skolia are often referred to as 'banquet songs', 'convivial songs", or 'drinking songs'. The term also refers to poetry composed in the same form. In later use, the form was used in a more stately manner for chorus poetry in praise of the gods or heroes. Terpand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skolia
A skolion (from grc, σκόλιον) (pl. skolia), also scolion (pl. scolia), was a song sung by invited guests at banquets in ancient Greece. Often extolling the virtues of the gods or heroic men, skolia were improvised to suit the occasion and accompanied by a lyre, which was handed about from singer to singer as the time for each scolion came around. "Capping" verses were exchanged, "by varying, punning, riddling, or cleverly modifying" the previous contribution. Etymology Although Greek folk etymology connects skolion with δύσκολος 'difficult', the likeliest connection is with σκέλος 'bent limb, part' as joined verse or repartee. This use is comparable to Japanese renga 'linked verse'. Background Skolia are often referred to as 'banquet songs', 'convivial songs", or 'drinking songs'. The term also refers to poetry composed in the same form. In later use, the form was used in a more stately manner for chorus poetry in praise of the gods or heroes. Terpande ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seikilos Epitaph
The Seikilos epitaph is the oldest surviving complete musical composition, including musical notation, from anywhere in the world. The epitaph has been variously dated, but seems to be either from the 1st or the 2nd century CE. The song, the melody of which is recorded, alongside its lyrics, in the ancient Greek musical notation, was found engraved on a tombstone (a stele) from the Hellenistic town of Tralles near present-day Aydın, Turkey, not far from Ephesus. It is a Hellenistic Ionic song in either the Phrygian octave species or Iastian tonos. While older music with notation exists (for example the Hurrian songs), all of it is in fragments; the Seikilos epitaph is unique in that it is a complete, though short, composition. Inscription text and lyrics The following is the Greek text found on the tombstone (in the later polytonic script; the original is in majuscule), along with a transliteration of the words which are sung to the melody, and a somewhat free English tran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard August Reitzenstein
Richard August Reitzenstein (2 April 1861, Breslau – 23 March 1931, Göttingen) was a German classical philologist and scholar of Ancient Greek religion, hermetism and Gnosticism. He is described by Kurt Rudolph as “one of the most stimulating Gnostic scholars.” With Wilhelm Bousset, he was one of the major figures of the ''Religionsgeschichtliche Schule'' (history of religions school). His ''Poimandres: Studien zur Griechisch-Ägyptischen und frühchristlichen Literatur'' of 1904 was a pioneer scholarly study of the ''Poimandres'', which he compared to the ''Shepherd of Hermas''. In collaboration with the German Egyptologist Wilhelm Spiegelberg, Richard August Reitzenstein founded a famous collection of Greek and Egyptian papyri, purchased during an expedition in Egypt in 1898/99.Fr. COLIN, ''Comment la création d’une ‘bibliothèque de papyrus’ à Strasbourg compensa la perte des manuscrits précieux brûlés dans le siège de 1870'', La revue de la BNU, 2, 2010, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symposium Scene Nicias Painter MAN
In ancient Greece, the symposium ( grc-gre, συμπόσιον ''symposion'' or ''symposio'', from συμπίνειν ''sympinein'', "to drink together") was a part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation.Peter Garnsey, ''Food and Society in Classical Antiquity'' (Cambridge University Press, 1999), p. 13online Sara Elise Phang, ''Roman Military Service: Ideologies of Discipline in the Late Republic and Early Principate'' (Cambridge University Press, 2008), pp. 263–264. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's ''Symposium'' and Xenophon's ''Symposium'', as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes. In modern usage, it has come to mean an academic conference or meeting such as a scientific conference. The equivalent of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Chorus
A Greek chorus, or simply chorus ( grc-gre, χορός, chorós), in the context of ancient Greek tragedy, comedy, satyr plays, and modern works inspired by them, is a homogeneous, non-individualised group of performers, who comment with a collective voice on the dramatic action. The chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison, and sometimes wore masks. Etymology Historian H. D. F. Kitto argues that the term ''chorus'' gives us hints about its function in the plays of ancient Greece: "The Greek verb ''choreuo'', 'I am a member of the chorus', has the sense 'I am dancing'. The word ''ode'' means not something recited or declaimed, but 'a song'. The 'orchestra', in which a chorus had its being, is literally a 'dancing floor'." From this, it can be inferred that the chorus danced and sang poetry. Dramatic function Plays of the ancient Greek theatre always included a chorus that offered a variety of background and summary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terpander
Terpander ( grc-gre, Τέρπανδρος ''Terpandros''), of Antissa in Lesbos, was a Greek poet and citharede who lived about the first half of the 7th century BC. He was the father of Greek music and through it, of lyric poetry, although his own poetical compositions were few and in extremely simple rhythms. He simplified rules of the modes of singing of other neighboring countries and islands and formed, out of these syncopated variants, a conceptual system. Though endowed with an inventive mind, and the commencer of a new era of music, he attempted no more than to systematize the musical styles that existed in the music of Greece and Anatolia. Terpander is perhaps the earliest historically certain figure in the music of Ancient Greece. Biography About the time of the Second Messenian War, he settled in Sparta, to where, according to some accounts, he had been summoned by command of the Delphic Oracle to compose the differences that had arisen between different classes in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alcaeus Of Mytilene
Alcaeus of Mytilene (; grc, Ἀλκαῖος ὁ Μυτιληναῖος, ''Alkaios ho Mutilēnaios''; – BC) was a lyric poet from the Greek island of Lesbos who is credited with inventing the Alcaic stanza. He was included in the canonical list of nine lyric poets by the scholars of Hellenistic Alexandria. He was a contemporary of Sappho, with whom he may have exchanged poems. He was born into the aristocratic governing class of Mytilene, the main city of Lesbos, where he was involved in political disputes and feuds. Biography The broad outlines of the poet's life are well known. He was born into the aristocratic, warrior class that dominated Mytilene, the strongest city-state on the island of Lesbos and, by the end of the seventh century BC, the most influential of all the North Aegean Greek cities, with a strong navy and colonies securing its trade-routes in the Hellespont. The city had long been ruled by kings born to the Penthilid clan but, during the poet's life, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anacreon
Anacreon (; grc-gre, Ἀνακρέων ὁ Τήϊος; BC) was a Greek lyric poet, notable for his drinking songs and erotic poems. Later Greeks included him in the canonical list of Nine Lyric Poets. Anacreon wrote all of his poetry in the ancient Ionic dialect. Like all early lyric poetry, it was composed to be sung or recited to the accompaniment of music, usually the lyre. Anacreon's poetry touched on universal themes of love, infatuation, disappointment, revelry, parties, festivals and the observations of everyday people and life. Life Anacreon was born around 582 BC at Teos, an Ionian city on the coast of Asia Minor. The name and identity of his father is a matter of dispute, with different authorities naming four possibilities: Scythianus, Eumelus, Parthenius, or Aristocritus. It is likely that Anacreon fled into exile with most of his fellow-townsmen who sailed to Thrace when their homeland was attacked by the Persians. There they founded a colony at Abdera, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Praxilla
Praxilla of Sicyon ( grc-gre, Πράξιλλα), was a Greek lyric poet of the 5th century BC, from Sicyon on the Gulf of Corinth. Eusebius dates her ''floruit'' to 451/450 BC (the second year of the 82nd Olympiad). Little of Praxilla's work survives – five fragments in her own words, and three paraphrases by other authors.Plant, I.M. ''Women Writers of Ancient Greece and Rome''. Oklahoma: University of Oklahoma Press, 2004 pp 38-39. These vary in style: three are skolia (drinking songs) one is a hymn to Adonis, and one is a dithyramb. One of the skolia is in a metre named the Praxilleion after her. The three works known only in paraphrase are all versions of myths. In the second century AD, Athenaeus reports that Praxilla was particularly known for her skolia. Praxilla was well regarded in antiquity. Antipater of Thessalonica lists her first among his canon of nine "immortal-tongued" women poets, and the sculptor Lysippus (also from Sicyon) sculpted her in bronze. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greece
Ancient Greece ( el, Ἑλλάς, Hellás) was a northeastern Mediterranean Sea, Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of Classical Antiquity, classical antiquity ( AD 600), that comprised a loose collection of culturally and linguistically related polis, city-states and other territories. Most of these regions were officially unified only once, for 13 years, under Alexander the Great's Macedonian empire, empire from 336 to 323 BC (though this excludes a number of Greek city-states free from Alexander's jurisdiction in the western Mediterranean, around the Black Sea, Cyprus, and Cyrenaica). In Western history, the era of classical antiquity was immediately followed by the Early Middle Ages and the Byzantine period. Roughly three centuries after the Late Bronze Age collapse of Mycenaean Greece, Greek urban poleis began to form in the 8th century BC, ushering in the Archaic Greece, Archaic period and Greek colonis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sappho
Sappho (; el, Σαπφώ ''Sapphō'' ; Aeolic Greek ''Psápphō''; c. 630 – c. 570 BC) was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos. Sappho is known for her Greek lyric, lyric poetry, written to be sung while accompanied by music. In ancient times, Sappho was widely regarded as one of the greatest lyric poets and was given names such as the "Tenth Muse" and "The Poetess". Most of Poetry of Sappho, Sappho's poetry is now lost, and what is extant has mostly survived in fragmentary form; only the "Ode to Aphrodite" is certainly complete. As well as lyric poetry, ancient commentators claimed that Sappho wrote elegiac and iambic poetry. Three epigrams attributed to Sappho are extant, but these are actually Hellenistic imitations of Sappho's style. Little is known of Sappho's life. She was from a wealthy family from Lesbos, though her parents' names are uncertain. Ancient sources say that she had three brothers; Charaxos (Χάραξος), Larichos ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pindar
Pindar (; grc-gre, Πίνδαρος , ; la, Pindarus; ) was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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