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Setsuwa
Setsuwa (, ja, 説話, setsu wa) is an East Asian literary genre. It consists of myths, legends, folktales, and anecdotes. ''Setsuwa'' means "spoken story". As one of the vaguest forms of literature, setsuwa is believed to have been passed down or presented in the form of narrations. Setsuwa are based foremost on oral tradition and existed primarily as folktales or in other non-written forms before being recorded and committed to text. However, some writers question whether all setsuwa tales were originally oral tradition, or only mostly so. Although there are no formal rules regarding what constitutes setsuwa as a genre, stories in the setsuwa style "have in common brevity; an uncomplicated plot unfolded in plain, direct language; character delineation through dialogue and action rather than through description and psychological analysis; and a predilection for amusing, startling, dramatic, or marvelous subject matter." Setsuwa vary quite considerably in topic, but can be divid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Setsuwa
Setsuwa (, ja, 説話, setsu wa) is an East Asian literary genre. It consists of myths, legends, folktales, and anecdotes. ''Setsuwa'' means "spoken story". As one of the vaguest forms of literature, setsuwa is believed to have been passed down or presented in the form of narrations. Setsuwa are based foremost on oral tradition and existed primarily as folktales or in other non-written forms before being recorded and committed to text. However, some writers question whether all setsuwa tales were originally oral tradition, or only mostly so. Although there are no formal rules regarding what constitutes setsuwa as a genre, stories in the setsuwa style "have in common brevity; an uncomplicated plot unfolded in plain, direct language; character delineation through dialogue and action rather than through description and psychological analysis; and a predilection for amusing, startling, dramatic, or marvelous subject matter." Setsuwa vary quite considerably in topic, but can be divid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nihon Ryōiki
The is an early Heian period setsuwa collection. Written by Kyōkai between 787 and 824, it is Japan's oldest collection of Buddhist setsuwa. It is three volumes in length. Title Commonly abbreviated as ''Nihon Ryōiki'', which means "Record of Miraculous Events in Japan," the full title is . It may also be read as ''Nihon Reiiki''. The book has been translation, translated into English under the title ''Miraculous Stories from the Japanese Buddhist Tradition'', but this does not represent a literal translation of the Japanese title. Contents The work is composed of three parts contained within three volumes. Each volume begins with a preface, and the final volume contains an epilogue. There are a total of 116 tales all dealing with Buddhist elements. There are also a total of nine poems. Manuscripts There are five existing manuscripts, two of which are designated National Treasures: * Kōfuku-ji, 904 (List of National Treasures of Japan (writings: Japanese books), National Tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konjaku Monogatarishū
, also known as the , is a Japanese collection of over one thousand tales written during the late Heian period (794–1185). The entire collection was originally contained in 31 volumes, of which 28 remain today. The volumes cover various tales from India, China and Japan. Detailed evidence of lost ''monogatari'' exist in the form of literary critique, which can be studied to reconstruct the objects of their critique to some extent. Title Each tale in the ''Konjaku Monogatarishū'' starts with the phrase (lit. now long ago), which in its Japanese reading is pronounced ''ima wa mukashi''. The Sino-Japanese reading of this phrase is ''konjaku'', and it is from the Chinese-style reading that the collection is named. The ''Konjaku Monogatarishū'' is commonly known by the shorter name "''Konjaku Monogatari''". Since it is an anthology rather than a single tale, however, the longer title is more accurate. Structure The ''Konjaku Monogatarishū'' is divided according to the region of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keisei (monk)
Keisei (1189–1268) was a Japanese Buddhist priest of the Tendai sect. He was a son of the regent Kujō Yoshitsune of the Fujiwara clan. His spine was permanently injured in infancy when he was dropped by his wet nurse, which probably influenced his decision to become a priest. He studied under the monk Myōe and then established a hermitage west of Kyōto. In 1217, he travelled to China, where he stayed about a year before returning to Japan. In China, he commissioned a ''nanban'' ("southern barbarian", i.e., a Persian) to write an inscription in Persian for Myōe.Donald Keene, ''Seeds in the Heart: Japanese Literature from Earliest Times to the Late Sixteenth Century'' (Columbia University Press, 1999), pp. 768–770. In 1222, Keisei composed a collection of ''setsuwa'' entitled ''Kankyo no Tomo'' (Companion of a Quiet Life, or Companion in Solitude).Rajyashree Pandey, "Women, Sexuality, and Enlightenment: ''Kankyo no Tomo''", ''Monumenta Nipponica'' 50.3 (1995), pp. 325–356. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Literature
Japanese literature throughout most of its history has been influenced by cultural contact with neighboring Asian literatures, most notably China and its literature. Early texts were often written in pure Classical Chinese or , a Chinese-Japanese creole language. Indian literature also had an influence through the spread of Buddhism in Japan. During the Heian period, Japan's original culture () developed and literature also established its own style, with the significant usage and development of to write Japanese literature. Following the Perry Expedition which led to the end of the policy and the forced reopening of foreign trade, Western literature has also made influences to the development of modern Japanese writers, while Japanese literature has in turn become more recognized internationally, leading to two Japanese Nobel laureates in literature, namely Yasunari Kawabata and Kenzaburō Ōe. History Nara-period literature (before 794) Before the introduction of kanji f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Myth
Myth is a folklore genre consisting of Narrative, narratives that play a fundamental role in a society, such as foundational tales or Origin myth, origin myths. Since "myth" is widely used to imply that a story is not Objectivity (philosophy), objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are close ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legend
A legend is a Folklore genre, genre of folklore that consists of a narrative featuring human actions, believed or perceived, both by teller and listeners, to have taken place in human history. Narratives in this genre may demonstrate human values, and possess certain qualities that give the tale verisimilitude (literature), verisimilitude. Legend, for its active and passive participants may include miracles. Legends may be transformed over time to keep them fresh and vital. Many legends operate within the realm of uncertainty, never being entirely believed by the participants, but also never being resolutely doubted. Legends are sometimes distinguished from myths in that they concern human beings as the main characters rather than gods, and sometimes in that they have some sort of historical basis whereas myths generally do not. The Brothers Grimm defined ''legend'' as "Folklore, folktale historically grounded". A by-product of the "concern with human beings" is the long list o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folklore
Folklore is shared by a particular group of people; it encompasses the traditions common to that culture, subculture or group. This includes oral traditions such as tales, legends, proverbs and jokes. They include material culture, ranging from traditional building styles common to the group. Folklore also includes customary lore, taking actions for folk beliefs, the forms and rituals of celebrations such as Christmas and weddings, folk dances and initiation rites. Each one of these, either singly or in combination, is considered a folklore artifact or traditional cultural expression. Just as essential as the form, folklore also encompasses the transmission of these artifacts from one region to another or from one generation to the next. Folklore is not something one can typically gain in a formal school curriculum or study in the fine arts. Instead, these traditions are passed along informally from one individual to another either through verbal instruction or demonstr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anecdote
An anecdote is "a story with a point", such as to communicate an abstract idea about a person, place, or thing through the concrete details of a short narrative or to characterize by delineating a specific quirk or trait. Occasionally humorous, anecdotes differ from jokes because their primary purpose is not simply to provoke laughter but to reveal a truth more general than the brief tale itself. Anecdotes may be real or fictional; the anecdotal digression is a common feature of literary works and even oral anecdotes typically involve subtle exaggeration and dramatic shape designed to entertain the listener. An anecdote is always presented as the recounting of a real incident involving actual people and usually in an identifiable place. In the words of Jürgen Hein, they exhibit "a special realism" and "a claimed historical dimension" . Etymology and usage The word ''anecdote'' (in Greek: ἀνέκδοτον "unpublished", literally "not given out") comes from Procopius of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kojiki
The , also sometimes read as or , is an early Japanese chronicle of myths, legends, hymns, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the , and the Japanese imperial line. It is claimed in its preface to have been composed by Ō no Yasumaro at the request of Empress Genmei in the early 8th century (711–712), and thus is usually considered to be the oldest extant literary work in Japan. The myths contained in the as well as the are part of the inspiration behind many practices. Later, they were incorporated into Shinto practices such as the purification ritual. Composition It is believed that the compilation of various genealogical and anecdotal histories of the imperial (Yamato) court and prominent clans began during the reigns of Emperors Keitai and Kinmei in the 6th century, with the first concerted effort at historical compilation of which we have record being the one made in 620 under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tendai
, also known as the Tendai Lotus School (天台法華宗 ''Tendai hokke shū,'' sometimes just "''hokke shū''") is a Mahāyāna Buddhist tradition (with significant esoteric elements) officially established in Japan in 806 by the Japanese monk Saichō ( posthumously known as Dengyō Daishi). The Tendai school, which has been based on Mount Hiei since its inception, rose to prominence during the Heian period (794-1185). It gradually eclipsed the powerful ''Hossō'' school and competed with the rival Shingon school to become the most influential sect at the Imperial court. By the Kamakura period (1185-1333), Tendai had become one of the dominant forms of Japanese Buddhism, with numerous temples and vast landholdings. During the Kamakura period, various monks left Tendai (seeing it as corrupt) to establish their own "new" or "Kamakura" Buddhist schools such as Jōdo-shū, Nichiren-shū and Sōtō Zen. The destruction of the head temple of Enryaku-ji by Oda Nobunaga in 1571, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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