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Scorpion Man
Scorpion men ( akk, 𒄈𒋰𒇽𒍇𒇻, translit=girtablullû or aqrabuamelu) are featured in several Akkadian language myths, including the '' Enûma Elish'' and the Babylonian version of the ''Epic of Gilgamesh''. The Scorpion Men are described to have the head, torso, and arms of a man and the body of a scorpion. Mythology They were first created by Tiamat in order to wage war against the younger gods for the murder of her mate Apsu. In the ''Epic of Gilgamesh'', they stand guard outside the gates of the sun god Shamash at the mountains of Mashu. These give entrance to Kurnugi, the land of darkness. The scorpion men open the doors for Shamash as he travels out each day, and close the doors after him when he returns to the underworld at night. They also warn travellers of the danger that lies beyond their post. Their heads touch the sky, their "terror is awesome" and their "glance is death". This meeting of Gilgamesh, on his way to Utnapishtim, with the Scorpion-folk guardin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mashu
Mashu, as described in the ''Epic of Gilgamesh'' of Mesopotamian mythology, is a great cedar mountain through which the hero-king Gilgamesh passes via a tunnel on his journey to Dilmun after leaving the Cedar Forest, a forest of ten thousand leagues span. Siduri, the alewife, lived on the shore, associated with "the Waters of Death" that Gilgamesh had to cross to reach Utnapishtim in search of the secret of eternal life.Trample, Christopher "A Maiden Guards the Door: Symbolism and Meaning in Mythology" (http://www.public.iastate.edu/~ctrampel/Trampel_Mythology_Journal_Format2.pdf), accessed 02.09.2013 Possible real location reference for story The corresponding location in reality has been the topic of speculation as no confirming evidence has been found. Jeffrey H. Tigay suggests that in the Sumerian version, through its association with the sun god Utu, "(t)he Cedar Mountain is implicitly located in the east, whereas in the Akkadian versions, Gilgamesh's destination (is) removed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthropomorphic Animals
Anthropomorphism is the attribution of human traits, emotions, or intentions to non-human entities. It is considered to be an innate tendency of human psychology. Personification is the related attribution of human form and characteristics to abstract concepts such as nations, emotions, and natural forces, such as seasons and weather. Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters. People have also routinely attributed human emotions and behavioral traits to wild as well as domesticated animals. Etymology Anthropomorphism and anthropomorphization derive from the verb form ''anthropomorphize'', itself derived from the Ancient Greek language, Greek ''ánthrōpos'' (, "human") and ''morphē'' (, "form"). It is first attested in 1753, originally in reference to the heresy of applying a human form to the Christianity, Christian God the Father, God.''Oxford English Dictionary'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mythological Human Hybrids
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many soci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesopotamian Legendary Creatures
Mesopotamia ''Mesopotamíā''; ar, بِلَاد ٱلرَّافِدَيْن or ; syc, ܐܪܡ ܢܗܪ̈ܝܢ, or , ) is a historical region of Western Asia situated within the Tigris–Euphrates river system, in the northern part of the Fertile Crescent. Today, Mesopotamia occupies modern Iraq. In the broader sense, the historical region included present-day Iraq and Kuwait and parts of present-day Iran, Syria and Turkey. The Sumerians and Akkadians (including Assyrians and Babylonians) originating from different areas in present-day Iraq, dominated Mesopotamia from the beginning of written history () to the fall of Babylon in 539 BC, when it was conquered by the Achaemenid Empire. It fell to Alexander the Great in 332 BC, and after his death, it became part of the Greek Seleucid Empire. Later the Arameans dominated major parts of Mesopotamia (). Mesopotamia is the site of the earliest developments of the Neolithic Revolution from around 10,000 BC. It has been i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mythological Arthropods
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many socie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Characters In The Enūma Eliš
Character or Characters may refer to: Arts, entertainment, and media Literature * ''Character'' (novel), a 1936 Dutch novel by Ferdinand Bordewijk * ''Characters'' (Theophrastus), a classical Greek set of character sketches attributed to Theophrastus Music * ''Characters'' (John Abercrombie album), 1977 * ''Character'' (Dark Tranquillity album), 2005 * ''Character'' (Julia Kent album), 2013 * ''Character'' (Rachael Sage album), 2020 * ''Characters'' (Stevie Wonder album), 1987 Types of entity * Character (arts), an agent within a work of art, including literature, drama, cinema, opera, etc. * Character sketch or character, a literary description of a character type * Game character (other), various types of characters in a video game or role playing game ** Player character, as above but who is controlled or whose actions are directly chosen by a player ** Non-player character, as above but not player-controlled, frequently abbreviated as NPC Other uses in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Register (sculpture)
In art and archaeology, in sculpture as well as in painting, a register is a horizontal level in a work that consists of several levels arranged one above the other, especially where the levels are clearly separated by lines. Modern comic books typically use similar conventions. It is thus comparable to a row, or a line in modern texts. In the study of ancient writing, such as cuneiform and Egyptian hieroglyphs, "register" may be used of vertical compartments like columns containing writing that are arranged side by side and separated by lines, especially in cylinder seals, which often mix text and images. Normally, when dealing with images it only refers to row compartments stacked vertically. Among many other cultures, the use of registers is common in Ancient Egyptian art, from the Narmer Palette onwards, and in medieval art in large frescos and illuminated manuscripts. Narrative art, especially covering the lives of sacred figures, is often presented as a sequence of smal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kudurru
A kudurru was a type of stone document used as a boundary stone and as a record of land grants to vassals by the Kassites and later dynasties in ancient Babylonia between the 16th and 7th centuries BC. The original kudurru would typically be stored in a temple while the person granted the land would be given a clay copy to use to confirm legal ownership. Kudurrus are often linked to what are usually called "ancient kudurrus", land grant stones from the third millennium (typically Sargonic and Ur III) which serve a similar purpose though the word kudurru did not emerge until the 2nd millennium (Middle Babylonian in fact). Background The objects are traditionally called kudurru which is Akkadian for "frontier" or "boundary". because early epigraphers frequently found that word in the text and assumed they were placed in agricultural setting, not the temples they actually were. While there is consensus on the main group of kudurru there are other "debatable kudurru for which opinion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scorpion Goddess
A scorpion goddess is a goddess associated with a scorpion theme. Examples include: *Ishara, Eblaite, Mesopotamian, Hurrian and Ugaritic goddess associated with love, oaths, illness and the underworld, represented by a scorpion symbol on ''kudurru'' *Ningirima, Mesopotamian goddess of incantations, was associated with the scorpion star *Chelamma, Hindu goddess of the Southern Karnataka region of India *Malinalxochitl, Aztec goddess of snakes, scorpions and insects * Hedetet, Egyptian scorpion goddess *Ta-Bitjet, Egyptian goddess with antivenomous secretions, consort to Horus *Serket, patron goddess of the Pharaohs and deification of the scorpion *Isis, Egyptian queen mother goddess who sometimes appeared as a scorpion, and was accompanied and guarded by seven minor scorpion deities on her travels *Lisin Lisin was a Mesopotamian deity initially regarded as a goddess and addressed as ''ama'', "mother," who later came to be regarded as a god and developed an association with fire. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utnapishtim
Ut-napishtim or Uta-na’ishtim (in the ''Epic of Gilgamesh''), Atra-Hasis, Ziusudra ( Sumerian), Xisuthros (''Ξίσουθρος'', in Berossus) ( akk, ) is a character in ancient Mesopotamian mythology. He is tasked by the god Enki (Akkadian: Ea) to create a giant ship to be called ''Preserver of Life'' in preparation of a giant flood that would wipe out all life. The character appears in the ''Epic of Gilgamesh'' and is recognized as the inspiration for Noah in the Book of Genesis. Story Ut-napishtim is tasked by the god Enki to abandon his worldly possessions and create a giant ship to be called ''Preserver of Life''. In ''Erra and Išum'', Marduk is said to have been the originator of the flood and the Seven Sages. The ''Preserver of Life'' was made of solid timber, so that the rays of Shamash (the sun) would not shine in, and of equal dimensions in length and width. The design of the ship was supposedly drawn on the ground by Enki, and the frame of the ark, which was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilgamesh
sux, , label=none , image = Hero lion Dur-Sharrukin Louvre AO19862.jpg , alt = , caption = Possible representation of Gilgamesh as Master of Animals, grasping a lion in his left arm and snake in his right hand, in an Assyrian palace relief (713–706 BC), from Dur-Sharrukin, now held in the Louvre , reign=c. 2900–2700 BC ( EDI), predecessor = Dumuzid, the Fisherman (as Ensi of Uruk) , consort = , siblings = , successor = Ur-Nungal Gilgamesh ( akk, , translit=Gilgameš; originally sux, , translit= Bilgames)). His name translates roughly as "The Ancestor is a Young-man", from ''Bil.ga'' "Ancestor", Elder and ''Mes/Mesh3'' "Young-Man". See also . was a hero in ancient Mesopotamian mythology and the protagonist of the ''Epic of Gilgamesh'', an epic poem written in Akkadian during the late 2nd millennium BC. He was possibly a historical king of the Sumerian city-state of Uruk, who was posthumously deified. His rule probably would have taken p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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