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Shōjō
A is the Japanese reading of Chinese ''xing-xing'' () or its older form ''sheng sheng'' (, translated as "live-lively"), which is a mythical primate, though it has been tentatively identified with an orangutan species. Some Western commentators have regarded the ''shōjō'' sea spirit with a red face and hair and a fondness for alcohol as part of native Japanese folklore. However, ''shōjō'' as sea-dwelling spirit was a fictional setting in the Noh play ''Shōjō'', a possible embellishment of the ''Shan Hai Jing'' stating this orangutan could be found on a particular seaside mountain. And liquor-drinking was always associated with this beast in China since antiquity. Nomenclature The Chinese characters are also a Japanese (and Chinese) word for orangutan, and can also be used in Japanese to refer to someone who is particularly fond of alcohol. A Noh mask called the ''shōjō'' exists (cf. §Noh); also, in Kabuki, a type of stage makeup (''kumadori'') is called the ''shō ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shōjō
A is the Japanese reading of Chinese ''xing-xing'' () or its older form ''sheng sheng'' (, translated as "live-lively"), which is a mythical primate, though it has been tentatively identified with an orangutan species. Some Western commentators have regarded the ''shōjō'' sea spirit with a red face and hair and a fondness for alcohol as part of native Japanese folklore. However, ''shōjō'' as sea-dwelling spirit was a fictional setting in the Noh play ''Shōjō'', a possible embellishment of the ''Shan Hai Jing'' stating this orangutan could be found on a particular seaside mountain. And liquor-drinking was always associated with this beast in China since antiquity. Nomenclature The Chinese characters are also a Japanese (and Chinese) word for orangutan, and can also be used in Japanese to refer to someone who is particularly fond of alcohol. A Noh mask called the ''shōjō'' exists (cf. §Noh); also, in Kabuki, a type of stage makeup (''kumadori'') is called the ''shō ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noh Mask
is a major form of classical Japanese dance-drama that has been performed since the 14th century. Developed by Kan'ami and his son Zeami, it is the oldest major theatre art that is still regularly performed today. Although the terms Noh and '' nōgaku'' are sometimes used interchangeably, ''nōgaku'' encompasses both Noh and ''kyōgen''. Traditionally, a full ''nōgaku'' program included several Noh plays with comedic ''kyōgen'' plays in between; an abbreviated program of two Noh plays with one ''kyōgen'' piece has become common today. Optionally, the ritual performance ''Okina'' may be presented in the very beginning of ''nōgaku'' presentation. Noh is often based on tales from traditional literature with a supernatural being transformed into human form as a hero narrating a story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gohei
, , or are wooden wands, decorated with two (zigzagging paper streamers) used in Shinto rituals. The streamers are usually white, although they can also be gold, silver, or a mixture of several colors, and are often attached as decorations to straw ropes () used to mark sacred precincts. The shrine priest or attendants () use the to bless or sanctify a person or object in various Shinto rituals. The is used for some ceremonies, but its usual purpose is to cleanse a sacred place in temples and to cleanse, bless, or exorcise any object that is thought to have negative energy. In addition to its use in purification rituals, it may be included in an (wooden wand with many ), and serve as the object of veneration () in a Shinto shrine. See also * Flail * Glossary of Shinto for an explanation of terms concerning Japanese Shinto, Shinto art, and Shinto shrine architecture. * , wooden wands used in Ainu rituals * * Ruyi (scepter) Ruyi () is a Chinese curved decorative obj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daruma Doll
A is a hollow, round, Japanese traditional doll modeled after Bodhidharma, the founder of the Zen tradition of Buddhism. These dolls, though typically red and depicting a bearded man (Bodhidharma), vary greatly in color and design depending on region and artist. Though considered a toy by some, Daruma has a design that is rich in symbolism and is regarded more as a talisman of good luck to the Japanese. Daruma dolls are seen as a symbol of perseverance and good luck, making them a popular gift of encouragement. The doll has also been commercialized by many Buddhist temples to use alongside the setting of goals. Use When purchased, the figure's eyes are both blank white. The owner selects a goal or wish and paints in the left eye of the figure's two eyes with Chinese or Japanese ink. Once the goal is achieved, the right eye is filled in. Bodhidharma Bodhidharma was a Buddhist monk who lived during the 5th/6th century CE. He is traditionally credited as the transmitter of Ch' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jo-ha-kyū
is a concept of modulation and movement applied in a wide variety of traditional Japanese arts. Roughly translated to "beginning, break, rapid", it essentially means that all actions or efforts should begin slowly, speed up, and then end swiftly. This concept is applied to elements of the Japanese tea ceremony, to the samurai sword art of kenjutsu, to the bamboo sword training art of kendō, and to other martial arts, to dramatic structure in the traditional theatre, and to the traditional collaborative linked verse forms renga and renku (haikai no renga). The concept originated in ''gagaku'' court music, specifically in the ways in which elements of the music could be distinguished and described. Though eventually incorporated into a number of disciplines, it was most famously adapted, and thoroughly analysed and discussed by the great Noh playwright Zeami, who viewed it as a universal concept applying to the patterns of movement of all things. Theatre It is perhaps in the the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staging (theatre, Film, Television)
Staging is the process of selecting, designing, adapting to, or modifying the performance space for a play or film. This includes the use or absence of stagecraft elements as well as the structure of the stage and its components. Staging is also used to mean the result of this process, in other words the spectacle that a play presents in performance, its visual detail. This can include such things as positions of actors on stage (often referred to as blocking), their gestures and movements (also called stage business), the scenic background, the props and costumes, lighting, and sound effects. Besides costume, any physical object that appears in a play has the potential to become an important dramatic symbol. The first thing that the audience of a play sees is the stage set, the physical objects that suggest the world of the play. The stage set is usually indicated by the playwright, but the degree of detail and specificity of this rendering vary from one playwright to another and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choreography
Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which Motion (physics), motion or Visual appearance, form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance. The art of choreograph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sake
Sake, also spelled saké ( ; also referred to as Japanese rice wine), is an alcoholic beverage of Japanese origin made by fermenting rice that has been polished to remove the bran. Despite the name ''Japanese rice wine'', sake, and indeed any East Asian rice wine (such as huangjiu and cheongju), is produced by a brewing process more akin to that of beer, where starch is converted into sugars which ferment into alcohol, whereas in wine, alcohol is produced by fermenting sugar that is naturally present in fruit, typically grapes. The brewing process for sake differs from the process for beer, where the conversion from starch to sugar and then from sugar to alcohol occurs in two distinct steps. Like other rice wines, when sake is brewed, these conversions occur simultaneously. The alcohol content differs between sake, wine, and beer; while most beer contains 3–9% ABV, wine generally contains 9–16% ABV, and undiluted sake contains 18–20% ABV (although this is often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Battles Of Coxinga
is a puppet play by Chikamatsu Monzaemon. It was his most popular play. First staged on November 26, 1715, in Osaka, it ran for the next 17 months, far longer than the usual few weeks or months. Its enduring popularity can largely be attributed to its effectiveness as entertainment. Its many scenes over more than seven years follow the adventures of Coxinga (based on the adventures of the historical figure Koxinga; as the play is loosely based on history, it is a ''jidaimono'' play, not a domestic play) in restoring the rightful dynasty of China. It features effects uniquely suited for the puppet theater, such as the villain Ri Tōten gouging out an eye (ostensibly to prove his loyalty). Donald Keene suggests that the adventures in exotic China played well in isolationist Tokugawa Japan. While generally not considered as great in literary quality as some of Chikamatsu's domestic tragedies like ''The Love Suicides at Amijima'', it is generally agreed to be his best historical play. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chikamatsu Monzaemon
was a Japanese dramatist of jōruri, the form of puppet theater that later came to be known as bunraku, and the live-actor drama, kabuki. The ''Encyclopædia Britannica'' has written that he is "widely regarded as the greatest Japanese dramatist". His most famous plays deal with double-suicides of honor bound lovers. Of his puppet plays, around 70 are ''jidaimono'' (時代物) (historical romances) and 24 are ''sewamono'' (世話物) (domestic tragedies). The domestic plays are today considered the core of his artistic achievement, particularly works such as ''The Courier for Hell'' (1711) and ''The Love Suicides at Amijima'' (1721). His histories are viewed less positively, though ''The Battles of Coxinga'' (1715) remains praised. Biography Chikamatsu was born Sugimori Nobumori. to a samurai family. There is disagreement about his birthplace. The most popular theory. suggests he was born in Echizen Province, but there are other plausible locations, including Hagi, Nagato Provi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jiangxi
Jiangxi (; ; formerly romanized as Kiangsi or Chianghsi) is a landlocked province in the east of the People's Republic of China. Its major cities include Nanchang and Jiujiang. Spanning from the banks of the Yangtze river in the north into hillier areas in the south and east, it shares a border with Anhui to the north, Zhejiang to the northeast, Fujian to the east, Guangdong to the south, Hunan to the west, and Hubei to the northwest. The name "Jiangxi" is derived from the circuit administrated under the Tang dynasty in 733, Jiangnanxidao (; Gan: Kongnomsitau). The abbreviation for Jiangxi is "" (; Gan: Gōm), for the Gan River which runs across from the south to the north and flows into the Yangtze River. Jiangxi is also alternately called ''Ganpo Dadi'' () which literally means the "Great Land of Gan and Po". After the fall of the Qing dynasty, Jiangxi became one of the earliest bases for the Communists and many peasants were recruited to join the growing people's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
