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Senjafuda
are votive slips, stickers or placards posted on the gates or buildings of Shinto shrines and Buddhist temples in Japan. Unlike , which bear the name of the shrine, bear the name of the worshipper, and can be purchased pre-printed with common names at temples and shrines throughout Japan, as well as at stationery stores and video game centres. were originally made from wooden slats, but have been made of paper since the Edo period. A single senjafuda measures 1.6 () in width and 4.8 () in height. This gives the a ratio of 1:3. A frame is drawn inside this space which contains the lettering or pictures. In 1887, a measurement for this frame was also established as wide and tall. Ordinarily, the designs were used to commemorate a visit to a temple or shrine and printed with simple monochromatic schemes, but eventually aesthetic sense gave way to colorful variations and designs. In the pleasure quarters of Kyoto, colorful designs were employed on and used in place of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ofuda
In Shinto and Buddhism in Japan, an is a talisman made out of various materials such as paper, wood, cloth or metal. are commonly found in both Shinto shrines and Buddhist temples and are considered to be imbued with the power of the deities () or Buddhist figures revered therein. Such amulets are also called . Certain kinds of are intended for a specific purpose (such as protection against calamity or misfortune, safety within the home, or finding love) and may be kept on one's person or placed on other areas of the home (such as gates, doorways, kitchens, or ceilings). Paper may also be referred to as , while those made of wood may be called . , another kind of Japanese amulet, originated and may be considered as a smaller, portable version of . A specific type of is a talisman issued by a Shinto shrine on which is written the name of the shrine or its enshrined and stamped with the shrine's seal. Such , also called , or , are often placed on household Shinto altars () ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ofuda
In Shinto and Buddhism in Japan, an is a talisman made out of various materials such as paper, wood, cloth or metal. are commonly found in both Shinto shrines and Buddhist temples and are considered to be imbued with the power of the deities () or Buddhist figures revered therein. Such amulets are also called . Certain kinds of are intended for a specific purpose (such as protection against calamity or misfortune, safety within the home, or finding love) and may be kept on one's person or placed on other areas of the home (such as gates, doorways, kitchens, or ceilings). Paper may also be referred to as , while those made of wood may be called . , another kind of Japanese amulet, originated and may be considered as a smaller, portable version of . A specific type of is a talisman issued by a Shinto shrine on which is written the name of the shrine or its enshrined and stamped with the shrine's seal. Such , also called , or , are often placed on household Shinto altars () ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinto Shrine
A is a structure whose main purpose is to house ("enshrine") one or more ''kami'', the deities of the Shinto religion. Overview Structurally, a Shinto shrine typically comprises several buildings. The '' honden''Also called (本殿, meaning: "main hall") is where a shrine's patron ''kami'' is/are enshrined.Iwanami Japanese dictionary The ''honden'' may be absent in cases where a shrine stands on or near a sacred mountain, tree, or other object which can be worshipped directly or in cases where a shrine possesses either an altar-like structure, called a ''himorogi,'' or an object believed to be capable of attracting spirits, called a ''yorishiro,'' which can also serve as direct bonds to a ''kami''. There may be a and other structures as well. Although only one word ("shrine") is used in English, in Japanese, Shinto shrines may carry any one of many different, non-equivalent names like ''gongen'', ''-gū'', ''jinja'', ''jingū'', ''mori'', ''myōjin'', ''-sha'', ''taisha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Temples In Japan
Buddhist temples or Buddhist monasteries together with Shinto shrines, are considered to be amongst the most numerous, famous, and important religious buildings in Japan.The term "Shinto shrine" is used in opposition to "Buddhist temple" to mirror in English the distinction made in Japanese between Shinto and Buddhist religious structures. In Japanese the first are called , the second . The shogunates or leaders of Japan have made it a priority to update and rebuild Buddhist temples since the Momoyama period. The Japanese word for a Buddhist monastery is ( ''kun'' reading) and the same kanji also has the pronunciation ''ji'' (''on'' reading), so that temple names frequently end in ''-dera'' or ''-ji''. Another ending, , is normally used to refer to minor temples. Such famous temples as Kiyomizu-dera, Enryaku-ji and Kōtoku-in are temples which use the described naming pattern. Etymology The Japanese word for a Buddhist temple was anciently also written phonetically 天良, ''ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Votive
A votive offering or votive deposit is one or more objects displayed or deposited, without the intention of recovery or use, in a sacred place for religious purposes. Such items are a feature of modern and ancient societies and are generally made in order to gain favor with supernatural forces. While some offerings were apparently made in anticipation of the achievement of a particular wish, in Western cultures from which documentary evidence survives it was more typical to wait until the wish has been fulfilled before making the offering, for which the more specific term ex-voto may be used. Other offerings were very likely regarded just as gifts to the deity, not linked to any particular need. In Buddhism, votive offering such as construction of stupas was a prevalent practice in Ancient India, an example of which can be observed in the ruins of the ancient Vikramshila University and other contemporary structures. Votive offerings have been described in historical Roman era ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiji Period
The is an era of Japanese history that extended from October 23, 1868 to July 30, 1912. The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. The rapid modernization during the Meiji era was not without its opponents, as the rapid changes to society caused many disaffected traditionalists from the former samurai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannushi
A , also called , is a person responsible for the maintenance of a as well as for leading worship of a given .* ''Kannushi'' (in Japanese), Iwanami Japanese dictionary, 6th Edition (2008), DVD version The characters for are sometimes also read as with the same meaning. History Originally, the were intermediaries between and people and could transmit their will to common humans. A was a man capable of miracles or a holy man who, because of his practice of purificatory rites, was able to work as a medium for a . Later the term evolved to being synonymous with - a man who works at a shrine and holds religious ceremonies there. In ancient times, because of the overlap of political and religious power within a clan, it was the head of the clan who led the clansmen during religious functions, or else it could be another official. Later, the role evolved into a separate and more specialized form. The term appears in both the (680 AD) and (720 AD), where the Empress Jing� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rice Paper
"Rice paper" has many varieties such as rice paper made from tree bark to make drawing and writing paper or from rice flour and tapioca flour and then mixed with salt and water to produce a thin rice cake and dried to become harder and paper-like. It is used to wrap many ingredients when eating. Vietnam is the only country that creates edible rice paper from the process of making rice noodles and pho noodles. Rice paper is a product constructed of paper-like materials made from different plants. These include: *''Thin peeled dried pith of Tetrapanax papyrifer'': A sheet-like "paper" material was used extensively in late 19th century Guangdong, China as a common support medium for gouache paintings sold to Western clients of the era. The term was first defined in the Chinese–English Dictionary of Robert Morrison who referred to the use of the Chinese medicinal plant as material for painting, as well as for making artificial flowers and shoe soles. *''Xuan paper made from paper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gertrude Bass Warner
Gertrude Bass Warner (May 14, 1863 – July 29, 1951) was an American twentieth-century art collector, with particular interests in Asian art, religious artifacts, daily-life textiles, ceramics, paintings, and photographs. She lived, traveled, and collected art in East Asia from 1904 to 1938. In 1922 she became the curator for life and first director of the University of Oregon Museum of Art (today, the Jordan Schnitzer Museum of Art) at the University of Oregon, helping to design the historic building with famed architect Ellis F. Lawrence. She had the museum built to house the collection of more than 3,700 works of art, the Murray Warner Collection of Oriental Art, named after her late husband, Murray Warner. She donated the collection to the University in 1933. She traveled throughout China, Japan, Korea, and Russia purchasing works of art and artifacts, taking photographs, and writing extensive field notes. She visited thousands of cultural sites and studied Shinto, Buddhism, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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