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Sinfonia Concertante
Sinfonia concertante (; also called ''symphonie concertante'') is an orchestral work, normally in several movements, in which one or more solo instruments contrast with the full orchestra.Collins: ''Encyclopedia of Music'', William Collins Sons & Company Ltd., 1976 504. o. It emerged as a musical form during the Classical period of Western music from the Baroque concerto grosso. Sinfonia concertante encompasses the symphony and the concerto genres, a concerto in that soloists are on prominent display, and a symphony in that the soloists are nonetheless discernibly a part of the total ensemble and not preeminent. Sinfonia concertante is the ancestor of the double and triple concerti of the Romantic period corresponding approximately to the 19th century. Classical Era In the Baroque period, the differences between a concerto and a '' sinfonia'' (also "symphony") were initially not all that clear. The word ''sinfonia'' would, for example, be used as the name for an overture to ...
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Sinfonia Concertante (Haydn)
The Sinfonia Concertante in B flat major (Hob. I/105), by Joseph Haydn was composed in London between February and March 1792. The work is a sinfonia concertante with four instruments in the solo group: violin, cello, oboe and bassoon. It is believed to be a response to similar works composed by Ignaz Pleyel, a former student of Haydn's who London newspapers were promoting as a 'rival' to Haydn. In addition to the solo group the Sinfonia Concertante is scored for flute, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. Background The composition was written during the first of the composer's two visits to London. It is believed that Johann Peter Salomon asked Haydn to compose the work because of the success of similar works written by Pleyel and performed in a rival concert series. Manuscript evidence indicates that the work was written in some haste and Haydn is known to have complained of eyestrain while working on it. The first performance was given on 9 ...
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Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The Classical period falls between the Baroque and the Romantic periods. Classical music has a lighter, clearer texture than Baroque music, but a more sophisticated use of form. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of '' style galant'' which emphasized light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the main keyboard instrument by the piano (or fortepiano). Unlike the harpsichord, which plucks ...
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Joseph Haydn
Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String Quartet". Haydn spent much of his career as a court musician for the wealthy Esterházy family at their Eszterháza Castle. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe. He was a friend and mentor of Mozart, a tutor of Beethoven, and the elder brother of composer Michael Haydn. Biography Early life Joseph Haydn was born in Rohrau, Austria, a village that at that time stood on the border with Hungary. His father was Mathias Haydn, a wheelwright who also ...
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Concerto For Two Pianos And Orchestra In E Major (Mendelssohn)
The Concerto for Two Pianos and Orchestra in E major was written in the late summer and early fall of 1823 by the young Felix Mendelssohn when he was 14 years old. It was first performed in December 1823 with Felix and his sister Fanny Mendelssohn as the two soloists. Regarded as immature by the composer, the work remained unpublished during his lifetime, though he substantially revised it, perhaps a decade after the première, in which form the ''Leipziger Ausgabe der Werke Felix Mendelssohn Bartholdy'' published it in 1961. Structure There are three movements: References * Lindeman, Stephan D. (editor), "Felix Mendelssohn: Concerto for Two Pianos and Orchestra", A-R Editions, Madison, 1999 External links * Pianos two 1823 compositions Mendelssohn Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelsso ...
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Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for ''A Midsummer Night's Dream'' (which includes his " Wedding March"), the '' Italian Symphony'', the '' Scottish Symphony'', the oratorio '' St. Paul'', the oratorio '' Elijah'', the overture ''The Hebrides'', the mature Violin Concerto and the String Octet. The melody for the Christmas carol " Hark! The Herald Angels Sing" is also his. Mendelssohn's ''Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Chris ...
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Triple Concerto (Beethoven)
Ludwig van Beethoven's Concerto for Violin, Cello, and Piano in C major, Op. 56, commonly known as the ''Triple Concerto'', was composed in 1803 and published in 1804 by Breitkopf & Härtel. The choice of the three solo instruments effectively makes this a concerto for piano trio, and it is the only concerto Beethoven ever completed for more than one solo instrument. A typical performance takes approximately thirty-seven minutes. History Beethoven's early biographer Anton Schindler claimed that the ''Triple Concerto'' was written for Beethoven's royal pupil, the Archduke Rudolf of Austria.Steinberg, Michael (1996), ''The Concerto: A Listener's Guide'', Oxford University Press, p. 76. The Archduke, who became an accomplished pianist and composer under Beethoven's tutelage, was only in his mid-teens at this time, and it seems plausible that Beethoven's strategy was to create a showy but relatively easy piano part that would be backed up by two more mature and skilled soloists. Ho ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively t ...
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Viola
; german: Bratsche , alt=Viola shown from the front and the side , image=Bratsche.jpg , caption= , background=string , hornbostel_sachs=321.322-71 , hornbostel_sachs_desc=Composite chordophone sounded by a bow , range= , related= *Violin family (violin, cello, double bass) * List of violists , articles= , sound sample = The viola ( , also , ) is a string instrument that is bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian wor ...
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Harold En Italie
''Harold en Italie,'' ''symphonie avec un alto principal'' (English: ''Harold in Italy,'' ''symphony with viola obbligato''), as the manuscript calls and describes it, is a four-movement orchestral work by Hector Berlioz, his Opus number, Opus 16, H. 68, written in 1834. Throughout, the unusual viola part represents the titular protagonist, without casting the form as a concerto. The movements have these titles, alluding to a programme: *1. ''Harold in the mountains'' *2. ''March of the pilgrims'' *3. ''Serenade of an Abruzzo mountaineer'' *4. ''Orgy of bandits'' Creation The Italian composer Niccolò Paganini encouraged Hector Berlioz to write '. The two first met after a concert of Berlioz's works conducted by Narcisse Girard on 22 December 1833, three years after the premiere of Berlioz's ''Symphonie fantastique''. According to Berlioz' ''Mémoires (Berlioz), Memoires'', Paganini had acquired a "superb viola", a Stradivarius (the so-called "Paganini-Mendelssohn" ) — "But I ...
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Hector Berlioz
In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He was ultimately killed in single combat by Achilles, who later dragged his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * grc, ἕχειν, hékhein, label=none ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. Description Hector was described by the chronicler Malalas in his account of the ''Chronography'' as "dark-skinned, tall, very stoutly built, strong, good nose, wooly-haired, good beard, s ...
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Antoine-Frédéric Gresnick
Antoine-Frédéric Gresnick (2 March 1755 – 16 October 1799) was a Belgian classical composer. He was born in Liège. He studied music in Naples. By 1780 Gresnick was working in Lyons and, after visiting Berlin and London, he moved in 1794 to Paris where he died in 1799. He is chiefly remembered for writing ''opera buffa ''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramm ...,'' of which he wrote at least twenty-three. Famous works *''Alceste'', a 1786 opera *''L'amour de Cythère exilé'', a 1793 opera External links * 1755 births 1799 deaths Classical-period composers Male opera composers Prince-Bishopric of Liège musicians 18th-century classical composers 18th-century male musicians 18th-century musicians {{Europe-composer-stub ...
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François-Joseph Gossec
François-Joseph Gossec (17 January 1734 – 16 February 1829) was a French composer of operas, string quartets, symphonies, and choral works. Life and work The son of a small farmer, Gossec was born at the village of Vergnies, then a French exclave in the Austrian Netherlands, now an '' ancienne commune'' in the municipality of Froidchapelle, Belgium. Showing an early taste for music, he became a choir-boy in Antwerp. He went to Paris in 1751 and was taken on by the composer Jean-Philippe Rameau. He followed Rameau as the conductor of a private orchestra kept by the '' fermier général'' Le Riche de La Poupelinière, a wealthy amateur and patron of music. Gradually he became determined to do something to revive the study of instrumental music in France. Gossec's own first symphony was performed in 1754, and as conductor to the Prince de Condé's orchestra he produced several operas and other compositions of his own. He imposed his influence on French music with remarkable su ...
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