Septimal Diatonic Semitone
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Septimal Diatonic Semitone
In music, a septimal diatonic semitone (or major diatonic semitoneHaluska, Jan (2003). ''The Mathematical Theory of Tone Systems'', p.xxiv & 25. .) is the interval 15:14 . It is about 119.44 cents. The septimal diatonic semitone may be derived from the harmonic series as the interval between the fourteenth and fifteenth harmonics ( B7b and B). The septimal diatonic semitone equals a just diatonic semitone (16:15, or 111.73 cents) plus a septimal kleisma In music, the ratio 225/224 is called the septimal kleisma (). It is a minute comma type interval of approximately 7.7 cents. Factoring it into primes gives 2−5 32 52 7−1, which can be rewritten 2−1 (5/4)2 (9/7). That says t ... (the interval 225:224, or 7.71 cents). See also * Major diatonic semitone (5-limit, 16:15) * Minor diatonic semitone (or septendecimal diatonic semitone, 17:16). References {{music-theory-stub Seconds (music) 7-limit tuning and intervals 0015:0014 ...
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Major Seventh
In music from Western culture, a seventh is a musical interval encompassing seven staff positions (see Interval number for more details), and the major seventh is one of two commonly occurring sevenths. It is qualified as ''major'' because it is the larger of the two. The major seventh spans eleven semitones, its smaller counterpart being the minor seventh, spanning ten semitones. For example, the interval from C to B is a major seventh, as the note B lies eleven semitones above C, and there are seven staff positions from C to B. Diminished and augmented sevenths span the same number of staff positions, but consist of a different number of semitones (nine and twelve). The easiest way to locate and identify the major seventh is from the octave rather than the unison, and it is suggested that one sings the octave first.Keith Wyatt, Carl Schroeder, Joe Elliott (2005). ''Ear Training for the Contemporary Musician'', p.69. . For example, the most commonly cited example of a melod ...
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Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ...
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Cent (music)
The cent is a logarithmic unit of measure used for musical intervals. Twelve-tone equal temperament divides the octave into 12 semitones of 100 cents each. Typically, cents are used to express small intervals, or to compare the sizes of comparable intervals in different tuning systems, and in fact the interval of one cent is too small to be perceived between successive notes. Cents, as described by Alexander John Ellis, follow a tradition of measuring intervals by logarithms that began with Juan Caramuel y Lobkowitz in the 17th century. Ellis chose to base his measures on the hundredth part of a semitone, , at Robert Holford Macdowell Bosanquet's suggestion. He made extensive measurements of musical instruments from around the world, using cents extensively to report and compare the scales employed, and further described and employed the system in his 1875 edition of Hermann von Helmholtz's ''On the Sensations of Tone''. It has become the standard method of representing ...
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Harmonic Series (music)
A harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a ''fundamental frequency''. Pitched musical instruments are often based on an acoustic resonator such as a string or a column of air, which oscillates at numerous modes simultaneously. At the frequencies of each vibrating mode, waves travel in both directions along the string or air column, reinforcing and canceling each other to form standing waves. Interaction with the surrounding air causes audible sound waves, which travel away from the instrument. Because of the typical spacing of the resonances, these frequencies are mostly limited to integer multiples, or harmonics, of the lowest frequency, and such multiples form the harmonic series. The musical pitch of a note is usually perceived as the lowest partial present (the fundamental frequency), which may be the one created by vibration over the full length of the string or air co ...
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Harmonic Seventh
The harmonic seventh interval, also known as the septimal minor seventh, or subminor seventh, is one with an exact 7:4 ratio (about 969 cents). This is somewhat narrower than and is, "particularly sweet", "sweeter in quality" than an "ordinary" just minor seventh, which has an intonation ratio of 9:5 (about 1018 cents). The harmonic seventh arises from the harmonic series as the interval between the fourth harmonic (second octave of the fundamental) and the seventh harmonic; in that octave, harmonics 4, 5, 6, and 7 constitute a purely consonant major chord with added seventh (root position). When played on the natural horn, as a compromise the note is often adjusted to 16:9 of the root (for C maj7, the substituted note is B, 996.09 cents), but some pieces call for the pure harmonic seventh, including Britten's ''Serenade for Tenor, Horn and Strings''. Composer Ben Johnston uses a small "7" as an accidental to indicate a note is lowered 49 cents ...
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Just Major Seventh
Just or JUST may refer to: __NOTOC__ People * Just (surname) * Just (given name) Arts and entertainment * ''Just'', a 1998 album by Dave Lindholm * "Just" (song), a song by Radiohead * "Just", a song from the album ''Lost and Found'' by Mudvayne * ''Just!'' (series), a series of short-story collections for children by Andy Griffiths JUST * Jordan University of Science and Technology, Jordan * Jessore University of Science & Technology, Bangladesh * Jinwen University of Science and Technology, New Taipei, Taiwan Businesses * Just Group plc, a British company specialising in retirement products and services * Just Group, an Australian owner and operator of seven retail brands * JUST, Inc., an American food manufacturing company See also * * List of people known as the Just * Saint-Just (other) * Justice Justice, in its broadest sense, is the principle that people receive that which they deserve, with the interpretation of what then constitutes "deserving" bein ...
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Diatonic Semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale. For example, C is adjacent to C; the interval between them is a semitone. In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones. In music theory, a distinction is made between a diatonic semitone, or minor second (an interval encompassing two different staff positions, e.g. from C to D) and a chromatic semitone or augmented unison (an interval between two notes at the same staff position, e.g. from C to C). These are enharmonically equivalent when twelve-tone equal temperament is used, but are not the same thing in meantone temper ...
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Septimal Kleisma
In music, the ratio 225/224 is called the septimal kleisma (). It is a minute comma type interval of approximately 7.7 cents. Factoring it into primes gives 2−5 32 52 7−1, which can be rewritten 2−1 (5/4)2 (9/7). That says that it is the amount that two major thirds of 5/4 and a septimal major third, or supermajor third, of 9/7 exceeds the octave. The septimal kleisma can also be viewed as the difference between the diatonic semitone (16:15) and the septimal diatonic semitone In music, a septimal diatonic semitone (or major diatonic semitoneHaluska, Jan (2003). ''The Mathematical Theory of Tone Systems'', p.xxiv & 25. .) is the interval 15:14 . It is about 119.44 cents. The septimal diatonic semitone may be derived f ... (15:14). References {{Intervals, state=expanded 7-limit tuning and intervals Commas (music) 0225:0224 ...
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Major Diatonic Semitone On C
Major (commandant in certain jurisdictions) is a military rank of commissioned officer status, with corresponding ranks existing in many military forces throughout the world. When used unhyphenated and in conjunction with no other indicators, major is one rank above captain, and one rank below lieutenant colonel. It is considered the most junior of the field officer ranks. Background Majors are typically assigned as specialised executive or operations officers for battalion-sized units of 300 to 1,200 soldiers while in some nations, like Germany, majors are often in command of a company. When used in hyphenated or combined fashion, the term can also imply seniority at other levels of rank, including ''general-major'' or ''major general'', denoting a low-level general officer, and ''sergeant major'', denoting the most senior non-commissioned officer (NCO) of a military unit. The term ''major'' can also be used with a hyphen to denote the leader of a military band such as i ...
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Major Diatonic Semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale. For example, C is adjacent to C; the interval between them is a semitone. In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones. In music theory, a distinction is made between a diatonic semitone, or minor second (an interval encompassing two different staff positions, e.g. from C to D) and a chromatic semitone or augmented unison (an interval between two notes at the same staff position, e.g. from C to C). These are enharmonically equivalent when twelve-tone equal temperament is used, but are not the same thing in meantone temper ...
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Minor Diatonic Semitone
In music, the minor diatonic semitone is a ratio of 17:16,Anger, Joseph Humfrey (1912). A Treatise on Harmony with Exercises, Part 3', p.xiv. Boston Music. making it the seventeenth harmonicHaluška, Ján (2003). ''The Mathematical Theory of Tone Systems'', p.xxiv & 25. . or partial. This is in contrast to the 5-limit major diatonic semitone of 16/15. See also *Septimal diatonic semitone In music, a septimal diatonic semitone (or major diatonic semitoneHaluska, Jan (2003). ''The Mathematical Theory of Tone Systems'', p.xxiv & 25. .) is the interval 15:14 . It is about 119.44 cents. The septimal diatonic semitone may be derived f ... References 17-limit tuning and intervals Harmonic series (music) Just tuning and intervals Minor intervals Seconds (music) 0017:0016 {{Intervals, state=autocollapse ...
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Seconds (music)
The second (symbol: s) is the unit of time in the International System of Units (SI), historically defined as of a day – this factor derived from the division of the day first into 24 hours, then to 60 minutes and finally to 60 seconds each (24 × 60 × 60 = 86400). The current and formal definition in the International System of Units ( SI) is more precise:The second ..is defined by taking the fixed numerical value of the caesium frequency, Δ''ν''Cs, the unperturbed ground-state hyperfine transition frequency of the caesium 133 atom, to be when expressed in the unit Hz, which is equal to s−1. This current definition was adopted in 1967 when it became feasible to define the second based on fundamental properties of nature with caesium clocks. Because the speed of Earth's rotation varies and is slowing ever so slightly, a leap second is added at irregular intervals to civil time to keep clocks in sync with Earth's rotation. Uses Analog clocks and watches often have ...
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