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Site-specific Performance
Site-specific performance is performance created in relation to a physical site and staged at the site itself (as opposed to a Parts of a theatre, theatre space). It often involves research of the site prior to the performance. It is often discussed in relation to both Site-specific theatre, theatre and Site-specific art, visual art traditions. Nick Kaye was one of the first scholars to consider site-specific performance from both theatrical and visual art perspectives in his book, ''Site-Specific Art: Performance, Place and Documentation''. References {{art-stub Theatre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parts Of A Theatre
There are different types of theatres, but they all have three major parts in common. Theatres are divided into two main sections, the house and the stage; there is also a backstage area in many theatres. The house is the seating area for guests watching a performance and the stage is where the actual performance is given. The backstage area is usually restricted to people who are producing or in the performance. Types of theatres * Arena: A large open door with seating capacity for very large groups. Seating layouts are typically similar to the theatre in the round, or proscenium (though the stage will not have a proscenium arch. In almost all cases the playing space is made of temporary staging (Theatre platform, risers) and is elevated a few feet higher than the first rows of audience. * Black box theatre: An unadorned space with no defined playing area. Often the seating is not fixed allowing the room to be re-configured for the demands of a specific production. Typically the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Site-specific Theatre
Site-specific theatre is a theatrical production that is performed at a unique, specially adapted location other than a standard theatre. This unique site may have been built without any intention of serving theatrical purposes (for example, a hotel, courtyard, or converted building). It may also simply be an unconventional space for theatre (for example, a forest). Site-specific theatre seeks to use the properties of a unique site's landscape, rather than a typical theatre stage, to add depth to a theatrical production. Sites are selected based on their ability to amplify storytelling and form a more vivid backdrop for the actors in a theatrical production. A performance in a traditional theatre venue that has been transformed to resemble a specific space (for example, a junkyard), can also be considered as site-specific, as long as it no longer has the functionality (i.e. seats, stages) that a traditional theatre would have. Site-specific theatre is commonly more interactive than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Site-specific Art
Site-specific art is artwork created to exist in a certain place. Typically, the artist takes the location into account while planning and creating the artwork. Site-specific art is produced both by commercial artists, and independently, and can include some instances of work such as sculpture, stencil graffiti, rock balancing, and other art forms. Installations can be in urban areas, remote natural settings, or underwater. History The term "site-specific art" was promoted and refined by Californian artist Robert Irwin but it was actually first used in the mid-1970s by young sculptors, such as Patricia Johanson, Dennis Oppenheim, and Athena Tacha, who had started executing public commissions for large urban sites. For ''Two Jumps for Dead Dog Creek'' (1970), Oppenheim attempted a series of standing jumps at a selected site in Idaho, where "the width of the creek became a specific goal to which I geared a bodily activity," with his two successful jumps being "dictated by a land f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
